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With another devastatingly hilarious, ridiculous, unnervingly accurate take on modern womanhood, Bridget Jones is back. (v.g.) Monday 27 January "7:15 a.m. Hurrah! The wilderness years are over. For four weeks and five days now have been in functional relationship with adult male, thereby proving am not love pariah as recently feared." Wednesday 5 March "7:08 p.m. Am assured, receptive, responsive woman of substance. My sense of self comes not from other people but . . .from . . .myself? That can't be right." Lurching from the cappuccino bars of Notting Hill to the blissed-out shores of Thailand, everyone's favorite Singleton Bridget Jones begins her search for The Truth in spite of pathetically unevolved men, insane dating theories, and Smug Married advice. She experiences a zeitgeist-esque Spiritual Epiphany somewhere between the pages of How to Find the Love You Want Without Seeking It (can self-help books really help self?), protective custody, and a lightly chilled Chardonnay.
Cuando Helen Fielding escribió El diario de Bridget Jones, narrando la vida de una mujer que rebasaba los treinta años en los años 90, introdujo a los lectores a uno de los personajes más queridos de la literatura moderna. El libro fue publicado en cuarenta países, vendió más de quince millones de copias, y abrió el camino para su secuela, Bridget Jones: Al borde de la razón. Los dos libros fueron hechos películas protagonizadas por Renée Zellweger, Hugh Grant, y Colin Firth. Con la tercera, Bridget Jones: Loca por él, Fielding nos introduce a una etapa completamente nueva y emocionante en la vida de Bridget. Con Londres de fondo, vemos como Bridget se enfrenta a la vida moderna: sms borrachos, skinny jeans, el desastre del correo con copia, zero seguidores en Twitter, y una tele que necesita tres remotos para encenderla. Una novela divertidísima, hilarante y moderna, Bridget Jones: Loca por él es el regreso triunfal de nuestra querida amiga.
Bridget Jones is back! When Helen Fielding first wrote Bridget Jones' Diary, charting the life of a 30-something singleton in London in the 1990s, she introduced readers to one of the most beloved characters in modern literature. The book was published in 40 countries, sold more than 15 million copies worldwide, and spawned a best-selling sequel, Bridget Jones: The Edge of Reason. The two books were turned into major blockbuster films starring Renée Zellweger, Hugh Grant and Colin Firth. With her hotly anticipated third installment, Bridget Jones: Mad About the Boy, Fielding introduces us to a whole new enticing phase of Bridget's life set in contemporary London, including the challenges of maintaining sex appeal as the years roll by and the nightmare of drunken texting, the skinny jean, the disastrous e-mail cc, total lack of Twitter followers, and TVs that need 90 buttons and three remotes to simply turn on. An uproariously funny novel of modern life, Bridget Jones: Mad About the Boy is a triumphant return of our favorite Everywoman.
Bridget Jones, a 30-something single woman in London, decides to take control of her life, by recording her thoughts, her weight, her number of cigarettes, and her dating life, all in her diary.
Bridget Jones's Diary was first published in 1996 and applauded by critics from Salman Rushdie to Jilly Cooper. A number one best-seller, Helen Fielding's book has sold over fifteen million copies worldwide and has been turned into an Academy Award-nominated film starring Renee Zellweger, Colin Firth and Hugh Grant. Bridget Jones's Diary is followed by Bridget Jones: The Edge of Reason and Bridget Jones: Mad About the Boy. Bridget Jones is everyone's favourite spinster. In Bridget Jones's Diary she documents her struggles through the social minefield of her 30s and tries to weigh up the eternal question: Daniel Cleaver of Mark Darcy? She is supported through the whole process by four indispensable friends, Shazzer, Jude, Tom and a bottle of chardonnay. A dazzling urban satire of modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
Cause Celeb-the critically acclaimed debut novel from a writer with a boundless grasp of the existential and the uproarious-has just landed in America. Deftly skewering the world of celebrity fundraising, Helen Fielding has created an alternately comic and moving satire that straddles the glitter of media London and the horrors of an African refugee crisis. Disillusioned with life as a literary publicist in London, as well as with her hotshot, unevolved TV presenter boyfriend, twenty-something Rosie Richardson chucks the glitz and escapes to run a refugee camp in the African desert.' 1 When famine strikes and a massive refugee influx threatens to overwhelm the camp, governments and agencies drag their heels. Calling her media to get food fast is to bring the celebrities first, Richardson returns to London to organize a star-studded and risky emergency appeal.
Disillusioned by her glitzy life in London and her desirable but cruel TV-presenter boyfriend, Rosie Richardson chucks it all in and spends four years running a refugee camp in Africa. Then famine strikes in a nearby province and an influx of starving refugees threatens to overwhelm the camp. Frustrated by the cautious response of the aid agencies, Rosie decides on a drastic short-term solution. She returns to London, breaks back into the celebrity circuit and brings the celebs out to Africa for a star-studded TV emergency appeal. 'A champion first novel . . . what makes it such a pleasure to read is its variety of tone: flip, flirtatious, serious, mocking and moving . . . get hold of a copy of this book' Observer 'A terrific achievement . . . The camp scenes are as moving and funny as the original M*A*S*H; she sends up the self-important "mediacracy" with an insider's wit, and it's written at a romping pace with a cliff-hanger finish' Cosmopolitan 'Sharp, gutsy and refreshing' Independent 'Thoughtful, ironic and completely gripping' Harry Enfield 'A brilliantly funny satire' Time Out
At the close of the last millennium, Helen Fielding debuted the irrepressible (and blockbuster-bestselling) Bridget Jones. Now, Fielding gives us a sensational new heroine for a new era . . . Move over 007, a stunning, sexy-and decidedly female-new player has entered the world of international espionage. Her name is Olivia Joules (that's J. O. U. L. E. S. the unit of kinetic energy) and she's ready to take America by storm with charm, style, and her infamous Overactive Imagination. How could a girl not be drawn to the alluring, powerful Pierre Ferramo-he of the hooded eyes, impeccable taste, unimaginable wealth, exotic international homes, and dubious French accent? Could Ferramo really be a major terrorist bent on the Western world's destruction, hiding behind a smokescreen of fine wines, yachts, and actresses slash models? Or is it all just a product of Olivia Joules's overactive imagination? Join Olivia in her heart-stopping, hilarious, nerve-frazzling quest from hip hotel to eco-lodge to underwater cave, by light aircraft, speedboat, helicopter, and horse, in this witty, contemporary, and utterly unputdownable novel deluxe.
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