First published in 1920, Flappers and Philosophers marked F. Scott Fitzgerald's entry into the realm of the short story, in which he adroitly proved himself "a master of the mechanism of short story technique" (Boston Transcript). Several of his most beloved tales are represented in this collection of eight, including "Bernice Bobs Her Hair" and "Head and Shoulders," with their particularly O. Henry-like twists; the poignant "Benediction" and "The Cut-Glass Bowl"; and "The Offshore Pirate," the octet's opening and most romantic story. It is a collection of masterful short works from an American literary icon that led The New York Times Book Review to note that "no one can fail to recognize Mr. Fitzgerald's talent and genius."
GATSBY GIRLSShe was an impulsive, fashionable and carefree 1920s woman who embodied the essence of the Gatsby Girl -- F. Scott Fitzgerald's wife, Zelda. As Fitzgerald said, "I married the heroine of my stories." All of the eight short stories contained in this collection were inspired by Zelda.Fitzgerald, one of the foremost writers of American fiction, found early success as a short story writer for the most widely read magazine of the early 20th century -- the Saturday Evening Post. Fitzgerald's stories, first published by the Post between 1920 and 1922, brought the Jazz Age and the "flapper" to life and confirmed that America was changing faster than ever before. Women were bobbing their hair, drinking and flirting shamelessly, and Fitzgerald brought these exciting Gatsby Girls to life in the pages of the Post. A foreword by Jeff Nilsson, archivist for the Post, adds historical context to this wonderful, new collection, which is highlighted by an introduction written by Fitzgerald himself. Each story is accompanied by the original illustrations and the beautiful cover images from the Post. Read the stories that made F. Scott Fitzgerald one of the most beloved writers in America -- and around the world -- still today.
The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth-century literature.[This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
The exemplary novel of the Jazz Age, F. Scott Fitzgeralds' third book, The Great Gatsby (1925), stands as the supreme achievement of his career. T. S. Eliot read it three times and saw it as the "first step" American fiction had taken since Henry James; H. L. Mencken praised "the charm and beauty of the writing," as well as Fitzgerald's sharp social sense; and Thomas Wolfe hailed it as Fitzgerald's "best work" thus far. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when, The New York Times remarked, "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s that resonates with the power of myth. A novel of lyrical beauty yet brutal realism, of magic, romance, and mysticism, The Great Gatsby is one of the great classics of twentieth-century literature. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
A classic American novel, The Great Gatsby is a monumental exploration of the American Dream, set in a colourful world of crime, infidelity, and lost love. Nick Carraway has just moved to Long Island, and the biggest name on the block is Gatsby, the eccentric millionaire who throws parties he does not attend. When Nick gets a chance to meet him he finds himself pulled into Gatsby's machinations to win back his lost love - Nick's married cousin, Daisy. F. Scott Fitzgerald vividly captures the roaring twenties in this, possibly his most famous work, all while exploring themes ranging from decadence and excess to massive social change and how to navigate it. Widely considered one of the great American novels, The Great Gatsby has been adapted to the screen multiple times, most recently in 2013, with Baz Luhrmann directing, Leonardo DiCaprio starring, and Jay-Z providing music. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
The authorized text which restores all the language of Fitzgerald's 1920's classic story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
The authentic edition from Fitzgerald's original publisher.The Great Gatsby, F. Scott Fitzgerald's third book, stands as the supreme achievement of his career. This exemplary novel of the Jazz Age has been acclaimed by generations of readers. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan, of lavish parties on Long Island at a time when The New York Times noted "gin was the national drink and sex the national obsession," it is an exquisitely crafted tale of America in the 1920s. The Great Gatsby is one of the great classics of twentieth-century literature. [This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
A short collection of essays about the Jazz Age by the writer who epitomized it, F. Scott Fitzgerald. Even theAmerican Heritage Dictionary acknowledges that F. Scott Fitzgerald "epitomized the Jazz Age." And nowhere among his writings are the gin, pith, and morning-after squint of that era better illuminated than in these short essays. Selected in celebration of the 100th anniversary of Fitzgerald's birth, these candid personal memoirs--one written with his wife, Zelda--furnish nothing less than the autobiography of "the lost generation" of the 1920s. "He lacked armor," EL. Doctorow, author of The Waterworks, Ragtime, and Billy Bathgates, notes in his introduction. "He did not live in protective seclusion, as Faulkner. He was not carapaced in self-presentation, as Hemingway. He jumped right into the foolish heart of everything, as he had into the Plaza fountain." The Jazz Age is a celebration of one of the twentieth century's most vital writers.
& quot;A generation grown up to find all Gods dead, all wars fought, all faiths in man shaken. & quot; Thus F Scott Fitzgerald summed up his age. Perhaps nowhere in American fiction is this & quot;Lost Generation & quot; more vividly preserved than in Fitzgerald's own short fiction.
A vibrant self-portrait of an artist whose work was his life. In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional maturation of one of America's most enduring and elegant authors. A Life in Letters is the most comprehensive volume of Fitzgerald's letters -- many of them appearing in print for the first time. The fullness of the selection and the chronological arrangement make this collection the closest thing to an autobiography that Fitzgerald ever wrote. While many readers are familiar with Fitzgerald's legendary "jazz age" social life and his friendships with Ernest Hemingway, Gertrude Stein, Edmund Wilson, and other famous authors, few are aware of his writings about his life and his views on writing. Letters to his editor Maxwell Perkins illustrate the development of Fitzgerald's literary sensibility; those to his friend and competitor Ernest Hemingway reveal their difficult relationship. The most poignant letters here were written to his wife, Zelda, from the time of their courtship in Montgomery, Alabama, during World War I to her extended convalescence in a sanatorium near Asheville, North Carolina. Fitzgerald is by turns affectionate and proud in his letters to his daughter, Scottie, at college in the East while he was struggling in Hollywood. For readers who think primarily of Fitzgerald as a hard-drinking playboy for whom writing was effortless, these letters show his serious, painstaking concerns with creating realistic, durable art.
The Last Tycoon, edited by the renowned literary critic Edmund Wilson, was first published a year after Fitzgerald's death and includes the author's notes and outline for his unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, who was inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.
THE ART OF THE NOVELLAAlthough F.Scott Fitzgerald is known for the kind of subtle, polished social commentary found in his masterpiece The Great Gatsby, his little-known novella May Day is unique in that it is the most raw, directly political commentary he ever wrote, and one of the most desperate works in his oeuvre.It is a tale of the brutalities of the American class system-of privileged college boys, returned from a bloody war, and a group of intellectual left-wing journalists, all coming into confrontation in the heart of New York City on Mayday at the end of World War I. Fitzgerald's fine eye for detail is on special display and his relentless plot leads to one of his most shocking climaxes, in what is the first and only stand alone version of this rarity.From the Trade Paperback edition.
A collection of F. Scott Fitzgerald's best drinking stories makes this the most intoxicating New Directions Pearl yet! "First you take a drink," F. Scott Fitzgerald once noted, "then the drink takes a drink, then the drink takes you." Fitzgerald wrote alcohol into almost every one of his stories. On Booze gathers debutantes and dandies, rowdy jazz musicians, lost children and ragtime riff-raff into a newly compiled collection taken from The Crack-Up, and other works never before published by New Directions. On Booze portrays "The Jazz Age" as Fitzgerald experienced it: roaring, rambunctious, and lush -- with quite a hangover.
A self-portrait of a great writer. A Short Autobiography charts Fitzgerald's progression from exuberant and cocky with "What I think and Feel at 25", to mature and reflective with "One Hundred False Starts" and "The Death of My Father." Compiled and edited by Professor James West, this revealing collection of personal essays and articles reveals the beloved author in his own words.
A master craftsman brings one of the most fascinating periods in American history to vivid life in these provocative and poignant short stories Born gray-haired and grumpy, Benjamin Button may be an infant, but his body and personality are those of an old man. Curiously, however, he grows younger with each passing year. Benjamin is aging backwards, which begs the question, when does a man become a man? And how do we recognize our true selves? A delightful fable that poses serious inquiries about the nature of existence, "The Curious Case of Benjamin Button" is one of F. Scott Fitzgerald's best-known stories and the centerpiece of this legendary collection. From the Jazz Age decadence of "May Day" to the delightful fantasy of "The Diamond as Big as the Ritz," these evocative tales showcase one of the twentieth century's greatest authors at the height of his talent.
F. Scott Fitzgerald's second collection of short stories contains some of his best-known tales of the glittering era he gave a name to. Published in 1922, Tales of the Jazz Age featured not only the flappers and lost young men Fitzgerald had made his name with, but a greater variety of characters and scenes. The critically admired novella "May Day" contrasts its drunken debutantes with a mob of war veterans battling socialists in the streets. Here, too, are several imaginative stories that Fitzgerald described as "fantasies," including "The Curious Case of Benjamin Button," about a man who ages in reverse, and "A Diamond as Big as the Ritz," a surreal fable about the excesses of greed. Tales of the Jazz Age not only furthered Fitzgerald's reputation as a master storyteller but cemented his place as the spokesman of an age.From the Trade Paperback edition.
F. Scott Fitzgerald wrote in a friend's copy of Tender Is the Night, "If you liked The Great Gatsby, for God's sake read this. Gatsby was a tour de force but this is a confession of faith." Set in the South of France in the decade after World War I, Tender Is the Night is the story of a brilliant and magnetic psychiatrist named Dick Diver; the bewitching, wealthy, and dangerously unstable mental patient, Nicole, who becomes his wife; and the beautiful, harrowing ten-year pas de deux they act out along the border between sanity and madness. In Tender Is the Night, Fitzgerald deliberately set out to write the most ambitious and far-reaching novel of his career, experimenting radically with narrative conventions of chronology and point of view and drawing on early breakthroughs in psychiatry to enrich his account of the makeup and breakdown of character and culture. Tender Is the Night is also the most intensely, even painfully, autobiographical of Fitzgerald's novels; it smolders with a dark, bitter vitality because it is so utterly true. This account of a caring man who disintegrates under the twin strains of his wife's derangement and a lifestyle that gnaws away at his sense of moral values offers an authorial cri de coeur, while Dick Diver's downward spiral into alcoholic dissolution is an eerie portent of Fitzgerald's own fate. F. Scott Fitzgerald literally put his soul into Tender Is the Night, and the novel's lack of commercial success upon its initial publication in 1934 shattered him. He would die six years later without having published another novel, and without knowing that Tender Is the Night would come to be seen as perhaps its author's most poignant masterpiece. In Mabel Dodge Luhan's words, it raised him to the heights of "a modern Orpheus."
A widowed, corset saleswoman, Mrs. Hanson, whose chief pleasure in life is cigarettes, discovers that social disapproval of smoking is widespread in her new sales territory. Deprived of this simple comfort, she receives solace, and a light, from an unexpected source. Fitzgerald originally submitted the story to The New Yorker in 1936, four years before his death, but it was rejected. The editors said that it was "altogether out of the question" and added, "It seems to us so curious and so unlike the kind of thing we associate with him and really too fantastic." Almost eighty years later, Fitzgerald's grandchildren found the story among his papers and the Fitzgerald scholar James West encouraged them to send the story to the magazine once again. This time around the magazine decided to publish it, and now it is available in this special eBook edition.
The bestselling novel that established F. Scott Fitzgerald's literary reputation and brought to vivid life the glory and despair of the "Lost Generation" Raised by his mother, a charismatic eccentric determined to show her son the very best that life has to offer, Amory Blaine spends his childhood traveling from one party to the next. For this worldly sophisticate, life is heaven--until reality comes crashing through the door. When a burst appendix limits his mobility, Blaine is sent to live in Minneapolis, where he finds that his unique sensibility does not endear him to the other boys. From prep school to Princeton to the crushing inhumanity of the US Army during World War I, Blaine searches for his proper place in the world. His quest brilliantly personifies the struggles of an entire generation that came of age in a time of great turmoil. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Fitzgerald's first novel, This Side of Paradise (1920) was an immediate, spectacular success and established his literary reputation. Perhaps the definitive novel of that "Lost Generation," it tells the story of Amory Blaine, a handsome, wealthy Princeton student who halfheartedly involves himself in literary cults, "liberal" student activities, and a series of empty flirtations with young women. When he finally does fall truly in love, however, the young woman rejects him for another. After serving in France during the war, Blaine returns to embark on a career in advertising. Still young, but already cynical and world-weary, he exemplifies the young men and women of the '20s, described by Fitzgerald as "a generation grown up to find all gods dead, all wars fought, all faiths in man shaken."
Fitzgerald's debut novel, first published in 1920, describes life at Princeton among the glittering, bored, and disillusioned, and was an overnight success "Discovering that priests were infinitely more attentive when she was in process of losing or regaining faith in Mother Church, she maintained an enchantingly wavering attitude. " Charting the life of Amory Blaine, an ambitious young man loosely based on Fitzgerald himself, this novels follow him as he moves from his well-heeled Midwest home to study at Princeton, and then starts frequenting the circles of high society as an aspiring writer. Experiencing failure and frustration in love and in his career, Blaine finds his youthful enthusiasm gradually giving way to disillusionment, cynicism, and a life of dissolution. A critical account of its own era, introducing many themes which would be developed in later works, Fitzgerald's first novel was an instant critical and commercial success, propelling him into the limelight as a literary celebrity.
A debut novel of F. Scott Fitzgerald, taking its title from a line of the Rupert Brooke poem Tiare Tahiti. This Side of Paradise follows life of Amory Blaine, an attractive Princeton University student who dabbles in literature and formulates his own philosophy of romantic egoism. The novel explores post war uncertainties, the theme of love, greed and status-seeking.
First published in 1920, This Side of Paradise marks the beginning of the career of one of the greatest writers of the first half of the twentieth century. In this remarkable achievement, F. Scott Fitzgerald displays his unparalleled wit and keen social insight in his portrayal of college life through the struggles and doubts of Amory Blaine, a self-proclaimed genius with a love of knowledge and a penchant for the romantic. As Amory journeys into adulthood and leaves the aristocratic egotism of his youth behind, he becomes painfully aware of his lost innocence and the new sense of responsibility and regret that has taken its place. Clever and wonderfully written, This Side of Paradise is a fascinating novel about the changes of the Jazz Age and their effects on the individual. It is a complex portrait of a versatile mind in a restless generation that reveals rich ideas crucial to an understanding of the 1920s and timeless truths about the human need for--and fear of--change. "A very enlivening book indeed, a book really brilliant and glamorous, making as agreeable reading as could be asked . . . There are clever things, keen and searching things, amusingly young and mistaken things, beautiful things and pretty things . . . and truly inspired and elevated things, an astonishing abundance of each, in THIS SIDE OF PARADISE. You could call it the youthful Byronism that is normal in a man of the author's type, working out through a well-furnished intellect of unusual critical force."--The Evening Post, 1920"An astonishing and refreshing book . . . Mr. Fitzgerald has recorded with a good deal of felicity and a disarming frankness the adventures and developments of a curious and fortunate American youth. . . . [It is] delightful and encouraging to find a novel which gives us in the accurate terms of intellectual honesty a reflection of American undergraduate life. At last the revelation has come. We have the constant young American occupation--the 'petting party'--frankly and humorously in our literature."--The New Republic, 1920From the Paperback edition.
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