The Gothic masterwork that revolutionized popular fictionWhen Prince Manfred of Otranto loses his son in a strange and terrifying accident, he fears that an ancient prophecy has come to pass and his family will be stripped of its castle and lands before he can produce a new heir. Desperate to hold on to their power, he decides to divorce his wife and marry Isabella, his son's betrothed. But Isabella escapes into the gloomy passages beneath the castle, and with the help of a young peasant named Theodore, finds sanctuary in a nearby monastery. Manfred threatens to kill Theodore unless Friar Jerome turns the girl over to him. Only a shocking twist of fate can save Isabella and ensure that the Castle of Otranto falls to its rightful heir. An immediate sensation when it was published pseudonymously in 1764, The Castle of Otranto is widely considered to be the first Gothic novel. Rich with romance, spine-tingling suspense, and supernatural horror, the novel profoundly influenced the works of Bram Stoker, Edgar Allan Poe, and Mary Shelley. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
In a faraway medieval realm, Manfred, an arrogant and evil prince, rules with an iron fist. Banishing his wife to the castle dungeon, he confines -- and plans to wed -- the lovely Isabella, fiancée of his recently deceased son. The prince's plans are foiled, however, when a well-meaning peasant helps the young woman escape through the castle's underground passages. Grisly, supernatural events further aid in fulfilling a prophecy that spells doom for the prince and justice for Isabella's rescuer and rightful heir to the throne.One of the first and greatest of Gothic novels, this thrilling tale ranks among the most influential books in literary history. Serving as the model for plots, characterizations, settings, and tone for hundreds of successors, The Castle of Otranto abounds with colorful scenes, adventure, suspense, and inexplicable phenomena.
The Castle of Otranto is a 1764 novel by Horace Walpole. It is generally regarded as the first Gothic romance, initiating a literary genre which would become extremely popular in the later 18th century and 19th century. Walpole, publishing under a pseudonym, claimed the novel was a translation of an Italian romance dating back to the time of the Crusades.
A GOTHIC TREASURY OF THE SUPERNATURAL. What sends chills down our spine when we read a good horror story? Contrary to some modern trends, it is not merely how much blood is spilled or how grotesquely an alien creature or monster is portrayed. Rather, the thrill of terror comes in exploring the depths of the human soul and in discovering the capacity for evil that lies hidden there: the monsters that lurk within us are the most frightening ones of all. These six gothic masterpieces of supernatural horror and suspense provide a wealth of such terrors. The first true gothic novel appeared in 1764: Horace Walpole's The Castle of Otranto. Inspired by a dream in which Walpole saw a huge, armored hand in an ancient castle, the story contains all the elements that have become the earmarks of the gothic novel: a medieval castle, a lost heir who must prove himself in order to claim his fortune, a villain, a love interest, and various supernatural phenomena. The Castle of Otranto influenced countless literary works throughout the nineteenth century. In Geneva during the summer of 1816, Lord Byron, John Polidori, Percy Bysshe Shelley, and Mary Wollstonecraft Godwin (later Mary Shelley) amused one another by making up ghost stories. Mary Shelley's tale was the seed from which her timeless novel Frankenstein grew. Subtitled The Modern Prometheus, it is the spellbinding story of Victor Frankenstein, a doctor who plays God by creating a living being from the bodies of the dead; the tragic monster is ultimately seen as Frankenstein's alter ego. A similar theme appears in The Strange Case of Dr. Jekyll and Mr. Hyde. A doctor discovers a potion that has the power to transform him into a fiend whose deeds become more and more horrifying. Awakened by a nightmare, Robert Louis Stevenson feverishly wrote Dr. Jekyll and Mr. Hyde in three days, destroyed it, and wrote it again in another three days. In Dracula, Bram Stoker created a monstrous being founded in folklore and legend; it is a tale made the more horrifying by the enduring belief in the possible existence of real vampires. With superhuman power, the vampire Count Dracula lures victims into his clutches and drains them of life until they too join the living dead. Oscar Wilde portrays a beautiful, ever-youthful Adonis who leads a life of decadence in The Picture of Dorian Gray. As Dorian ruins and corrupts those around him, his portrait strangely alters with each new crime he commits. We follow him down this path of decay to a shattering, inevitable climax. In The Turn of the Screw, Henry James, the master of ambiguity, tells the story of a governess, her two charges, and the spiritual presence of a dead valet and a dead governess. If we cannot be sure that these ghosts are real or imagined, there is no doubt about the terror this tangled tale inspires. Complete and together in one volume, these six gothic classics of the supernatural, by great writers who are masters of the macabre, provide new insights--and heightened terrors--with each reading.
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