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Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James's career and ranging from the deliciously tart comedy of the early "An International Episode" to the surreal and haunted corridors of "The Jolly Corner," and including "Washington Square," the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James's finest achievements, the nine fictions gathered here reflect James's varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín's fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece; A Most Extraordinary Case; Crawford's Consistency; An International Episode; The Impressions of a Cousin; The Jolly Corner; Washington Square; Crapy Cornelia; A Round of Visits.
El padre de la llamada «novela internacional», el maestro de la narración indirecta y del punto de vista, el escritor que depuró y complicó los contenidos melodramáticos de la novela naturalista del XIX nos ofrece en «Nona Vincent» (1893) uno más de sus intensos y sutiles estudios de las relaciones pero con un «toque final» que nos obligará a leer el cuento desde otra perspectiva.Este relato forma parte de la antología La tercera persona y otros relatos fantásticos.
Otra vuelta de tuerca es una joya literaria, donde el misterio y lo sobrenatural se funden en una verdadera historia de fantasmas. Son dos ninos quienes protagonizan la relacion con el mas alla, acompanados por una institutriz que intenta protegerlos de la influencia de los espiritus de los muertos. Y como siempre ocurre con las obras de este genero, su lectura nos atrae, sin dejar de producirnos en diversos momentos un profundo desasosiego.
Otra vuelta de tuerca está considerada la historia de fantasmas por antonomasia y un hito insoslayable en la historia de la literatura universal. Protagonizada por una joven institutriz al cuidado de dos niños en una mansión victoriana, a lo largo de la narración intervienen presencias y personajes tal vez sobrenaturales. La anterior institutriz y el sirviente murieron en extrañas circunstancias. ¿Cuál es el secreto que se oculta entre los muros de la mansión? Para descubrirlo, el autor nos conducirá magistralmente por los vericuetos de la historia en un sostenido e inquietante crescendo.
Henry James wrote with an imperial elegance of style, whether his subjects were American innocents or European sophisticates, incandescent women or their vigorous suitors. His omniscient eye took in the surfaces of cities, the nuances of speech, dress, and manner, and, above all, the microscopic interactions, hesitancies, betrayals, and self-betrayals that are the true substance of relationships. The entirely new Portable Henry James provides an unparalleled range of this great body of work: seven major tales, including Daisy Miller, The Turn of the Screw, "The Beast in the Jungle," and "The Jolly Corner"; a sampling of revisions James made to some of his most famous work; travel writing; literary criticism; correspondences; autobiography; descriptions of the major novels; and parodies by famous contemporaries, including T. S. Eliot, Ezra Pound, Virginia Woolf, and Graham Greene.
One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, "affront her destiny." James began "The Portrait of a Lady" without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establish--and then protect--her independence. But Isabel's pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. "James's formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved," writes Hortense Calisher, "make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot."
Isabel Archer is an independent, intelligent young woman without much money. When her father dies, her rich aunt takes her to Europe, where Isabel has to make important decisions about money, love and happiness.
Spirited, beautiful young American Isabel Archer journeys to Europe to, in modern terms, "find herself." But what she finds there may prove to be her undoing, especially when an infinitely sophisticated lady plots against her.
Los mejores libros jamás escritos Para muchos, la obra maestra de Henry James, que reúne los temas esenciales de su literatura: la psicología femenina, las diferencias entre Europa y América, la educación y el arte. Retrato de una dama es una de las grandes novelas del siglo XIX. Su protagonista es Isabel Archer, una bella joven estadounidense que recibe una sustanciosa herencia y decide emprender un viaje por Europa. La familia quiere que se case pronto, pero ella defiende su independencia, hasta que los acontecimientos se precipitan de un modo inesperado. Retrato especular de Estados Unidos y Europa, y aguda indagación en la psicología femenina, este portentoso libro viene enmarcado por el prefacio que el autor escribió para la edición estadounidense de sus obras de 1908. Seguimos aquí el texto de la novela según lo revisó Henry James para la ocasión, en brillantetraducción de Ana Eiroa. El volumen se cierra con un epílogo y una cronología de Philip Horne, máxima autoridad jamesiana y responsable de la biblioteca del autor en Penguin Classics. «No puedo escapar a la infelicidad.»
It's unclear why even many Henry James fans aren't familiar with this wicked early work, as it's James at his scathing best --- piercing, elegant, and ahead of his time. The story of an American hack journalist in Europe, The Reverberator is an early example of James' fascination with Americans confronting Europe's version of civilized society. Yet here he gives the theme a sly twist, as the Europeans find themselves enamored with a particularly uncivil brand of Americanism ...George Flack, a rising star in the scandal-mongering new American journalism of the 1880s, finds himself posted to Paris as a foreign correspondent for The Reverberator. And, like half of Paris, he finds himself in love with the beautiful but naïve --- and engaged --- American girl Francie Dosson. But when Francie innocently reveals something about her fiancé's snobby family to Flack, Francie, her fiancé, and all of Paris suddenly find themselves in a public scandal of a type not seen before in the world's most sophisticated city.Informed, no doubt, by James own, miserable experience as a Paris-based correspondent for the New York Tribune, The Reverberator features his normal lucid and penetrating prose, although less complicated than his later prose --- and with a bit of extra zing his fans may not expect. ebook ISBN: 978-1-61219-157-7
"There are several objections to it, but I'll take it if you'll alter it," Mr. Locket's rather curt note had said; and there was no waste of words in the postscript in which he had added: "If you'll come in and see me, I'll show you what I mean. " This communication had reached Jersey Villas by the first post, and Peter Baron had scarcely swallowed his leathery muffin before he got into motion to obey the editorial behest. He knew that such precipitation looked eager, and he had no desire to look eager-it was not in his interest; but how could he maintain a godlike calm, principled though he was in favour of it, the first time one of the great magazines had accepted, even with a cruel reservation, a specimen of his ardent young genius? It was not till, like a child with a sea-shell at his ear, he began to be aware of the great roar of the "underground," that, in his third-class carriage, the cruelty of the reservation penetrated, with the taste of acrid smoke, to his inner sense. It was really degrading to be eager in the face of having to "alter. " Peter Baron tried to figure to himself at that moment that he was not flying to betray the extremity of his need, but hurrying to fight for some of those passages of superior boldness which were exactly what the conductor of the "Promiscuous Review" would be sure to be down upon. He made believe-as if to the greasy fellow-passenger opposite-that he felt indignant; but he saw that to the small round eye of this still more downtrodden brother he represented selfish success.
Henry James was the final survivor of a remarkable family, and his memoir, written at the end of a long and tireless career, was prompted initially by the death of his "ideal Elder Brother," the psychologist and philosopher William James. A Small Boy and Others recounts the novelist's earliest years in Albany and, more importantly, New York City, where he was allowed to wander at will. He evokes the theatrical entertainments he enjoyed, the varied social scene in which the family mixed, and the piecemeal nature of his education. With the first of several extended trips, the "romance" of Europe begins as the small boy becomes acquainted with a British culture already familiar from his precocious reading of the great Victorian novelists. And it is in France, in the Louvre's Galerie d'Apollon, that he undergoes an initiation into the aesthetic power of great art and an intimation of all the "fun" it might bring him. Yet the child also registered, within this privileged and extended family group, signs of dysfunction and failure. James's autobiography has significantly determined the nature and even the terms of the extensive biographical and critical interest he continues to enjoy. This first fully annotated critical edition of A Small Boy and Others, which guides the reader through the allusive complexities of James's prose, also offers fresh insights into the formative years of one of literature's most influential figures.
Mrs Gereth is convinced that Fleda Vetch would make the perfect daughter-in-law. Only the dreamy, highly-strung young woman can genuinely appreciate, and perhaps eventually share, Mrs Gereth's passion for her â¬~things' - the antique treasures she has amassed at Poynton Park in the south of England. Owen Gereth, however, has inconveniently become engaged to the uncultured Mona Brigstock. As a dramatic family quarrel unfolds, the hesitating Fleda is drawn in, yet she remains reluctant to captivate Owen, who seems as attracted to her as she is to him. Is she motivated by scruple or fear? In The Spoils of Poynton (1897), Henry James created a work of exquisite ambiguity in his depiction of three women fighting for the allegiance of one weak-willed man.
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