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A masterful storyteller explores drama, flirtations, tragedy and eventual realization of true feelings in this wonderful tale. Henry James (1843 - 1916) was one of the leaders in the school of realism in fiction. <P> <P> He is known for his series of novels in which he portrayed the encounter of America with Europe. James is considered to be the master of the novel and novella. James wrote about personal relationships and the power within these relationships. James explored consciousness and perception from the point of view of a character within a tale. In An International Episode a romance ensues across international borders. The story is fast paced and full of humorous episodes. Englishmen Lord Lambeth and Percy Beaumont are well received during their visit to Newport. There are surprising developments when Mrs. Westgate and her sister, Bessie Alden, pay a return visit.
It is a great pleasure to write the word; but I am not sure there is not a certain impudence in pretending to add anything to it. Venice has been painted and described many thousands of times, and of all the cities of the world is the easiest to visit without going there. Open the first book and you will find a rhapsody about it; step into the first picture-dealer's and you will find three or four high-coloured "views" of it. There is notoriously nothing more to be said on the subject. Every one has been there, and every one has brought back a collection of photographs. There is as little mystery about the Grand Canal as about our local thoroughfare, and the name of St. Mark is as familiar as the postman's ring. It is not forbidden, however, to speak of familiar things, and I hold that for the true Venice-lover Venice is always in order. There is nothing new to be said about her certainly, but the old is better than any novelty. It would be a sad day indeed when there should be something new to say. I write these lines with the full consciousness of having no information whatever to offer. I do not pretend to enlighten the reader; I pretend only to give a fillip to his memory; and I hold any writer sufficiently justified who is himself in love with his theme.
"You know as well as you sit there that you'd put a pistol-ball into your brain if you had written my books!" Exemplifying Henry James's famous belief that "Art makes life," The Lesson of the Master is a piercing study of the life that art makes. When the tale's protagonist--a gifted young writer--meets and befriends a famous author he has long idolized, he is both repelled by and attracted to the artist's great secret: the emotional costs of a life dedicated to art. With extraordinary psychological insight and devastating wit, the novella asks the question of whether art is, ultimately, demeaning or ennobling for the artist, while capturing the ambiguities of a life devoted to art, and the choices artists must make. The expatriate James knew these choice well by the time he published the novella in the Universal Review in 1888, and the work reveals him at the height of his powers.
The novelist Henry James arrived in Venice as a tourist, and instantly fell in love with the city - particularly with the splendid Palazzo Barbaro, home of the expatriate American Curtis family. This selection of letters covers the period 1869-1907 and provides a unique record of the life and work of this great writer.Includes historical photographs and a foreword by Leon Edel, Henry James's biographer.
I am ashamed to begin with saying that Touraine is the garden of France; that remark has long ago lost its bloom. The town of Tours, however, has some thing sweet and bright, which suggests that it is sur- rounded by a land of fruits. <P> <P> It is a very agreeable little city; few towns of its size are more ripe, more complete, or, I should suppose, in better humor with themselves and less disposed to envy the responsibili- ties of bigger places. It is truly the capital of its smil- ing province; a region of easy abundance, of good living, of genial, comfortable, optimistic, rather indolent opinions. Balzac says in one of his tales that the real Tourangeau will not make an effort, or displace him- self even, to go in search of a pleasure; and it is not difficult to understand the sources of this amiable cynicism. He must have a vague conviction that he can only lose by almost any change. Fortune has been kind to him: he lives in a temperate, reasonable, sociable climate, on the banks, of a river which, it is true, sometimes floods the country around it, but of which the ravages appear to be so easily repaired that its aggressions may perhaps be regarded (in a region where so many good things are certain) merely as an occasion for healthy suspense.
Cuando la novela aun no había alcanzado a la poesía en la jerarquía delas artes, Henry James revolucionó la narrativa de su tiempo con creacionesmuy arriesgadas y, como consecuencia, empezó a echar de menosuna reflexión crítica paralela a su obra. Fue así como se puso a trabajaren ensayos sobre el arte de escribir novelas, tomando como referencia a losgrandes novelistas que le habían precedido, entre ellos George Eliot y GustaveFlaubert.Más adelante, a principios del siglo xx, cuando su obra completase publicó por primera vez en Nueva York, el autor se encargó personalmentede escribir unos iluminadores prefacios a sus obras.Este volumen, editado y prologado por Andreu Jaume y traducido por Oliviade Miguel, reúne una selección de textos en los que Henry James habla deHenry James. El resultado es una de las experiencias críticas y autobiográficasmás interesantes de la historia de la literatura."Trabajamos en la oscuridad...Lo hacemos lo mejor que podemos y entregamos todo lo que está en nuestras manos. La duda es nuestra pasión, y a esa pasión nos dedicamos con ahínco. El resto corre de cuenta de la locura del arte."Henry James
The Master, the Modern Major General, and His Clever Wife: Henry James's Letters to Field Marshal Lord Wolseley and Lady Wolseley, 1878-1913by Henry James Alan G. James
As his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain's foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain's commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry's view, a delightful correspondent--in short, as the editor writes, "precisely the kind of woman James most admired."In The Master, the Modern Major General, and His Clever Wife, Alan James offers a collection of more than one hundred letters--most of them published here for the first time--that Henry James wrote to the Wolseleys, the majority to Lady Wolseley. Included are an overall introduction to the letters; separate introductory profiles of Lord and Lady Wolseley along with commentaries on the factors that drew James and the Wolseleys together; introductions to each of four sections of the letters, divided chronologically; and annotations throughout, identifying the notable men and women to whom James refers as well as comparing what James and the Wolseleys thought of them and their work.
Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including "Washington Square," the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín's fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece; A Most Extraordinary Case; Crawford's Consistency; An International Episode; The Impressions of a Cousin; The Jolly Corner; Washington Square; Crapy Cornelia; A Round of Visits.
El padre de la llamada «novela internacional», el maestro de la narración indirecta y del punto de vista, el escritor que depuró y complicó los contenidos melodramáticos de la novela naturalista del XIX nos ofrece en «Nona Vincent» (1893) uno más de sus intensos y sutiles estudios de las relaciones pero con un «toque final» que nos obligará a leer el cuento desde otra perspectiva.Este relato forma parte de la antología La tercera persona y otros relatos fantásticos.
Otra vuelta de tuerca es una joya literaria, donde el misterio y lo sobrenatural se funden en una verdadera historia de fantasmas. Son dos ninos quienes protagonizan la relacion con el mas alla, acompanados por una institutriz que intenta protegerlos de la influencia de los espiritus de los muertos. Y como siempre ocurre con las obras de este genero, su lectura nos atrae, sin dejar de producirnos en diversos momentos un profundo desasosiego.
Otra vuelta de tuerca está considerada la historia de fantasmas por antonomasia y un hito insoslayable en la historia de la literatura universal. Protagonizada por una joven institutriz al cuidado de dos niños en una mansión victoriana, a lo largo de la narración intervienen presencias y personajes tal vez sobrenaturales. La anterior institutriz y el sirviente murieron en extrañas circunstancias. ¿Cuál es el secreto que se oculta entre los muros de la mansión? Para descubrirlo, el autor nos conducirá magistralmente por los vericuetos de la historia en un sostenido e inquietante crescendo.
Henry James wrote with an imperial elegance of style, whether his subjects were American innocents or European sophisticates, incandescent women or their vigorous suitors. His omniscient eye took in the surfaces of cities, the nuances of speech, dress, and manner, and, above all, the microscopic interactions, hesitancies, betrayals, and self-betrayals that are the true substance of relationships. The entirely new Portable Henry James provides an unparalleled range of this great body of work: seven major tales, including Daisy Miller, The Turn of the Screw, "The Beast in the Jungle," and "The Jolly Corner"; a sampling of revisions James made to some of his most famous work; travel writing; literary criticism; correspondences; autobiography; descriptions of the major novels; and parodies by famous contemporaries, including T. S. Eliot, Ezra Pound, Virginia Woolf, and Graham Greene.
Isabel Archer, a young American, accompanies her eccentric aunt to Europe, where her wit and beauty--in addition to her substantial inheritance--quickly attract all manner of eager suitors. But beneath the romantic elegance of salons and ballrooms lies a tangle of treachery, deceit, and suffering.The most enduringly popular of Henry James' novels, The Portrait of a Lady reflects the author's interest in the contrast between the Old and New Worlds. He traces Isabel's progress across England, Paris, Florence, and Rome with trenchant observations on customs and attitudes. The heroine's difficulties in reconciling her personal liberty with social propriety express James' shrewd appraisals of the naivete and nobility of the American character, as well as his views on the subtle refinements and conventionality of European culture. A gripping exploration of the clash between freedom and responsibility, this novel offers an accessible entree into the work of Henry James.
Isabel Archer, from New York, is invited by her rich family to visit their estate, near London. There she meets a robust man, Lord Warburton, who proposes. She declines his proposal, as well as Caspar Goodwood's. She feels that a marriage like either of these would infringe upon her freedom. She finally decides to marry an American expatriate, Gilbert Osmond. This is when life gets especially complicated for Isabel.
One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, "affront her destiny." James began "The Portrait of a Lady" without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish--and then protect--her independence. But Isabel's pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. "James's formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved," writes Hortense Calisher, "make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot."
Isabel Archer is an independent, intelligent young woman without much money. When her father dies, her rich aunt takes her to Europe, where Isabel has to make important decisions about money, love and happiness.
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