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Jim Glass has fallen in love with Chrissie Steppe. Sadly, Chrissie is Bucky's girlfriend, and Bucky has joined the Navy on the eve of war. Jim vows to win Chrissie's heart, but the war makes gives a young man's emotions a grown man's gravity.
Tony Earley made his debut with Here We Are in Paradise, a superbly understated collection of (mostly) small-town vignettes. He returns to the same terrain in his first novel, Jim the Boy, setting this coming-of-age story in a remote North Carolina hamlet. The year is 1934, and like the rest of the country, Aliceville is feeling the pinch of the Great Depression. Yet neither Jim nor his mother nor his three uncles--who have split the paternal role neatly among themselves since the death of Jim's father a decade earlier--are feeling much in the way of economic pain. Indeed, if you stuck a satellite dish on the front lawn, the story might be taking place in the New South rather than the older, bucolic one.This isn't to suggest that Earley is deaf to social detail. Indeed, there are all sorts of wonderful touches, like the decor in Jim's classroom,with its "large, colorful maps of the United States, the Confederacy, and the Holy Land during the time of Jesus." But Jim the Boy is very much the tale of a 10-year-old's expanding consciousness, which at first barely extends beyond the family property. Earley has a real gift for conveying childhood epiphanies, like Jim's sudden apprehension of the wider world during a trip in Uncle Al's truck: "Two thoughts came to Jim at once, joined by a thread of amazement: he thought, People live here, and he thought, They don't know who I am. At that moment the world opened up around Jim like hands that, until that moment, had been cupped around him; he felt very small, almost invisible, in the open air of their center, but knew that the hands would not let him go. It was almost like flying." The simple lyricism and anti-ironic sweetness work mostly to the book's advantage. There are times, it's true, when Earley sands his prose down to an unnatural smoothness, and we seem to be edging toward the sentimental precincts of a young-adult novel. But on the whole, Jim the Boy is a lovely, meticulous work--a song of innocence and (eventually) experience, delivered with just a hint of a North Carolina accent. --James Marcus
The highly anticipated return of Tony Earley, celebrated author of Jim the Boy Two decades after his debut collection Here We Are in Paradise (LB, 2/94) heralded Tony Earley as one of the most accomplished writers of his generation, the rueful, bittersweet, and riotous stories of Mr. Tall reestablish him as a mythmaker and tale spinner of the first rank. These stories introduce us not only to ordinary people seeking to live extraordinary lives, but also to the skunk ape (a southern variant of Bigfoot), the ghost of Jesse James, and a bone-tired Jack the Giant Killer. Whether it's Appalachia, Nashville, the Carolina Coast, or a make-believe land of talking dogs, each world Earley creates is indelible.estranged wife of a famous country singer as she searches for an undiscovered statue by an enigmatic artist. In the concluding novella, "Jack and the Mad Dog," we find Jack-the giant killer of the stories-in full flight from threats both canine and existential.Earley indelibly maps previously undiscovered territories of the human heart in these melancholy, comic, and occasionally strange stories. Along the way he leads us on a journey from contemporary Nashville to a fantastical land of talking dogs and flying trees, teaching us at every step that, even in the most familiar locales, the ordinary is never just that.
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