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Beyond Dogma presents a record of a 1993 visit to France by His Holiness the Dalai Lama, recipient of the 1989 Nobel Peace Prize and the world's most prominent Buddhist leader. During a series of public lectures and question-and-answer sessions with political activists, religious leaders, students, scientists, Buddhist practitioners, and interfaith organizations, His Holiness responds to a wider range of contemporary social, political, and religious issues. Topics include the practice of Buddhism in the West; nonviolence, human rights, and the Tibetan crisis; ecumenical approaches to spirituality; the meeting of Buddhism and science; and more.
In the storm-swept landscapes of Normandy's coastline lies a village that might just be at the ends of the earth. A woman has recently arrived to seek healing for some deep sorrow, and spends her days cataloguing migratory birds. On the day of a battering storm a stranger appears in the bar, arousing her curiosity. He stirs up suspicion in the village, looking for answers to apparently unanswerable questions about his family lost long years ago in an accident at sea. What actually happened? How was it that the lighthouse did not guide them safely to shore?The eccentric inhabitants of this desolate village seem riveted to old hatreds, determined to leave secrets buried. Gradually the bird-watcher succeeds in unravelling a tragedy at the heart of a community in which many are suffering still from the loss of people they have loved. And in the process finds her own peace.The Breakers is an immensely satisfying and evocative mystery of great depth. Claudie Gallay unpeels the emotions of her unforgettable characters with such subtlety that the reader is captivated.
"We are in an elegant hotel particulier in the center of Paris. Renee, the building's concierge, is short, ugly, and plump. She has bunions on her feet. She is cantankerous and addicted to television soaps. Her only genuine attachment is to her cat, Leo. In short, she is everything society expects from a concierge at a bourgeois building in a posh Parisian neighborhood. But Renee has a secret: she is a ferocious autodidact who furtively devours art, philosophy, music, and Japanese culture. With biting humor she scrutinizes the lives of the building's tenants - her inferiors in every way except that of material wealth." "Then there's Paloma, a super-smart twelve-year-old and the youngest daughter of the Josses, who live on the fifth floor. Talented, precocious, and startlingly lucid, she has come to terms with life's seeming futility and has decided to end her own on the day of her thirteenth birthday. Until then she will continue hiding her extraordinary intelligence behind a mask of mediocrity, acting the part of an average pre-teen high on pop subculture, a good but not an outstanding student, an obedient if obstinate daughter." "Paloma and Renee hide both their true talents and their finest qualities from a world they suspect cannot or will not appreciate them. They discover their kindred souls when a new tenant arrives, a wealthy Japanese man named Ozu. He befriends Paloma and is able to see through Renee's timeworn disguise to the mysterious event that has haunted her since childhood."--BOOK JACKET.
In the heart of Paris, in the posh building made famous in "The Elegance of the Hedgehog", Pierre Arthens, the greatest food critic in the world, is dying. Revered by some and reviled by many, Monsieur Arthens has been lording it over the world's most esteemed chefs for years, passing judgment on their creations, deciding their fates with a stroke of his pen, destroying and building reputations on a whim. But now, during these his final hours, his mind has turned to simpler things. He is desperately searching for that singular flavor, that sublime something once sampled, never forgotten, the 'flavor par excellence'. Indeed, this flamboyant and self-absorbed man desires only one thing before he dies: one last taste. Thus begins a charming voyage that traces the career of Monsieur Arthens from childhood to maturity across a celebration of all manner of culinary delights. Alternating with the voice of the supercilious Arthens is a chorus belonging to his acquaintances and familiars -- relatives, lovers, a would-be protégé, even a cat. Each will have his or her say about M. Arthens, a man who has inspired only extreme emotions in people.
A leading Israeli musician and her protégé return to Jerusalem for three days to perform with the Philharmonic Orchestra. Both women--one a gifted young cellist, one a Holocaust survivor saved by her extraordinary musical talent--have been in America for some time, are quickly caught up in tangled threads from former lives. Elisheva is reunited with her godson, Daniel; Rachel must face both her distant father and Erytan, a former lover, whose lingering power over her now threatens all she has worked for.Elisheva is coaching Rachel for the solo performance, but something else has drawn her to Jerusalem. Another old friend has lured a Nazi eugenicist, the Butcher of Majdanek, to Israel from Venezuela. The Butcher performed torturous experiments on Elisheva, determining not only her fate but also that of her closest friends. On the third day of her stay, the day of the concert, she will take her revenge.Set in the late 1980s, The Third Day is a vivid portrait of life in Jerusalem and a sensitive meditation on the power of music and the sacrifices it demands. And at its heart is a gripping narrative of retribution that brings the novel's many moving strands towards a tense and shattering conclusion.
This book addresses the practices of consumption in tourism, a major theme in the sociology of tourism. To date, most tourism analysis has tended to concentrate on the production of tourist space, and assume that tourism consumption simply mirrors the intentions of the producers. By focusing on a number of relevant sub-themes, such as age, gender, religion and sexual orientation, the chapters within this book critically examine such assumptions in terms of the interplay between the production and consumption of tourist spaces, and how patterns of tourism consumption are negotiated on an individual level.
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