David French picked up the newspaper in the comfort of his penthouse in Philadelphia, and read about a soldier - father of two - who was wounded in Iraq. Immediately, he was stricken with a question: Why him and not me? This is the story of what happens when a person - rather a family - answers the call to serve their nation. David was a 37-year-old father of two, a Harvard Law graduate and president of a free speech organization. In other words, he was used to pushing pencils, not toting M16s. His wife Nancy was raising two children and writing from home. She was worrying about field trips and playdates, not about her husband going to war. HOME AND AWAY chronicles not just a soldier at war, but a family at war - a husband in Iraq, a wife and children at home, greeting each day with hope and fear, facing the challenge with determination, tears, and more than a little joy.
David French's adaptation of August Strindberg's disturbing and enduring drama of the transgressive affair between the daughter of a count and the count's man-servant has an eerie contemporary feel about it. French has sharpened the psychodramas of the original - scenes of desire, anger, jealousy, coercion, manipulation, exploitation, arrogance, dominance, submission, and deceit. Cast of 2 women and 1 man.
Jay Sekulow, one of America's most influential attorneys, closely examines the rise of the terrorist groups ISIS and Hamas, explains their objectives and capabilities and how, if left undefeated, their existence could unleash a genocide of historic proportions.Recently, the world has been shaken by gruesome photos and videos that have introduced us to the now infamous terrorist group known as ISIS. The world's wealthiest and most powerful jihadists, ISIS originated within Al Qaeda with the goal of creating an Islamic state across Iraq and Syria and unrelenting jihad on Christians. Separate from ISIS, the terrorist group Hamas has waged an equally brutal war against Israel. Both groups, if left undefeated, have the potential to unleash a catastrophic genocide. Rise of ISIS gives a better understanding of the modern face of terror, and provides an overview of the laws of war and war crimes. These laws differentiate between the guilty and innocent, and explain why the US military and the Israeli Defense Forces are often limited in their defensive measures. The authors' firsthand experience, including multiple appearances before the Office of the Prosecutor, International Criminal Court at The Hague, along with direct contact battling jihadists during operation Iraqi Freedom lends insight into this important geopolitical issue. A must-have for anyone who wants to better understand the conflict that exists in the middle east, this well-researched and fully annotated volume is invaluable in revealing how this new brand of terrorism poses a very real threat to Americans and the world at large. It also serves as a guide to what we as individuals--and as a nation--can do to stop this escalating violence, prevent jihad, and protect Israel and America from this imminent threat. Includes an exclusive track from the Jay Sekulow Band, Where I Stand, a moving tribute to the persecuted Christians in Iraq.
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety. In this collection of short stories, following the adventures of the hit collection THE LAST WISH, join Geralt as he battles monsters, demons and prejudices alike...
It's Memorial Day, 1990, and Margaret Ryan has returned from Vermont to the Ontario cottage country where, thirty-two years before, she had vacationed with her disintegrating family at a lakeside resort. For herself and her sister Daisy, it was a time of awakening, a time of discovery. Both of the girls fall in love with two of the local boys. Daisy, on the lookout for action, cruising the dances at the resort, can't deal with what she initiates, and falls victim to her own confusion and naiveté. Not even the neighbour, the eccentric, bourbon-drinking, cigar-smoking Mrs. Crump, who knows all the fairy-tale spells to capture the heart of a lover, can save Daisy from drowning in her own misadventure. At the same time, Margaret, bookish and withdrawn, inhabiting a universe defined by poets and novelists, is seduced in spite of herself. As Margaret, the narrator, watches Maggie, her younger self, relive the innocence and beauty of that summer, the play moves inexorably back to the heartbreak of a headlong surrender to experience, both won and lost in a single day. Cinematic in its feel and pacing, recalling the 1950s genre of Dirty Dancing and My American Cousin, That Summer is a meditation on what endures of fleeting moments over time. Cast of 5 women and 2 men.
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