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Two of America's most talented activists team up to deliver a bold and hilarious satire of modern environmental policy in this fully illustrated graphic novel. The U.S. government gives robot machines from space permission to eat the earth in exchange for bricks of gold. A one-eyed bunny rescues his friends from a corporate animal-testing laboratory. And two little girls figure out the secret to saving the world from both of its enemies (and it isn't by using energy-efficient light bulbs or biodiesel fuel). As the World Burns will inspire you to do whatever it takes to stop ecocide before it's too late.
Celebrated American Indian thinker Jack D. Forbes's Columbus and Other Cannibals was one of the founding texts of the anti-civilization movement when it was first published in 1978. His history of terrorism, genocide, and ecocide told from a Native American point of view has inspired America's most influential activists for decades. Frighteningly, his radical critique of the modern "civilized" lifestyle is more relevant now than ever before. Identifying the Western compulsion to consume the earth as a sickness, Forbes writes: "Brutality knows no boundaries. Greed knows no limits. Perversion knows no borders. . . . These characteristics all push towards an extreme, always moving forward once the initial infection sets in. . . . This is the disease of the consuming of other creatures' lives and possessions. I call it cannibalism."This updated edition includes a new chapter by the author.
Derrick Jensen takes no prisoners inThe Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyricalA Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believeis a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.
For years, Derrick Jensen has asked his audiences, "Do you think this culture will undergo a voluntary transformation to a sane and sustainable way of life?" No one ever says yes.Deep Green Resistance starts where the environmental movement leaves off: industrial civilization is incompatible with life. Technology can't fix it, and shopping--no matter how green--won't stop it. To save this planet, we need a serious resistance movement that can bring down the industrial economy. Deep Green Resistance evaluates strategic options for resistance, from nonviolence to guerrilla warfare, and the conditions required for those options to be successful. It provides an exploration of organizational structures, recruitment, security, and target selection for both aboveground and underground action. Deep Green Resistance also discusses a culture of resistance and the crucial support role that it can play.Deep Green Resistance is a plan of action for anyone determined to fight for this planet--and win.
For years, Derrick Jensen has asked his audiences, "Do you think this culture will undergo a voluntary transformation to a sane and sustainable way of life?" No one ever says yes. Deep Green Resistance starts where the environmental movement leaves off: industrial civilization is incompatible with life. Technology can't fix it, and shopping--no matter how green--won't stop it. To save this planet, we need a serious resistance movement that can bring down the industrial economy. Deep Green Resistance evaluates strategic options for resistance, from nonviolence to guerrilla warfare, and the conditions required for those options to be successful. It provides an exploration of organizational structures, recruitment, security, and target selection for both aboveground and underground action. Deep Green Resistance also discusses a culture of resistance and the crucial support role that it can play. Deep Green Resistance is a plan of action for anyone determined to fight for this planet--and win.
In an age marked by seemingly unstoppable environmental collapse and the urgent quest for solutions, environmental philosopher Derrick Jensen, the voice of the growing deep ecology movement, reveals for us new seeds of hope. Here for the first time in The Derrick Jensen Reader are collected generous selections from his prescient, unflinching books on the problem of civilization and the path to true resistance.In the acclaimed A Language Older Than Words, Jensen dissects his own abusive childhood to examine the pathology of Western culture and shares with us the power and beauty of an alliance with the natural world. He continues to use the lens of his own experience as well as the wisdom of philosophers, activists, and teachers to expose oppression and call us to action in his other early works, Listening to the Land, A Culture of Make Believe, Strangely Like War, and Walking on Water. We see his analysis deepen when he asks us to accept that the only moral response to biocide is resistance in the two-volume Endgame, a truth he explores further in Thought to Exist in the Wild, What We Leave Behind, the graphic novel As The World Burns, and in his two novels, Songs of the Dead and Lives Less Valuable. And in Dreams, Jensen's latest work, he leads us still further toward his vision for a healed planet, freeing us to see beyond the limits of our present culture to a future luminous with meaning.
Jensen's furthest-reaching book yet, Dreams challenges the "destructive nihilism" of writers like Richard Dawkins and Sam Harris who believe that there is no reality outside what can be measured using the tools of science. He introduces the mythologies of ancient cultures and modern indigenous peoples as evidence of alternative ways of understanding reality, informed by thinkers such as American Indian writer Jack Forbes, theologian and American Indian rights activist Vine Deloria, Shaman Martin Prechtel, Dakota activist and scholar Waziyatawin, and Okanagan Indian writer Jeannette Armstrong. He draws on the wisdom of Dr. Paul Staments, author of Mycelium Running: How Mushrooms Can Help Save the World, sociologist Stanley Aronowitz, who discusses science's lack of accountability to the earth, and many more. As in his other books, Jensen draws heavily from his own life experience living alongside the frogs, redwoods, snails, birds and bears of the upper northwest, about which he writes with exquisite tenderness.Having taken on the daunting task of understanding one's dreams as a source of knowledge, Jensen achieves the near-impossible in this breathtakingly brave and ambitious new work.
The annual conference Earth at Risk: Building a Resistance Movement to Save the Planet features environmental thinkers and activists who are willing to ask the hardest questions about the seriousness of the planet's situation, and this book presents an impassioned critique of the dominant culture from every angle. Speakers from the conference are featured in this volume and include William Catton, who explains ecological overshoot; Thomas Linzey, who gives a fiery call for community sovereignty; Jane Caputi, who exposes patriarchy's mythic dismemberment of the goddess; Aric McBay, who discusses historically effective resistance strategies; and Stephanie McMillan, who takes down capitalism. One by one, they build an unassailable case that the rich should be deprived of their ability to steal from the poor and the powerful of their ability to destroy the planet. These speakers offer their ideas on what can be done to build a real resistance movement: one that includes all levels of direct action that can actually match the scale of the problem. Also included are the speakers Derrick Jensen, Arundhati Roy, Rikki Ott, Gail Dines, Waziyatawin, Lierre Keith, and Nora Barrows-Friedman.
The long-awaited companion piece to Derrick Jensen's immensely popular and highly acclaimed works A Language Older Than Words and The Culture of Make Believe. Accepting the increasingly widespread belief that industrialized culture inevitably erodes the natural world, Endgame sets out to explore how this relationship impels us towards a revolutionary and as-yet undiscovered shift in strategy. Building on a series of simple but increasingly provocative premises, Jensen leaves us hoping for what may be inevitable: a return to agrarian communal life via the disintegration of civilization itself.
Endgame, Volume 1 builds on a series of simple but increasingly provocative premises: for example, "The needs of the natural world are more important than the needs of any economic system" and "Love does not imply pacifism." A brilliant weaving together of piercing analysis and elegant prose, Endgame leads us to see that we can re-imagine our world. Derrick Jensen is the acclaimed author of A Language Older Than Words and The Culture of Make Believe, among many others. Author, teacher, activist, small farmer, and leading voice of uncompromising dissent, he regularly stirs auditoriums across the country with revolutionary spirit. Jensen holds a degree in creative writing from Eastern Washington University, a degree in mineral engineering physics from the Colorado School of Mines, and has taught at Eastern Washington University and Pelican Bay State Prison.
Whereas Volume 1 of Endgame presents the problem of civilization, Volume 2 of this pivotal work illustrates our means of resistance. Incensed and hopeful, impassioned and lucid, Endgame leapfrogs the environmental movement's deadlock over our willingness to change our conduct, focusing instead on our ability to adapt to the impending ecological revolution.
Interviews with Vine Deloria, Jesse Wolf Hardin, David Abram, Kathleen Dean Moore, Carolyn Raffensperger, George Draffan, Steven Wise, Jan Lundberg, Thomas Berry, David Edwards. In this collection of interviews, Derrick Jensen discusses the destructive dominant culture with ten people who have devoted their lives to undermining it. Whether it is Carolyn Raffensperger and her radical approach to public health, or Thomas Berry on perceiving the sacred; be it Kathleen Dean Moore reminding us that our bodies are made of mountains, rivers, and sunlight; or Vine Deloria asserting that our dreams tell us more about the world than science ever can, the activists and philosophers interviewed in How Shall I Live My Life? each bravely present a few of the endless forms that resistance can and must take. Hailed as the philosopher poet of the ecological movement, Derrick Jensen is the widely acclaimed author of Endgame, A Language Older Than Words, The Culture of Make Believe (a finalist for the 2003 J. Anthony Lukas Book Prize), and Walking on Water, among many others. Jensen's writing has been described as "breaking and mending the reader's heart" (Publishers Weekly). Author, teacher, activist, and leading voice of uncompromising dissent, he regularly stirs auditoriums across the country with revolutionary spirit. He lives in Crescent City, California.
The knitting circle is comprised of six women who meet every week to talk, eat cake and make fabulous sweaters. Until the night they realize that they've all survived rape and that not one of their assailants has suffered a single consequence. Enough is enough. The knitting circle becomes the Knitting Circle Rapist Annihilation Squad and retribution begins, but not without problems from the sinister group Men Against Women Against Rapists. Written by acclaimed author and leading voice of dissent, Derrick Jensen, this novel is both darkly comic and deadly serious.
Derrick Jensen writes: 'We are members of the most destructive culture ever to exist. Our assaults on the natural world, on indigenous and other cultures, on women, on children, on all of us through the possibility of nuclear suicide and other means - all these are unprecedented in their magnitude and ferocity. Why do we act as we do? What are sane and effective responses to outrageously destructive behaviour? What will it take for us to stop the horrors that characterise our way of being? My work and life revolve around these questions. Every morning when I wake up I ask myself if I should write or blow up a dam. Every day I tell myself I should continue writing. Yet I am not always convinced I am making the right decision. ' In this powerful mix of memoir and environmental expose, Derrick Jensen, considered the pre-eminent environmental activist writing in the USA today, argues that the modern industrial economy abuses our environment, destroys meaningful work and disconnects us from the natural world. Threaded through this analysis is his own personal account of attempting to transcend the legacies of childhood abuse, to reject our societies' exploitative selfishness and to live in harmony with non-human life. Derrick Jensen offers startling insights into how the pathology of violence (particularly from governments and corporations) permeates our cultures - and the impact this has on our health, relationships, communities and the myriad life-forms with whom we share our planet. This is not just one man's inspiring and compelling story - it is the story of us all. '. . . A Language Older Than Words tells the uncensored truth in a way that no one else has, breaks our hearts open in all the right ways, and suggests how we might fully rejoin the Earth community. This vital book is one of the most important I've read. It will be for you, as well. ' Bill Plotkin, author Nature and the Human Soul and Soulcraft. '. . . I urge everyone committed to making a difference to read this confronting, liberating and hopeful book. ' Professor Stuart Hill, Foundation Chair, School of Social Ecology, UWS, Sydney. 'Singular, compelling and courageously honest, this book is more than just a poignant memoir of a harrowingly abusive childhood. It relates the extraordinary journey of one man striving to save his own spirit and our planet's . . . ' Publishers Weekly.
In this far-ranging and heartening collection, Derrick Jensen gathers conversations with environmentalists, theologians, Native Americans, psychologists, and feminists, engaging some of our best minds in an exploration of more peaceful ways to live on Earth. Included here is Dave Foreman on biodiversity, Matthew Fox on Christianity and nature, Jerry Mander on technology, and Terry Tempest Williams on an erotic connection to the land. With intelligence and compassion, Listening to the Land moves from a look at the condition of the environment and the health of our spirit to a beautiful evocation of eros and a life based on love.
Declaring American culture "the most destructive culture ever to exist," this work presents 29 interviews with a range of activists, theologians, psychologists, and other thinkers who trace a range of themes of related to the relationship between culture and environmental destruction. Among the figures interviewed are Earth First! cofounder Dave Foreman, historian of religion Thomas Berry, technology critic Jerry Mander, Chickasaw poet and novelist Linda Hogan, psychologist Robert Jay Lifton, Native American scholar and activist Ward Churchill, and feminist and peace activists Starhawk. Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)
At the heart of a city, a river is dying, children have cancer, and people are burning with despair. From the safe distance that wealth buys, a corporation called Vexcorp counts these lives as another expense on a balance sheet. But that distance is about to collapse. Malia is an activist who has fiercely fought the everyday atrocities of environmental racism. After years of watching countless children die, she's lost faith in the possibility of systemic reform. Dennis is a lawyer who still believes that if enough people have the correct information they will do the right thing. Dujuan is a young street thug torn by a chaos of grief and rage at his little sister's death. And Larry Gordon is Vexcorp's CEO. Derrick Jensen has written a novel as compelling as it is necessary: with our planet under serious threat, Malia's decisions face us all.
A scathing indictment of U. S. domestic and foreign policy, this collection of interviews gathers incendiary insights from 10 of today's most eperienced and knowledgeable activists. Whether it's Ramsey Clark describing the long history of military invasion, Alfred McCoy detailing the relationship between CIA activities and the increase in the global heroin trade, Stephen Schwartz reporting the obscene costs of nuclear armaments, or Katharine Albrecht tracing the horrors of the modern surveillance state, this investigation of global governance is sure to inform, engage, and incite readers. This book explores many of the consequences of empire and the methods it uses to enforce its license to extract and exploit. Anuradha Mittal describes the effects of colonialism and global trade on food security. Juliet Schor, Katherine Albrecht, and Christian Parenti discuss some of the mechanisms of repression on the home front, as citizens at its center are overworked, surveilled, and imprisoned. J.W. Smith explains how empire begins in the monopolization of land and ends in a global economy based on total control. These voices, together with the others in this book, comprise a strong indictment against the empire that holds our planet hostage to its ruthless appetite.
A serial killer stalks the streets of Spokane, acting out a misogynist script from the dark heart of this culture. Across town, a writer named Derrick has spent his life tracking the reasons--political, psychological, spiritual--for the sadism of modern civilization. And through the grim nights, Nika, a trafficked woman, tries to survive the grinding violence of prostitution. Their lives, and the forces propelling them, are about to collide Derrick's current project is a book called Possession, which asks the ontological question of who is responsible for the culture of domination that's destroying the earth. Who actually benefits from a dead planet, the endgame that's fast approaching? What if the answer is something way bigger than humans? Meanwhile, with motivations opposite to Derrick's, the serial killer is asking much the same question of the women he kidnaps as his final act of possession--and Nika is next. Derrick's metaphysical explorations suddenly take on more urgency as visions both terrifying and sacred begin to intrude, and past and future collapse without warning. All Derrick knows is Nika's name and her impending death. The only person who believes him is his partner Allison, a woman with both strengths and scars, whose past has led her to a commitment to justice no matter what the cost. As the visions intensify and the killer draws nearer, Derrick and Allison are compelled to act, making themselves the next targets. Derrick must learn to negotiate a world of spirits and demons, living and dead, before it's too late. And what hangs in the balance is not just their lives, but also the fate of life on earth. With Songs of the Dead, Derrick Jensen has written more than a thriller. This is a story lush with rage and tenderness on its way to being a weapon.
From acclaimed author Derrick Jensen comes a prescient, thought-provoking collection of interviews with 10 leading writers, philosophers, teachers, and activists who argue against society's belief that corporations and governments know what is best for the future, instead choosing to help acknowledge the values we know in our hearts are right--and inspire within us the courage to act on them. Among those who share their wisdom here are acclaimed sociologist Stanley Aronowitz, who shows that science is but one lens for discovering knowledge; Luis Rodriguez, poet and peacemaker, who suggests embracing gang members as people instead of stereotypes; Judith Herman, who offers a deeper understanding of the psychology of abusers; Paul Stamets, who reveals the power of fungi that is often ignored; and writer Richard Drinnon, who reminds us that our spiritual paths need not be narrowed by the limiting mythologies of Western civilization. Reaching toward a common goal of harmony with the world surrounding us all, these diverse voices articulate different yet shared visions of activism.
Walking on Water is a startling and provocative look at teaching, writing, creativity, and life by a writer increasingly recognized for his passionate and articulate critique of modern civilization. Derrick Jensen brings us into his classroom-whether college or maximum security prison-where he teaches writing. He reveals how schools perpetuate the great illusion that happiness lies outside of ourselves and that learning to please and submit to those in power makes us into lifelong clock-watchers. As a writing teacher Jensen guides his students out of the confines of traditional education to find their own voices, freedom, and creativity. This is a hard-hitting and sometimes scathing critique of our current educational system that not only gives a hands-on method for learning how to write, but also a lesson on how to connect to the core of our creative selves.
[From the back cover] Walking on Water is a provocative look at writing, teaching, creativity, and life by a writer increasingly recognized for his passionate and articulate critique of modern civilization. Jensen reveals how schools perpetuate the great illusions of our culture: that happiness lies outside of ourselves, and that pleasing those in power is the only lesson worth learning.
You could call them the Monkeywrench Gang of the nanotech age. Derrick Jensen and George Draffan are taking down the data mining industry, one converted mind at a time. In the face of RFID chips, consumer tracking strategies, and illegal government wiretapping, Jensen and Draffan are determined to show consumers how to fight back against government and industry to regain their rights, their privacy, and their humanity. In "Welcome to the Machine: Science, Surveillance, and the Culture of Control," Jensen and Draffan take a hart-hitting look at the way technology is used as a machine, to control us and our environment. Most people would be disturbed if you told them that everything from their store purchases to their public transit rides are recorded and filed for government or corporate access. But more often than not, the smooth, silent cleanliness of its operation allows the Machine of Western Civilization to go unnoticed. Jensen and Draffan are back to reveal both the terrifying extent of surveillance today and our chilling complacency at the loss of everything from consumer privacy to civil liberties. In this timely and important new collaboration, Jensen and Draffan take on all aspects of Control Culture: everything from the government's policy of total information awareness to a disturbing new technology where soldiers can be given medication to prevent them from feeling fear. They write about pharmaceutical packaging that reports consumer information, which is then used to send targeted drug advertisements directly to your TV.
[Back Cover[ Tiny ID chips track every car, shirt, and razor blade purchased from corporate manufacturers. Governments and multinational corporations gather information on every citizen's race, family life, credit record, buying preferences, employment history, favorite TV shows, telephone conversations-and can surreptitiously peruse e-mails. Exoskeleton armor makes soldiers invincible, while mind-altering drugs make them incapable of remorse. In Welcome to the Machine, award-winning authors Derrick Jensen and George Draffan reveal the modern culture of the machine, where corporate might makes technology right, government money feeds the greed for mad science, and absolute surveillance leads to absolute control. Through meticulous research and fiercely personal narrative, Jensen and Draffan move beyond journalism and expose to question our civilization's very mode of existence. Welcome to the Machine challenges our submission to the institutions and technologies built to rob us of all that makes us human-our connection to the land, our kinship with one another, our place in the living world.
What We Leave Behind is a piercing, impassioned guide to living a truly responsible life on earth. Human waste, once considered a gift to the soil, has become toxic material that has broken the essential cycle of decay and regeneration. Here, award-winning author Derrick Jensen and activist Aric McBay weave historical analysis and devastatingly beautiful prose to remind us that life--human and nonhuman--will not go on unless we do everything we can to facilitate the most basic process on earth, the root of sustainability: one being's waste must always become another being's food.
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