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Disgruntled, disheveled, fish-out-of-water mobile librarian Israel Armstrong is finally going home to London, rattling along with his irascible companion Ted Carson in their rust bucket book van en route to the Mobile Meet. The annual library convention gives Israel the opportunity to catch up with his family, eat paprika chicken and baklava, and drink good coffee. But they've barely found parking when the unimaginable occurs: their library-on-wheels is stolen! Who on earth would want to take a thirty-year-old traveling disaster with the words "The Book Stops Here" painted across the back? Israel and Ted are determined to find out. But their search is leading them on a very twisty trail through the countryside in pursuit of a suspicious convoy of New Age travelers. And the hunt is raising numerous troubling questions-such as where exactly is Israel's high-flying girlfriend, Gloria? And is Ted really making a move on Israel's widowed mother?
Israel Armstrong is a passionate soul, lured to Ireland by the promise of an exciting new career. Alas, the job that awaits him is not quite what he had in mind. Still, Israel is not one to dwell on disappointment, as he prepares to drive a mobile library around a small, damp Irish town. After all, the scenery is lovely, the people are charming--but where are the books? The rolling library's 15,000 volumes have mysteriously gone missing, and it's up to Israel to discover who would steal them . . . and why. And perhaps, after that, he will tackle other bizarre and perplexing local mysteries--like, where does one go to find a proper cappuccino and a decent newspaper?
Mr. Dixon a member of the Ulster Association of Magicians, has gone missing-along with one hundred thousand pounds in cash. Israel Armstrong, bighearted and overly inquisitive, should stick to delivering library books to out-of-the-way readers and not get involved in the investigation. But of course, he can't help himself-which costs him his job and earns him a place of dishonor among the police's prime suspects. Can Israel clear his name and get his van back? Will the exhibition of old local photos he's been driving around County Antrim offer clues to Mr. D.'s whereabouts? And is a romance in the offing with winsome barmaid Rosie Hart? All will be revealed!
Love Miss Marple? Adore Holmes and Watson? Professor Morley's guide to Norfolk is a story of bygone England: quaint villages, eccentric locals--and murder . . . It is 1937, and disillusioned Spanish Civil War veteran Stephen Sefton is broke. So when he sees a mysterious advertisement for a job where "intelligence is essential," he eagerly applies. Thus begins Sefton's association with Professor Swanton Morley, an omnivorous intellect. Morley's latest project is a history of traditional England, with a guide to every county. They start in Norfolk, but when the vicar of Blakeney is found hanging from his church's bell rope, Morley and Sefton find themselves drawn into a rather more fiendish plot. Did the reverend really take his own life, or is there something darker afoot?A must-read for fans of Sir Arthur Conan Doyle, Agatha Christie, and Charles Todd, this novel includes plenty of murder, mystery, and mayhem to confound.
Let us suppose for a moment that paper were to disappear. Would anything be lost? Everything would be lost. aper surrounds us. Not only as books, letters and diaries, but as beer mats and birth certificates, board games and business cards, fireworks and flypaper, photographs and playing cards, tickets and tea bags. We are paper people. But the age of paper is coming to an end. E-books regularly outsell physical books. E-tickets replace the paper variety. Archives are digitized. The world we know was made from paper, and yet everywhere we look, paper is beginning to disappear. As we enter a world beyond paper, Ian Sansom explores the paradoxes of the greatest of man-made materials and shows how some kinds of paper, and the ghosts and shadows of paper, will always be with us. Paper: An Elegy is a history of paper in all its forms and functions. Both a cultural study and a series of personal reflections on the meaning of paper, this book is a timely meditation on the very paper it is printed on.
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