Matt Johanssen, a dedicated stage actor in his early fifties, is currently rehearsing a play soon to open on Broadway. Through the years Matt, in addition to his work in the theatre, has also anonymously assisted the NYPD in solving a number of crimes. While he is in rehearsals, thirty blocks away a startling murder takes place at the Metropolitan Museum of Art where a trustee is discovered on the roof of the Museum with a javelin thrust through his heart. The dramatic nature of the crime reverberates through cultural circles in Manhattan. A few days later, during a rehearsal of Matt's Broadway-bound play, the admired, beloved lady producer of the play is found dead in the darkened basement lounge of the theatre. Ten days later, during a gala at the American Museum of Natural History, there is another murder of a museum trustee, this one far more sensational than the one before. Working behind the scenes Matt becomes deeply involved in solving all three murders. Meanwhile, he encounters an intriguing, auburn haired woman writing about the murders, with whom he becomes involved. Set against a background of the inner workings of the theatre, as well as the arts and cultural scenes in New York City,The Patron Murders is part detective story, part social novel, and part a witty, incisive critique of the relationship of recently acquired fortunes to the old-line arts establishments of the City.
The ideal theater appreciation text for courses focusing on theater elements, The Theater Experience encourages students to be active theater-goers as they learn about the fundamentals of a production. By addressing the importance of the audience, Wilson brings the art of performance to life for students who may have little experience with the medium.
The thirteenth edition of The Theatre Experience is students' ticket to the best seat in the house. From Broadway to makeshift theater spaces around the world, the author demonstrates the active and lively role they play as audience members by engaging them in the collaborative and creative processes behind and in front of the curtain. Wilson introduces students to the roles of the performers, directors, producers and designers, while emphasizing the insights they as audience members bring to any production. The thirteenth edition better accommodates today's teaching schedules, as well as improves accessibility for students by concise insight and up-to-date vibrant production visuals. Students join the creative process with The Theatre Experience, and rehearse for their role as life-long audience members.
In its ninth edition, Theatre: The Lively Art remains the best-selling program for Theatre Appreciation courses. With its hallmark focus on preparing future audience members, students will learn how theatre functions, how it should be viewed and judged, and the tradition behind any performance they may attend.
Theatre: The Lively Art will provide the background to theatre and it will encourage and inspire students to become lifelong audience members, if not actual theatre artists.
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