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This book contains all of the short stories of Flannery O'Connor as well as some novelas.
The stories are: Everything That Rises Must Converge, Greenleaf, A View of the Woods, The Enduring Chill, The Comforts of Home, The Lame Shall Enter First, Revelation, Parker's Back, and Judgement Day.
The collection that established O'Connor's reputation as one of the american masters of the short story. The volume contains the celebrated title story, a tale of the murderous fugitive The Misfit, as well as "The Displaced Person" and eight other stories.
At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South". Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems. This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.
The quintessential Southern writer, O'Connor wrote fiercely comic, powerful fiction. This anthology includes the masterpieces "Wise Blood", "The Violent Bear it Away", and "Everything that Rises Must Converge".
First published in 1955, "The Violent Bear It Away" is now a landmark in American literature. It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle -- that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul. O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos. The result is a novel whose range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.
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