Come full circle with 180 new, exciting poems selected and introduced by Billy Collins. Inspired by Billy Collins's poem-a-day program for American high schools that he began through the Library of Congress, the original Poetry 180: A Turning Back to Poetry was a gathering of clear, contemporary poems aimed at a wide audience. In180 More, Collins continues his ambitious mission of exposing readers of all ages to the best of today's poetry. Here are another 180 hospitable, engaging, reader-friendly poems, offering surprise and delight in a wide range of literary voices-comic, melancholy, reflective, irreverent. If poetry is the original travel literature, this anthology contains 180 vehicles ready to carry you away to unexpected places. With poems by Robert Bly Carol Ann Duffy Eamon Grennan Mark Halliday Jane Kenyon David Kirby Thomas Lux Donna Masini W. S. Merwin Paul Muldoon Carol Muske-Dukes Vijay Seshadri Naomi Shihab Nye Gerald Stern Ron Padgett Linda Pastan Victoria Redel Franz Wright Robert Wrigley and many more.
"Billy Collins puts the 'fun' back in 'profundity.' "--Alice FultonFrom the two-term Poet Laureate of the United States Billy Collins comes his first compilation of new and selected poems in twelve years. Aimless Love combines more than fifty new poems with selections from four previous books--Nine Horses, The Trouble with Poetry, Ballistics, and Horoscopes for the Dead. Collins's unmistakable voice, which brings together plain speech with imaginative surprise, is clearly heard on every page, reminding us how he has managed to enrich the tapestry of contemporary poetry and greatly expand its audience. His work is featured in top literary magazines such as The New Yorker, Poetry, and The Atlantic, and he sells out reading venues all across the country. Appearing regularly in The Best American Poetry series, his poems appeal to readers and live audiences far and wide and have been translated into more than a dozen languages. By turns playful, ironic, and serious, Collins's poetry captures the nuances of everyday life while leading the reader into zones of inspired wonder. In the poet's own words, he hopes that his poems "begin in Kansas and end in Oz." Touching on the themes of love, loss, joy, and poetry itself, these poems showcase the best work of this "poet of plenitude, irony, and Augustan grace" (The New Yorker).Envoy Go, little book, out of this house and into the world, carriage made of paper rolling toward town bearing a single passenger beyond the reach of this jittery pen and far from the desk and the nosy gooseneck lamp. It is time to decamp, put on a jacket and venture outside, time to be regarded by other eyes, bound to be held in foreign hands. So off you go, infants of the brain, with a wave and some bits of fatherly advice: stay out as late as you like, don't bother to call or write, and talk to as many strangers as you can.Praise for Aimless Love"America's favorite poet."--The Wall Street Journal "[Billy Collins's] poetry presents simple observations, which create a shared experience between [him] and his readers, while further revealing how he takes life's everyday humdrum experiences and makes them vibrant. While Collins's previous collections have already validated his brilliance and staying power as a poet, he continues to reveal an ever-growing maturity."--The Times Leader"In selections from his four most recent collections . . . and fifty-one glimmering new poems, former poet laureate and reader favorite Collins, the maestro of the running-brook line and the clever pivot, celebrates the resonance and absurdity of what might be called the poet's attention-surfeit disorder. . . . But Collins' droll wit is often a diversionary tactic, so that when he strikes you with the hard edge of his darker visions, you reel."--BooklistFrom the Hardcover edition.
In this moving and playful collection, Billy Collins touches on an array of subjects--love, death, solitude, youth, and aging--delving deeper than ever before into the intricate folds of life.
"So welcome, readers, to a plurality of poets, a cornucopia of tropes, and a range of interests." -- From Billy Collins's introduction The Best American Poetry series offers a distinguished poet's selection of poems published in the course of a year. The guest editor for 2006 is Billy Collins, one of our most beloved poets, who has chosen poems of wit, humor, imagination, and surprise, in an array of styles and forms. The result is a celebration of the pleasures of poetry -- from Laura Cronk's marvelous "Sestina for the Newly Married" to the elegant limericks of R. S. Gwynn and from Reb Livingston on butter to Mark Halliday's "Refusal to Notice Beautiful Women." In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.
"A trove of well-wrought, luminous, soul-bracing gifts." -Thomas Lynch (on the 2010 edition) With selection chosen from a vast range of journals and magazines, The Best Spiritual Writing 2011 gathers the finest pieces of spiritual writing to appear in American publications during the past year. The collection offers an opportunity to read intimate and thought-provoking work, ranging from poetry to short fiction to memoir to essay, by some of the nation's most esteemed writers, including Rick Bass, Philip Yancey, Terry Teachout, Robert D. Kaplan, and many others. As Phyllis Tickle said of last year's edition, "there is enough here to feed the hungry heart for years to come."
Poignant, hilarious, and brutally frank, Dear Editor reveals the personalities and untold stories behind the creation of modern poetry. "The history of poetry and Poetry in America are almost interchangeable, certainly inseparable," A. R. Ammons wrote. Dear Editor, in gathering over 600 surprisingly candid letters to and from the editors of Poetry, traces the development of poetry in America: Ezra Pound's opinion of T. S. Eliot ("It is such a comfort to meet a man and not have to tell him to wash his face, wipe his feet") and of Robert Frost ("dull as ditch water...[but] set to be 'literchure' someday"); Edna St. Vincent Millay's pleas for an advance ("I am become very, very thin, and have taken to smoking Virginia tobacco"); Wallace Stevens on himself ("I have a pretty well-developed mean streak"). Here are the inside stories, the rivalries between aspiring authors, the inspirations behind classics, the practicalities (and politicking) of publishing. In fascinating anecdotes and literary gossip, scores of poets offer insights into the creative process and their reactions to historic events.
An anthology of haiku in English, from Ezra Pound's early experiments to the present-day masters. Although haiku started as a Japanese art form, it has found a welcome home in the English-speaking world. With an introduction by former U.S. Poet Laureate Billy Collins, Haiku in English features more than 800 brilliantly chosen poems from over 100 years. By covering a century, the anthology allows readers to reflect on the genre's unique evolution. The poems range from Pound's "In a Station of the Metro" to Jack Kerouac's seminal efforts, to contemporary work, where poems by such widely known poets as Seamus Heaney, Paul Muldoon, and John Ashbery share space with haiku masters including Nick Virgilio, John Wills, and Raymond Roseliep. The first anthology to chart the full range of haiku in the English tradition, Haiku in English is the perfect collection of this spare and elegant genre.
Billy Collins is widely acknowledged as a prominent player at the table of modern American poetry. And in this new collection, Horoscopes for the Dead, the verbal gifts that earned him the title "America's most popular poet" are on full display. The poems here cover the usual but everlasting themes of love and loss, life and death, youth and aging, solitude and union. With simple diction and effortless turns of phrase, Collins is at once ironic and elegiac, as in the opening lines of the title poem: Every morning since you disappeared for good, I read about you in the newspaper along with the box scores, the weather, and all the bad news. Some days I am reminded that today will not be a wildly romantic time for you . . . And in this reflection on his own transience: It doesn't take much to remind me what a mayfly I am, what a soap bubble floating over the children's party. Standing under the bones of a dinosaur in a museum does the trick every time or confronting in a vitrine a rock from the moon. Smart, lyrical, and not afraid to be funny, these new poems extend Collins's reputation as a poet who occupies a special place in the consciousness of readers of poetry, including the many he has converted to the genre.Note to Readers: adjusting the size of the type on your e-reading device may affect the line formatting of this eBook. We have formatted the eBook so that any words that get bumped to a new line in a poem will be noticeably indented.
Ralph Waldo Emerson issued a call for a great poet to capture and immortalize the unique American experience. In 1855, an answer came with Leaves of Grass. Today, this masterful collection remains not only a seminal event in American literature but also the incomparable achievement of one of America's greatest poets--an exuberant, passionate man who loved his country and wrote of it as no other has ever done. Walt Whitman was a singer, thinker, visionary, and citizen extraordinaire. Thoreau called Whitman "probably the greatest democrat that ever lived," and Emerson judged Leaves of Grass as "the most extraordinary piece of wit and wisdom America has yet contributed." The text presented here is that of the "Deathbed" or ninth edition of Leaves of Grass, published in 1892. The content and grouping of poems is the version authorized by Whitman himself for the final and complete edition of his masterpiece. With a foreword by Billy Collins, an afterword by Peter Davison, and a new introduction by Elisabeth Panttaja Brink
From a writer whom Charles Simic calls "one of the finest poets living" comes a collection of witty, compassionate, contemplative, and always surprising poems. Szymborska writes with verve about everything from love unremembered to keys mislaid in the grass. The poems will appear, for the first time, side by side with the Polish originals, in a book to delight new and old readers alike.EVERYTHINGEverything-a bumptious, stuck-up word.It should be written in quotes.It pretends to miss nothing,to gather, hold, contain, and have.While all the while it's justa shred of a gale.
Nine Horses, Billy Collins's first book of new poems since Picnic, Lightning in 1998, is the latest curve in the phenomenal trajectory of this poet's career. Already in his forties when he debuted with a full-length book, The Apple That Astonished Paris, Collins has become the first poet since Robert Frost to combine high critical acclaim with broad popular appeal. And, as if to crown this success, he was appointed Poet Laureate of the United States for 2001-2002, and reappointed for 2002-2003. What accounts for this remarkable achievement is the poems themselves, quiet meditations grounded in everyday life that ascend effortlessly into eye-opening imaginative realms. These new poems, in which Collins continues his delicate negotiations between the clear and the mysterious, the comic and the elegiac, are sure to sustain and increase his audience of avid readers.From the Hardcover edition.
"Bonsai All it takes is one to throw a room completely out of whack. Over by the window it looks hundreds of yards away, a lone stark gesture of wood on the distant cliff of a table. Up close, it draws you in, cuts everything down to its size. Look at it from the doorway, and the world dilates and bloats. The button lying next to it is now a pearl wheel, the book of matches is a raft, and the coffee cup a cistern to catch the same rain that moistens its small plot of dark, mossy earth. For it even carries its own weather, leaning away from a fierce wind that somehow blows through the calm tropics of this room. The way it bends inland at the elbow makes me want to inch my way to the very top of its spiky greenery, hold onto for dear life and watch the sea storm rage, hoping for a tiny whale to appear. I want to see her plunging forward through the troughs, tunneling under the foam and spindrift on her annual, thousand-mile journey. Splitting Wood Frost covered this decades ago, and frost will cover it again tonight, the leafy disarray of this woodland now thinned down to half its trees, but this morning I stand here sweating in a thin shirt as I split a stack of ash logs into firewood with two wedges, an ax, and a blue-headed maul. The pleasures here are well known: the feet planted wide, the silent unstoppable flow of the downswing, the coordination that is called hand-eye, because the hand achieves whatever the concupiscent eye desires when it longs for a certain spot, which, in this case, is the slightest fissure visible at one end of the log where the thin, insinuating edge of the blade can gain entry, where the shape of its will can be done. ..."
This book is a dazzling new anthology of 180 contemporary poems, selected and introduced by America's Poet Laureate, Billy Collins.
Billy Collins's poetry has been described by Gerald Stern as "heartbreakingly beautiful. " Annie Proulx admits, "I have never before felt possessive about a poet, but I am fiercely glad that Billy Collins is ours. " The "New York Times calls him simply "the real thing. " Over the past decade, Collins has garnered critical acclaim and broad popular appeal. To celebrate his years as U. S. Poet Laureate, the three books that helped establish and secure his reputation during the 1990s--"Questions About Angels; The Art Drowning; and "Picnic, Lightning--are now available in special, limited edition hardcovers as well as in paperback.
Sailing Alone Around the Room, by America's Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.From the Trade Paperback edition.
Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world"--the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This enthralling collection includes more than four hundred poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul." And as Billy Collins suggests in his Introduction, "In the age of the workshop, the reading, the poetry conference and festival, Dickinson reminds us of the deeply private nature of literary art."
Playfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise." Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet." In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.From the Hardcover edition.
Playfulness, spare elegance, and wit epitomize the poetry of Billy Collins. With his distinct voice and accessible language, America's two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed. Like the present book's title, Collins's poems are filled with mischief, humor, and irony, "Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone"-but also with quiet observation, intense wonder, and a reverence for the everyday: "The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth-the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise. " Through simple language, Collins shows that good poetry doesn't have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most "serious" poetry: "By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet. " In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing-themes familiar to Collins's fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins's poetry is a window through which we see our lives as if for the first time.
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