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The Ghost: A Modern Fantasy

by Arnold Bennett

First published in 1907, The Ghost was the first of many "fantasias on modern times" written by Arnold Bennett. These illustrated his ability to produce not only realistic novels, perfected in his portrayals of provincial English life set in the Staffordshire scenery of his childhood, but also more sensational stories, written after his move to London where he developed a far more cosmopolitan interest. A supernatural story, The Ghost tells the tale of a beautiful opera star, Rosetta Rosa, whose beauty seems to cast a spell upon all those who meet her. When Carl Foster, a young doctor, sees Rosa at a London opera, and is instantly captivated, he soon finds himself plagued by mysterious happenings, and begins to see a malignant, spectral figure everywhere he turns. When another man enraptured by Rosa mysteriously dies, Carl begins to wonder whether loving her could bring with it a deadly curse. Moving between London and Paris, this fast-paced story draws the reader into a ghostly world of twists, turns, drama, and suspense.

How to Live on 24 Hours a Day

by Arnold Bennett

Bennett address the problem of never having enough time. In this book, he urges hourly workers to use "spare" time to improve their lives, making the best of their time outside of work. He understands that most people are spending as much time as possible working to make more money, thus disliking their lives. "Time is money" seriously understates this matter: more time can generate more money, but money cannot buy you more time!

Literary Taste: How to Form It / With Detailed Instructions for Collecting a Complete Library of English Literature

by Arnold Bennett

At the beginning a misconception must be removed from the path. Many people, if not most, look on literary taste as an elegant accomplishment, by acquiring which they will complete themselves, and make themselves finally fit as members of a correct society. They are secretly ashamed of their ignorance of literature, in the same way as they would be ashamed of their ignorance of etiquette at a high entertainment, or of their inability to ride a horse if suddenly called upon to do so. There are certain things that a man ought to know, or to know about, and literature is one of them :such is their idea.

The Old Wives' Tale

by Arnold Bennett

"Every stout, ageing woman is not grotesque -- far from it! -- but there is an extreme pathos in the mere fact that that every stout ageing woman was once a young girl with the unique charm of youth in her form and her movements and in her mind. And the fact that the change from the young girl to the stout ageing woman is made up of an infinite number of infinitesimal changes, each unperceived by her, only intensifies the pathos. It was at (the) instant (of this observation) that I was visited by the idea of writing the book which ultimately became The Old Wives' Tale. " So writes Arnold Bennett in the preface to his masterpiece of realistic fiction, a book that follows the lives of two sisters, Constance and Sophia, from simple days in mid-Victorian England through the chaos and tumult of the modern age. Along the way, a novel is built, detail by rich detail, that rivals the great realistic works of Balzac, Flaubert, Zola, and Maupassant. Critical commentary on classic books is readily available from academics and career critics. But what do the greats have to say about the greats? In addition to the new Introductions we've commissioned from today's top writers and thinkers, we will provide a full Commentary section, excerpting book reviews and other critical essays from major authors -- E. M. Forster on Sinclair Lewis, Virginia Woolf on Forster, etc. We've edited these pieces down to the most salient and provocative passages, or we're running short pieces a

The Statue

by Arnold Bennett Eden Phillpotts

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

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