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Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed. In Daisy Miller James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces.
Daisy Miller will forever be a classic story of courtship. But the original novella is not a romance, per se, because the unrequited love of both of the two main characters, Daisy Miller and Frederick Winterbourne, longs for a happy and salaciously steamy conclusion. That's why modern author Gabrielle Vigot added a few key saucy scenes to enhance the relationship and sexual tension that is insinuated in Henry James's civilized original story.Daisy is a flirt and Winterbourne thinks he has her figured out. But little does he know that throughout his courtship, Daisy's attitude toward him is hardly that of the easy, swooning American girl he expected. Daisy makesWinterbourne's heart ache for her with her vampish teasing, confounds him deliciously, and infuriates him to the bitter end.Dear reader, you know you'll want to find out whether Daisy just simply loves to flirt with all of the impeccably dressed gentlemen of Rome, or whether she is partial to well-mannered but increasingly annoyed Winterbourne. Will Winterbourne's heart give up on her in the end, or will his feelings mature enough for him to claim her for himself once and for all?Daisy Miller was Henry James's most popular and controversial piece, and the original book printer sold 20,000 copies in a matter of weeks. Editor Geoffrey Moore preferred the fine writing in the original versions over thelater versions, and thus the purity of the first American version serves as the base for this Wild and Wanton edition.Sensuality Level: Sensual
Los mejores libros jamás escritos El choque entre la inocencia americana y la experiencia europea es el tema principal de la que el propio autor consideraba su mejor novela. Los embajadores es la muestra de mayor refinamiento del tema favorito de Henry James: el choque entre la inocencia americana y la experiencia europea. En esta ocasión, relata el viaje a París de Lambert Strether, un maduro hombre de mundo, con la misión de rescatar de las garras de una malvada «europea» al joven Chadwick, el hijo de la señora Newsome, una viuda rica de Nueva Inglaterra. Sin embargo, este embajador caerá rendido a los pies de la cultura europea y a nuevas maneras de relacionarse. El presente volumen se abre con una introducción del prestigioso escritor irlandés Colm Tóibín, seguidor declarado de la senda jamesiana, a la que se añade una cronología sobre el autor. Asimismo, reproducimos la traducción que Antonio-Prometeo Moya, reconocido traductor y novelista, revisó a la luz de las más modernas ediciones críticas del texto original. «Salta a la vista -observó el hombre tras unos segundos- que así es como no me ve usted.»
The wealthy American widower Adam Verver and his shy daughter, Maggie, live in Europe, closely tied through their love of art and their mutual admiration. Maggie's future seems assured when she becomes the wife of a charming, though impoverished, Italian prince. But when Adam marries his daughter's friend Charlotte Stant, unaware that she is the prince's mistress, the stage is set for a complex and indirect battle between the two wives. The brilliant Charlotte is determined to keep her lover, while Maggie is determined to protect her beloved father from any knoweldge of their shared betrayal. The acuity with which Henry James calibrates the four characters' delicately shifting alliances and documents the maturation of a naïve young woman marks this as a magnificent achievement. The Golden Bowl was not only James's last major work but also the novel in which his unparalleled gift for psychological drama reached its height.Introduction by Denis Donoghue
A GOTHIC TREASURY OF THE SUPERNATURAL. What sends chills down our spine when we read a good horror story? Contrary to some modern trends, it is not merely how much blood is spilled or how grotesquely an alien creature or monster is portrayed. Rather, the thrill of terror comes in exploring the depths of the human soul and in discovering the capacity for evil that lies hidden there: the monsters that lurk within us are the most frightening ones of all. These six gothic masterpieces of supernatural horror and suspense provide a wealth of such terrors. The first true gothic novel appeared in 1764: Horace Walpole's The Castle of Otranto. Inspired by a dream in which Walpole saw a huge, armored hand in an ancient castle, the story contains all the elements that have become the earmarks of the gothic novel: a medieval castle, a lost heir who must prove himself in order to claim his fortune, a villain, a love interest, and various supernatural phenomena. The Castle of Otranto influenced countless literary works throughout the nineteenth century. In Geneva during the summer of 1816, Lord Byron, John Polidori, Percy Bysshe Shelley, and Mary Wollstonecraft Godwin (later Mary Shelley) amused one another by making up ghost stories. Mary Shelley's tale was the seed from which her timeless novel Frankenstein grew. Subtitled The Modern Prometheus, it is the spellbinding story of Victor Frankenstein, a doctor who plays God by creating a living being from the bodies of the dead; the tragic monster is ultimately seen as Frankenstein's alter ego. A similar theme appears in The Strange Case of Dr. Jekyll and Mr. Hyde. A doctor discovers a potion that has the power to transform him into a fiend whose deeds become more and more horrifying. Awakened by a nightmare, Robert Louis Stevenson feverishly wrote Dr. Jekyll and Mr. Hyde in three days, destroyed it, and wrote it again in another three days. In Dracula, Bram Stoker created a monstrous being founded in folklore and legend; it is a tale made the more horrifying by the enduring belief in the possible existence of real vampires. With superhuman power, the vampire Count Dracula lures victims into his clutches and drains them of life until they too join the living dead. Oscar Wilde portrays a beautiful, ever-youthful Adonis who leads a life of decadence in The Picture of Dorian Gray. As Dorian ruins and corrupts those around him, his portrait strangely alters with each new crime he commits. We follow him down this path of decay to a shattering, inevitable climax. In The Turn of the Screw, Henry James, the master of ambiguity, tells the story of a governess, her two charges, and the spiritual presence of a dead valet and a dead governess. If we cannot be sure that these ghosts are real or imagined, there is no doubt about the terror this tangled tale inspires. Complete and together in one volume, these six gothic classics of the supernatural, by great writers who are masters of the macabre, provide new insights--and heightened terrors--with each reading.
Henry James was one of the greatest and most prolific American authors ever to have lived.Henry James believed that the short novel was the perfect literary form, and his achievements here brilliantly display his mastery of it. Noted literary critic Philip Rahv has collected ten of James's most important short novels to make one distinguished volume. Accompanied by Rahv's informative commentary and keen insights, this collection contains the following classics:MADAME DE MAUVESDAISY MILLERAN INTERNATIONAL EPISODETHE SIEGE OF LONDONLADY BARBERINATHE AUTHOR OF BELTRAFFIOTHE ASPERN PAPERSTHE PUPILTHE TURN OF THE SCREWTHE BEAST IN THE JUNGLE
Henry James: Autobiographies: A Small Boy and Others / Notes of a Son and Brother / The Middle Years / Other Writingsby Henry James Philip Horne
The most extensive collection of Henry James's autobiographical writings ever published offers a revelatory self-portrait from one of America's supreme novelists and his famous family. In 1911, deeply affected by the death of his brother William the year before, Henry James began working on a book about his early life. As was customary for James in his later years, he dictated his recollections to his secretary Theodora Bosanquet, who recalled how "a straight dive into the past brought to the surface treasure after treasure." A Small Boy and Others (1913) and the two autobiographical books that followed--Notes of a Son and Brother (1914) and the incomplete, posthumously published The Middle Years--stand with his later novels as one of the enduring triumphs of his final years. Not only did James create one of the singular self-portraits in American literature, he also fashioned a richly detailed account of his renowned family, especially his father, the social philosopher Henry James Sr., his brother William, and his dear cousin Minny Temple, inspiration for the heroines of two of his greatest novels, The Portrait of a Lady and The Wings of the Dove.Rounding out the volume is a selection of eight other personal reminiscences and, as an appendix, his secretary's insightful and affectionate memoir, "Henry James at Work."From the Hardcover edition.
It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer's and you will find three or four high-coloured "views" of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thoroughfare, and the name of St. Mark is as familiar as the postman's ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no information whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.
"You know as well as you sit there that you'd put a pistol-ball into your brain if you had written my books!" Exemplifying Henry James's famous belief that "Art makes life," The Lesson of the Master is a piercing study of the life that art makes. When the tale's protagonist--a gifted young writer--meets and befriends a famous author he has long idolized, he is both repelled by and attracted to the artist's great secret: the emotional costs of a life dedicated to art. With extraordinary psychological insight and devastating wit, the novella asks the question of whether art is, ultimately, demeaning or ennobling for the artist, while capturing the ambiguities of a life devoted to art, and the choices artists must make. The expatriate James knew these choice well by the time he published the novella in the Universal Review in 1888, and the work reveals him at the height of his powers.
The novelist Henry James arrived in Venice as a tourist, and instantly fell in love with the city - particularly with the splendid Palazzo Barbaro, home of the expatriate American Curtis family. This selection of letters covers the period 1869-1907 and provides a unique record of the life and work of this great writer.Includes historical photographs and a foreword by Leon Edel, Henry James's biographer.
Cuando la novela aun no había alcanzado a la poesía en la jerarquía delas artes, Henry James revolucionó la narrativa de su tiempo con creacionesmuy arriesgadas y, como consecuencia, empezó a echar de menosuna reflexión crítica paralela a su obra. Fue así como se puso a trabajaren ensayos sobre el arte de escribir novelas, tomando como referencia a losgrandes novelistas que le habían precedido, entre ellos George Eliot y GustaveFlaubert.Más adelante, a principios del siglo xx, cuando su obra completase publicó por primera vez en Nueva York, el autor se encargó personalmentede escribir unos iluminadores prefacios a sus obras.Este volumen, editado y prologado por Andreu Jaume y traducido por Oliviade Miguel, reúne una selección de textos en los que Henry James habla deHenry James. El resultado es una de las experiencias críticas y autobiográficasmás interesantes de la historia de la literatura."Trabajamos en la oscuridad...Lo hacemos lo mejor que podemos y entregamos todo lo que está en nuestras manos. La duda es nuestra pasión, y a esa pasión nos dedicamos con ahínco. El resto corre de cuenta de la locura del arte."Henry James
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