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El padre de la llamada «novela internacional», el maestro de la narración indirecta y del punto de vista, el escritor que depuró y complicó los contenidos melodramáticos de la novela naturalista del XIX nos ofrece en «Nona Vincent» (1893) uno más de sus intensos y sutiles estudios de las relaciones pero con un «toque final» que nos obligará a leer el cuento desde otra perspectiva.Este relato forma parte de la antología La tercera persona y otros relatos fantásticos.
Otra vuelta de tuerca está considerada la historia de fantasmas por antonomasia y un hito insoslayable en la historia de la literatura universal. Protagonizada por una joven institutriz al cuidado de dos niños en una mansión victoriana, a lo largo de la narración intervienen presencias y personajes tal vez sobrenaturales. La anterior institutriz y el sirviente murieron en extrañas circunstancias. ¿Cuál es el secreto que se oculta entre los muros de la mansión? Para descubrirlo, el autor nos conducirá magistralmente por los vericuetos de la historia en un sostenido e inquietante crescendo.
Henry James wrote with an imperial elegance of style, whether his subjects were American innocents or European sophisticates, incandescent women or their vigorous suitors. His omniscient eye took in the surfaces of cities, the nuances of speech, dress, and manner, and, above all, the microscopic interactions, hesitancies, betrayals, and self-betrayals that are the true substance of relationships. The entirely new Portable Henry James provides an unparalleled range of this great body of work: seven major tales, including Daisy Miller, The Turn of the Screw, "The Beast in the Jungle," and "The Jolly Corner"; a sampling of revisions James made to some of his most famous work; travel writing; literary criticism; correspondences; autobiography; descriptions of the major novels; and parodies by famous contemporaries, including T. S. Eliot, Ezra Pound, Virginia Woolf, and Graham Greene.
One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, "affront her destiny." James began "The Portrait of a Lady" without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish--and then protect--her independence. But Isabel's pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. "James's formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved," writes Hortense Calisher, "make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot."
Isabel Archer is an independent, intelligent young woman without much money. When her father dies, her rich aunt takes her to Europe, where Isabel has to make important decisions about money, love and happiness.
Spirited, beautiful young American Isabel Archer journeys to Europe to, in modern terms, "find herself." But what she finds there may prove to be her undoing, especially when an infinitely sophisticated lady plots against her.
Retrato de una dama es probablemente la primera obra de madurez de Henry James, la novela donde se condensan y destilan todos los asuntos que siempre le importaron al autor: la psicología femenina, las diferencias entre América y Estados Unidos, la riqueza, el arte, la sociedad y la educación.De jovencita, Isabel Archer recibe una herencia muy sustanciosa y decide abandonar América para emprender un viaje por Europa. Su familia quiere que se case pronto, pero ella quiere defender su independencia, hasta que se enamora del hombre equivocado y sufre las tensiones entre el matrimonio y el deseo de libertad.
It's unclear why even many Henry James fans aren't familiar with this wicked early work, as it's James at his scathing best --- piercing, elegant, and ahead of his time. The story of an American hack journalist in Europe, The Reverberator is an early example of James' fascination with Americans confronting Europe's version of civilized society. Yet here he gives the theme a sly twist, as the Europeans find themselves enamored with a particularly uncivil brand of Americanism ...George Flack, a rising star in the scandal-mongering new American journalism of the 1880s, finds himself posted to Paris as a foreign correspondent for The Reverberator. And, like half of Paris, he finds himself in love with the beautiful but naïve --- and engaged --- American girl Francie Dosson. But when Francie innocently reveals something about her fiancé's snobby family to Flack, Francie, her fiancé, and all of Paris suddenly find themselves in a public scandal of a type not seen before in the world's most sophisticated city.Informed, no doubt, by James own, miserable experience as a Paris-based correspondent for the New York Tribune, The Reverberator features his normal lucid and penetrating prose, although less complicated than his later prose --- and with a bit of extra zing his fans may not expect. ebook ISBN: 978-1-61219-157-7
Henry James was the final survivor of a remarkable family, and his memoir, written at the end of a long and tireless career, was prompted initially by the death of his "ideal Elder Brother," the psychologist and philosopher William James. A Small Boy and Others recounts the novelist's earliest years in Albany and, more importantly, New York City, where he was allowed to wander at will. He evokes the theatrical entertainments he enjoyed, the varied social scene in which the family mixed, and the piecemeal nature of his education. With the first of several extended trips, the "romance" of Europe begins as the small boy becomes acquainted with a British culture already familiar from his precocious reading of the great Victorian novelists. And it is in France, in the Louvre's Galerie d'Apollon, that he undergoes an initiation into the aesthetic power of great art and an intimation of all the "fun" it might bring him. Yet the child also registered, within this privileged and extended family group, signs of dysfunction and failure. James's autobiography has significantly determined the nature and even the terms of the extensive biographical and critical interest he continues to enjoy. This first fully annotated critical edition of A Small Boy and Others, which guides the reader through the allusive complexities of James's prose, also offers fresh insights into the formative years of one of literature's most influential figures.
Mrs Gereth is convinced that Fleda Vetch would make the perfect daughter-in-law. Only the dreamy, highly-strung young woman can genuinely appreciate, and perhaps eventually share, Mrs Gereth's passion for her â¬~things' - the antique treasures she has amassed at Poynton Park in the south of England. Owen Gereth, however, has inconveniently become engaged to the uncultured Mona Brigstock. As a dramatic family quarrel unfolds, the hesitating Fleda is drawn in, yet she remains reluctant to captivate Owen, who seems as attracted to her as she is to him. Is she motivated by scruple or fear? In The Spoils of Poynton (1897), Henry James created a work of exquisite ambiguity in his depiction of three women fighting for the allegiance of one weak-willed man.
Henry James empezó a escribir relatos para periódicos estadounidenses en 1875, y nunca dejó de compaginarlos con sus novelas, no por más conocidas, necesariamente mejores. En la narrativa de corto aliento encuentra el genio de James el espacio preciso para mostrarnos las caras más sutiles de los conflictos humanos con un retrato magistral de los personajes que es la "marca de la casa" del más británico de los escritores americanos.La tercera persona (1900) narra con melancólico humor la problemática intimidad de dos solteronas con un fantasma que despierta una equívoca primavera en el otoño de sus vidas.Este relato forma parte de la antología Relatos.
Terminations is Henry James's most thematically unified collection of stories. Gathered in 1895, and following his fascination with the supernatural in the 1880s, this elegant collection explores the sadness of loss, both physical and spiritual, and finds James at his introspective best, while providing a glimpse of how the author dealt with death in his own life.The collection consists of four stories: "The Death of the Lion," in which the narrator prepares to write an obituary for a great editor he admired; "The Coxon Fund," where an endowment from a will comes unexpectedly to a seemingly undeserving character; "The Middle Years," a brief glimpse at the public reception of a novel and the private sacrifice it exacted from its author; and "The Altar of the Dead," a moving meditation on finding meaning in life that James wrote in response to the death of a close lady friend.Terminations reveals a writer preoccupied with the endings of life, expressing his thoughts in prose that is as finely balanced as the most famous of James's work.
To read a story by Henry James is to enter a fully realized world unlike any other--a rich, perfectly crafted domain of vivid language and splendid, complex characters. Devious children, sparring lovers, capricious American girls, obtuse bachelors, sibylline spinsters, and charming Europeans populate these five fascinatingnouvelles,which represent the author in both his early and late phases. From the apparitions of evil that haunt the governess in "The Turn of the Screw" to the startling self-scrutiny of an egotistical man in "The Beast in the Jungle," the mysterious turnings of human behavior are coolly and masterfully observed--proving Henry James to be a master of psychological insight as well as one of the finest prose stylists of modern English literature.
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