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Euripides and the Poetics of Sorrow: Art, Gender, and Commemoration in Alcestis, Hippolytus, and Hecuba

by Charles Segal

Where is the pleasure in tragedy? This question, how suffering and sorrow become the stuff of aesthetic delight, is at the center of Charles Segal's new book, which collects and expands his recent explorations of Euripides' art. Alcestis, Hippolytus, and Hecuba, the three early plays interpreted here, are linked by common themes of violence, death, lamentation and mourning, and by their implicit definitions of male and female roles. Segal shows how these plays draw on ancient traditions of poetic and ritual commemoration, particularly epic song, and at the same time refashion these traditions into new forms. In place of the epic muse of martial glory, Euripides, Segal argues, evokes a muse of sorrows who transforms the suffering of individuals into a "common grief for all the citizens," a community of shared feeling in the theater. Like his predecessors in tragedy, Euripides believes death, more than any other event, exposes the deepest truth of human nature. Segal examines the revealing final moments in Alcestis, Hippolytus, and Hecuba, and discusses the playwright's use of these deaths--especially those of women--to question traditional values and the familiar definitions of male heroism. Focusing on gender, the affective dimension of tragedy, and ritual mourning and commemoration, Segal develops and extends his earlier work on Greek drama. The result deepens our understanding of Euripides' art and of tragedy itself.

The Theban Plays

by Sophocles David Grene Charles Segal

The legends surrounding Oedipus of Thebes and his ill-fated offspring provide the subject matter for Sophocles' three greatest plays, which together represent Greek drama at the pinnacle of its achievement. Oedipus the King, the most famous of the three, has been characterized by critics from Aristotle to Coleridge as the perfect exemplar of the art of tragedy, in its unforgettable portrayal of a man's failed attempt to escape his fate. In Oedipus at Colonus, the blind king finds his final release from the sufferings the gods have brought upon him, and Antigone completes the downfall of the House of Cadmus through the actions of Oedipus's magnificent and uncompromising daughter defending her ideals to the death. All three of The Theban Plays, while separate, self-contained dramas, draw from the same rich well of myth and showcase Sophocles' enduring power. Translated by David Grene.

The Theban Plays: Oedipus The King Oedipus at Colonus Antigone: Sophocles

by David Grene Charles Segal James Hogan

(Book Jacket Status: Jacketed)The legends surrounding Oedipus of Thebes and his ill-fated offspring provide the subject matter for Sophocles' three greatest plays, which together represent Greek drama at the pinnacle of its achievement.Oedipus the King, the most famous of the three, has been characterized by critics from Aristotle to Coleridge as the perfect exemplar of the art of tragedy, in its unforgettable portrayal of a man's failed attempt to escape his fate. In Oedipus at Colonus, the blind king finds his final release from the sufferings the gods have brought upon him, and Antigone completes the downfall of the House of Cadmus through the actions of Oedipus's magnificent and uncompromising daughter defending her ideals to the death. All three of The Theban Plays, while separate, self-contained dramas, draw from the same rich well of myth and showcase Sophocles' enduring power.Translated by David Grene.From the Hardcover edition.

Showing 1 through 3 of 3 results

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