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"In the 1860s, western alienation began at Yonge Street, and George Brown was the Preston Manning of the day. " So begins Christopher Moore's fascinating 1990s look at the messy, dramatic, crisis-ridden process that brought Canada into being - and at the politicians, no more lovable or united than our own, who, against all odds, managed to forge a deal that worked. From the first chapter, he turns a fresh, perceptive, and lucid eye on the people, the issues, and the political theories of Confederation - from John A. Macdonald's canny handling of leadership to the invention of federalism and the Senate, from the Quebec question to the influence of political philosophers Edmund Burke and Walter Bagehot. This is a book for all Canadians who love their country - and fear for it after the failure of the constitution-making of the 1990s. Here is a clear, entertaining reintroduction to the ideas and processes that forged the nation. From the Hardcover edition.
The city of San Francisco is being stalked by a huge shaved vampyre cat named Chet, and only I, Abby Normal, emergency backup mistress of the Greater Bay Area night, and my manga-haired love monkey, Foo Dog, stand between the ravenous monster and a bloody massacre of the general public. Whoa. And this is a love story? Yup. 'Cept there's no whining. See, while some lovers were born to run, Jody and Tommy were born to bite. Well, reborn, that is, now that they're vampires. Good thing theirs is an undying love, since their Goth Girl Friday, Abby Normal, imprisoned them in a bronze statue. Abby wants to be a bloodsucking fiend, too, but right now she's really busy with other stuff, like breaking in a pair of red vinyl thigh-high Skankenstein® platform boots and wrangling her Ph.D.-candidate boyfriend, Steve (the love monkey). And then there's that vampire cat Chet, who's getting bigger and smarter-and thirstier-by the minute. Abby thought she and Steve could handle the kitty cat on their own, mais non . . . Before you can say "OMG! WTF?" Tommy and Jody are sprung from captivity, and join forces with Abby, Steve, the frozen-turkey-bowling Safeway crew, the Emperor of San Francisco and his trusty dogs Lazarus and Bummer, Abby's gay Goth friend Jared, and SF's finest Cavuto and Rivera to hunt big cat and save the city. And that's when the fun really begins.
Jody never asked to become a vampire. But when she wakes up under an alley Dumpster with a badly burned arm, an aching back, superhuman strength, and a distinctly Nosferatuan thirst, she realizes the decision has been made for her. Making the transition from the nine-to-five grind to an eternity of nocturnal prowlings is going to take some doing, however, and that's where C. Thomas Flood fits in. A would-be Kerouac from Incontinence, Indiana, Tommy (to his friends) is biding his time night-clerking and frozen-turkey bowling in a San Francisco Safeway. But all that changes when a beautiful undead redhead walks through the door...and proceeds to rock Tommy's life -- and afterlife -- in ways he never thought possible.
"One July day four hundred years ago, Samuel de Champlain stepped out of a small boat at Quebec and began a great adventure." So begins Christopher Moore's riveting account of the life of the extraordinary, daring "father of New France." Samuel de Champlain helped found the first permanent French settlement in the New World; he established the village that eventually became the great city of Quebec; he was a skilled cartographer who gave us many of our first accurate maps of North America; he forged alliances with Native nations that laid the foundations for vast trading networks; and as governor, he set New France on the road to becoming a productive, self-sufficient, thriving colony. But Champlain was also a man who suffered his share of defeats and disappointments. That first permanent settlement was abandoned after a disastrous winter claimed the lives of half the colonists. His marriage to a child bride was unhappy and marked by long separations. Eventually Quebec had to be surrendered temporarily to the English in 1629. In this remarkable book, illustrated entirely with paintings, archival maps, and original artifacts, Christopher Moore brings to life this complex man and, through him, creates a portrait of Canada in its earliest days. Champlain is illustrated with archival maps and paintings. Additional artwork has been provided by Francis Back.From the Hardcover edition.
From bestselling author Christopher Moore comes a quirky, irreverent novel of love, myth, metaphysics, outlaw biking, and outrageous redemption.
Charlie Asher is a pretty normal guy with a normal life, married to a bright and pretty woman who actually loves him for his normalcy. They're even about to have their first child. Yes, Charlie's doing okay--until people start dropping dead around him, and everywhere he goes a dark presence whispers to him from under the streets. Charlie Asher, it seems, has been recruited for a new position: as Death. It's a dirty job. But, hey! Somebody's gotta do it.
Just why do humpback whales sing? That's the question that has marine behavioral biologist Nate Quinn and his crew poking, charting, recording, and photographing very big, wet, gray marine mammals. Until the extraordinary day when a whale lifts its tail into the air to display a cryptic message spelled out in foot-high letters: Bite me. Trouble is, Nate's beginning to wonder if he hasn't spent just a little too much time in the sun. 'Cause no one else on his team saw a thing -- not his longtime partner, Clay Demodocus; not their saucy young research assistant; not even the spliff-puffing white-boy Rastaman Kona (né Preston Applebaum). But later, when a roll of film returns from the lab missing the crucial tail shot -- and his research facility is trashed -- Nate realizes something very fishy indeed is going on. By turns witty, irreverent, fascinating, puzzling, and surprising, Fluke is Christopher Moore at his outrageous best.
"This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as nontraditional grammar, split infinitives, and the odd wank . . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!" Verily speaks Christopher Moore, much beloved scrivener and peerless literary jester, who hath writteneth much that is of grand wit and belly-busting mirth, including such laurelled bestsellers of the Times of Olde Newe Yorke as Lamb, A Dirty Job, and You Suck (no offense). Now he takes on no less than the legendary Bard himself (with the utmost humility and respect) in a twisted and insanely funny tale of a moronic monarch and his deceitful daughters-a rousing story of plots, subplots, counterplots, betrayals, war, revenge, bared bosoms, unbridled lust . . . and a ghost (there's always a bloody ghost), as seen through the eyes of a man wearing a codpiece and bells on his head. Fool A man of infinite jest, Pocket has been Lear's cherished fool for years, from the time the king's grown daughters-selfish, scheming Goneril, sadistic (but erotic-fantasy-grade-hot) Regan, and sweet, loyal Cordelia-were mere girls. So naturally Pocket is at his brainless, elderly liege's side when Lear-at the insidious urging of Edmund, the bastard (in every way imaginable) son of the Earl of Gloucester-demands that his kids swear their undying love and devotion before a collection of assembled guests. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of . . . well . . . stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot. Well, now the bangers and mash have really hit the fan. The whole damn country's about to go to hell in a handbasket because of a stubborn old fart's wounded pride. And the only person who can possibly make things right . . . is Pocket, a small and slight clown with a biting sense of humor. He's already managed to sidestep catastrophe (and the vengeful blades of many an offended nobleman) on numerous occasions, using his razor-sharp mind, rapier wit . . . and the equally well-honed daggers he keeps conveniently hidden behind his back. Now he's going to have to do some very fancy maneuvering-cast some spells, incite a few assassinations, start a war or two (the usual stuff)-to get Cordelia back into Daddy Lear's good graces, to derail the fiendish power plays of Cordelia's twisted sisters, to rescue his gigantic, gigantically dim, and always randy friend and apprentice fool, Drool, from repeated beatings . . . and to shag every lusciously shaggable wench who's amenable to shagging along the way. Pocket may be a fool . . . but he's definitely not an idiot.
Traces human civilization from early bands of hunter-gatherers to the multicultural world cities of the present, covering the development of agriculture, empires, law, and the major religions, the rise of Europe, colonies, and industrialization.
Outrageously funny New York Times bestselling author Christopher Moore and award-winning screenwriter-director Ian Corson team up for a wacky and entertaining graphic tale of alien invasion and a motley crew of Earthlings trying to stay alive and, oh, yeah, save humankind. The mayhem begins when an ancient alien beacon is unwittingly activated, summoning behemoth spaceships from the far reaches of the galaxy. Hovering in Earth's atmosphere, they release a biblical stream of pods that transform into minivan-size, people-eating, flying lizardy things that look like mythological griffins. Destroying communications, emergency, and military infrastructure, they systematically kill everyone on the planet. Well, almost everyone. A pesky trio of New Yorkers isn't about to roll out the red carpet-or roll over and die-for these unwelcome intergalactic marauders. Unlikely heroes Mo, a snarky, Gothy game-goddess; Steve, a skateboard-punk schwag whore; and Curt, the obligatory buff commando expert in weaponry (and a genius with cosmetics), are going to take it to the aliens-and Florida is where the fight is. Armed with M-16s, a BFG (big f**king gun), and a surplus of guts, they'll battle their way from the Big Apple to Orlando, where a downed spacecraft is the most awesome new attraction. And in the Sunshine State another pair of courageous (and pretty damn lucky) humans who have outwitted the toothy Überlizards await: Liz, a babelicious killer whale trainer at Ocean World, and Oscar, a chain-smoking middle-aged professional squirrel (seriously-he's paid to wear that squirrel costume). Once united, the intrepid warriors will attempt to infiltrate the alien spacecraft, defeat the spacer invaders, and save (what's left) of the world-and, if Steve plays his cards right, begin the fun of repopulating Earth all over again.
Take a wonderfully crazed excursion into the demented heart of a tropical paradise--a world of cargo cults, cannibals, mad scientists, ninjas, and talking fruit bats. Our bumbling hero is Tucker Case, a hopeless geek trapped in a cool guy's body, who makes a living as a pilot for the Mary Jean Cosmetics Corporation. But when he demolishes his boss's pink plane during a drunken airborne liaison, Tuck must run for his life from Mary Jean's goons. Now there's only one employment opportunity left for him: piloting shady secret missions for an unscrupulous medical missionary and a sexy blond high priestess on the remotest of Micronesian hells. Here is a brazen, ingenious, irreverent, and wickedly funny novel from a modern master of the outrageous.
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer). Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.
In 1783 and 1784, some fifty thousand Americans felt that they could not support the revolution against Britain. They were called Loyalists - and there would be no place for them in the new United States.As they streamed into the Canadian colonies to the north, they changed forever the face of settlement there. Their arrival would eventually lead to the formation of the provinces of New Brunswick and Ontario.First published in hardcover in 1984, the bicentenary of the migration, The Loyalists tells the very human story of these people - of the societies that shaped them, the attitudes that motivated them, and the circumstances that determined their future and influenced the future of Canada. It went on to win the Secretary of State's Prize for Excellence in Canadian Studies.From the Trade Paperback edition.
The town psychiatrist has decided to switch everybody in Pine Cove, California, from their normal antidepressants to placebos, so naturally--well, to be accurate, artificially--business is booming at the local blues bar. Trouble is, those lonely slide-guitar notes have also attracted a colossal sea beast named Steve with, shall we say, a thing for explosive oil tanker trucks. Suddenly, morose Pine Cove turns libidinous and is hit by a mysterious crime wave, and a beleaguered constable has to fight off his own gonzo appetites to find out what's wrong and what, if anything, to do about it.
In Christopher Moore's ingenious debut novel, we meet one of the most memorably mismatched pairs in the annals of literature. The good-looking one is one-hundred-year-old ex-seminarian and "roads" scholar Travis O'Hearn. The green one is Catch, a demon with a nasty habit of eating most of the people he meets. Behind the fake Tudor façade of Pine Cove, California, Catch sees a four-star buffet. Travis, on the other hand, thinks he sees a way of ridding himself of his toothy traveling companion. The winos, neo-pagans, and deadbeat Lotharios of Pine Cove, meanwhile, have other ideas. And none of them is quite prepared when all hell breaks loose.
It is the color of the Virgin Mary's cloak, a dazzling pigment desired by artists, an exquisite hue infused with danger, adventure, and perhaps even the supernatural. It is . . . SacrÉ Bleu In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his own life . . . and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends-baker-turned-painter Lucien Lessard and bon vivant Henri Toulouse-Lautrec-who vow to discover the truth about van Gogh's untimely death. Their quest will lead them on a surreal odyssey and brothel-crawl deep into the art world of late nineteenth-century Paris. Oh lÀ lÀ, quelle surprise, and zut alors! A delectable confection of intrigue, passion, and art history-with cancan girls, baguettes, and fine French cognac thrown in for good measure-SacrÉ Bleu is another masterpiece of wit and wonder from the one, the only, Christopher Moore.
'Twas the night (okay, more like the week) before Christmas, and all through the tiny community of Pine Cove, California, people are busy buying, wrapping, packing, and generally getting into the holiday spirit. But not everybody is feeling the joy. Little Joshua Barker is in desperate need of a holiday miracle. No, he's not on his deathbed; no, his dog hasn't run away from home. But Josh is sure that he saw Santa take a shovel to the head, and now the seven-year-old has only one prayer: Please, Santa, come back from the dead. But hold on! There's an angel waiting in the wings. (Wings, get it?) It's none other than the Archangel Raziel come to Earth seeking a small child with a wish that needs granting. Unfortunately, our angel's not sporting the brightest halo in the bunch, and before you can say "Kris Kringle," he's botched his sacred mission and sent the residents of Pine Cove headlong into Christmas chaos, culminating in the most hilarious and horrifying holiday party the town has ever seen. Move over, Charles Dickens -- it's Christopher Moore time.
Being undead sucks. Literally. Just ask C. Thomas Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, is a vampire. And surprise! Now he's one, too. For some couples, the whole biting-and-blood thing would have been a deal breaker. But Tommy and Jody are in love, and they vow to work through their issues. But word has it that the vampire who initially nibbled on Jody wasn't supposed to be recruiting. Even worse, Tommy's erstwhile turkey-bowling pals are out to get him, at the urging of a blue-dyed Las Vegas call girl named (duh) Blue. And that really sucks.
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