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Learn to Draw 50 Magical CreaturesDraw 50 Magical Creatures teaches aspiring artists how to draw with ease by following simple, step-by-step instructions. Acclaimed author and illustrator Lee J. Ames shows you how to draw an enchanting variety of mystical creatures and legendary beasts, including a stately centaur, a frightening Cyclops, a playful fairy, a bashful mermaid, and so much more. Lee J. Ames's drawing method has proven successful for children and adults alike over the past thirty years. The thirty books in the Draw 50 series have more than five million copies in print and have shown everyone from amateurs to experts how to draw everything from animals to airplanes.Even the youngest artists can make these mythical beasts look great. It's easy when you do it the Draw 50 way.www.draw50.comFrom the Hardcover edition.
In the 1950s and 60s, Martin Heidegger turned to sculpture to rethink the relationship between bodies and space and the role of art in our lives. In his texts on the subject-a catalog contribution for an Ernst Barlach exhibition, a speech at a gallery opening for Bernhard Heiliger, a lecture on bas-relief depictions of Athena, and a collaboration with Eduardo Chillida--he formulates his later aesthetic theory, a thinking of relationality. Against a traditional view of space as an empty container for discrete bodies, these writings understand the body as already beyond itself in a world of relations and conceive of space as a material medium of relational contact. Sculpture shows us how we belong to the world, a world in the midst of a technological process of uprooting and homelessness. Heidegger suggests how we can still find room to dwell therein. Filled with illustrations of works that Heidegger encountered or considered, Heidegger Among the Sculptors makes a singular contribution to the philosophy of sculpture.
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