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The fifth novel in Asimov's popular Foundation series opens with second thoughts. Councilman Golan Trevize is wondering if he was right to choose a collective mind as the best possible future for humanity over the anarchy of contentious individuals, nations and planets. To test his conclusion, he decides he must know the past and goes in search of legendary Earth, all references to which have been erased from galactic libraries. The societies encountered along the way become arguing points in a book-long colloquy about man's fate, conducted by Trevize and traveling companion Bliss, who is part of the first world/mind, Gaia.From the Paperback edition.
Although small and seemingly helpless, the Foundation had managed to survive against the greed of its neighboring warlords. But could it stand against the mighty power of the Empire, who had created a mutant man with the strength of a dozen battlefleets...?<P><P> The Foundation has survived and thrived following its inception, in the face of the greed and barbarism of its neighboring warrior-planets. The Empire -- still the mightiest force in the Galaxy -- is in its death throes. When an ambitious general determined to restore the Empire's glory turns the vast Imperial fleet toward the Foundation, the on-going triumph of the Foundation's small planet of scholars and scientists lies assured in the prophecies of Hari Seldon. But Hari Seldon, brilliant psycho-historian and founder of the technologically superior Foundation, couldn't have predicted the birth of an extraordinary mutant: the Mule. The Foundation's future is no longer assured, and the Mule's military genius and telepathic abilities to turn the strongest-willed human into an obedient slave may spell the end of mankind. Hugo Award winner.
One of the great masterworks of science fiction, the Foundation novels of Isaac Asimov are unsurpassed for their unique blend of nonstop action, daring ideas, and extensive world-building. The story of our future begins with the history of Foundation and its greatest psychohistorian: Hari Seldon. For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. Only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future--a dark age of ignorance, barbarism, and warfare that will last thirty thousand years. To preserve knowledge and save mankind, Seldon gathers the best minds in the Empire--both scientists and scholars--and brings them to a bleak planet at the edge of the Galaxy to serve as a beacon of hope for future generations. He calls his sanctuary the Foundation.But soon the fledgling Foundation finds itself at the mercy of corrupt warlords rising in the wake of the receding Empire. And mankind's last best hope is faced with an agonizing choice: submit to the barbarians and live as slaves--or take a stand for freedom and risk total destruction.From the Hardcover edition.
Now, 498 years after its founding, the Foundation seemed to be following the Seldon Plan perfectly. Too perfectly. Now an impossible planet -- with impossible powers -- threatens to upset the Seldon Plan for good unless two men, sworn enemies, can work together to save it!<P><P> Hugo Award winner.
Only a few know the terrifying truth--an outcast Earth scientist, a rebellious alien inhabitant of a dying planet, a lunar-born human intuitionist who senses the imminent annihilation of the Sun. They know the truth--but who will listen? They have foreseen the cost of abundant energy--but who will believe? These few beings, human and alien, hold the key to the Earth's survival.
Only a few know the terrifying truth--an outcast Earth scientist, a rebellious alien inhabitant of a dying planet, a lunar-born human intuitionist who senses the imminent annihilation of the Sun. They know the truth--but who will listen? They have foreseen the cost of abundant energy--but who will believe? These few beings, human and alien, hold the key to the Earth's survival.From the Paperback edition.
Gold is the final and crowning achievement of the fifty-year career of science fiction's transcendent genius, the world-famous author who defined the field of science fiction for its practitioners, its millions of readers, and the world at large.<P> The first section contains stories that range from the humorous to the profound, at the heart of which is the title story, "Gold," a moving and revealing drama about a writer who gambles everything on a chance at immortality: a gamble Asimov himself made -- and won. The second section contains the grand master's ruminations on the SF genre itself. And the final section is comprised of Asimov's thoughts on the craft and writing of science fiction.
«Esta historia, que apareció por primera vez en 1976, fue mi exposición más clarividente del desarrollo de los robots. Trataba del deseo de un robot de convertirse en hombre y la forma en que realizaba este deseo, paso a paso. No tenía intención de escribir esta historia cuando la empecé, se escribió sola, y se trazó y entrelazó en la máquina de escribir. Acabó siendo la tercera de mis historias favoritas, entre todas las escritas.»Poco más que añadir a las palabras que Asimov dedica a este relato en la introducción que escribió en 1990 para la antología Visiones de Robot : disfruten de la lectura.
This is the fourth volume of the Hugo Winners edited by Isaac Asimov. The Hugo winners is a collection of science fiction short stories that won the 'Hugo Award' in the World Science Fiction Convention between 1955 and 1961.
The Hugo Award is to science fiction what the Oscar is to Hollywood, and every year the coveted statuette (modeled after a spaceship) is presented at the World Science Fiction Convention. Here are twenty-three award-winning stories for the years 1955 to 1970, each with an introduction by Isaac Asimov. All of the stories are unusual and contain that special something that marks them as prize winners. Highly original and provocative, they examine the mystery of existence and the very real possibilities that lie within the realm of future experience. And together they provide a lavish treat of the very best writing chosen by the most prominent people in the field--truly superior science fiction.
Arguably the greatest science fiction writer who ever lived, Isaac Asimov also possessed one of the most brilliant and original minds of our time. His accessible style and far-reaching interests in subjects ranging from science to humor to history earned him the nickname "the Great Explainer. "I. Asimovis his personal story--vivid, open, and honest--as only Asimov himself could tell it. Here is the story of the paradoxical genius who wrote of travel to the stars yet refused to fly in airplanes; who imagined alien universes and vast galactic civilizations while staying home to write; who compulsively authored more than 470 books yet still found the time to share his ideas with some of the great minds of our century. Here are his wide-ranging thoughts and sharp-eyed observations on everything from religion to politics, love and divorce, friendship and Hollywood, fame and mortality. Here, too, is a riveting behind-the-scenes look at the varied personalities--Campbell, Ellison, Heinlein, Clarke, del Rey, Silverberg, and others--who along with Asimov helped shape science fiction. As unique and irrepressible as the man himself,I. Asimov is the candid memoir of an incomparable talent who entertained readers for nearly half a century and whose work will surely endure into the future he so vividly envisioned.
The three laws of Robotics:1) A robot may not injure a human being or, through inaction, allow a human being to come to harm2) A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law.3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. In I, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete.Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark. the Hardcover edition.
The three laws of Robotics: 1) A robot may not injure a human being or, through inaction, allow a human being to come to harm 2) A robot must obey orders givein to it by human beings except where such orders would conflict with the First Law. 3) A robot must protect its own existence as long as such protection does not conflict with the First or Second Law. With these three, simple directives, Isaac Asimov changed our perception of robots forever when he formulated the laws governing their behavior. InI, Robot, Asimov chronicles the development of the robot through a series of interlinked stories: from its primitive origins in the present to its ultimate perfection in the not-so-distant future--a future in which humanity itself may be rendered obsolete. Here are stories of robots gone mad, of mind-read robots, and robots with a sense of humor. Of robot politicians, and robots who secretly run the world--all told with the dramatic blend of science fact and science fiction that has become Asmiov's trademark.
Asimov wrote a two volume autobiography, of which this is volume II.
In the Beginning: Science Faces God in the Book of Genesis. The beginning of time. The origin of life. In our Western civilization, there are two influential accounts of beginnings. One is the biblical account, compiled more than two thousand years ago by Judean writers who based much of their thinking on the Babylonian astronomical lore of the day. The other is the account of modern science, which, in the last century, has slowly built up a coherent picture of how it all began. Both represent the best thinking of their times, and in this line-by-line annotation of the first eleven chapters of Genesis, Isaac Asimov carefully and evenhandedly compares the two accounts, pointing out where they are similar and where they are different. "There is no version of primeval history, preceding the discoveries of modern science, that is as rational and as inspiriting as that of the Book of Genesis," Asimov says. However, human knowledge does increase, and if the biblical writers "had written those early chapters of Genesis knowing what we know today, we can be certain that they would have written it completely differently." Isaac Asimov brings to this fascinating subject his wide-ranging knowledge of science and history--and his award-winning ability to explain the complex with accuracy, clarity, and wit.
Derec returns to the original Robot City to find that things are very strange. The city has been reprogrammed in ways that don't make sense. He didn't do it nor did Dr. Avery. Who did?
This book was previously published as Isaac Asimov Presents the Great SF Stories 5 (1943) and Isaac Asimov Presents the Great SF Stories 6 (1944). It includes stories by P. Schuyler Miller, Leigh Brackett; Lewis Padgett, Anthony Boucher, Lawrence O'Donnell, Edmond Hamilton, Fredric Brown, C. L. Moore, A. E. Van Vogt, Eric Frank Russell, Clifford D. Simak, Lester Del Rey, and Theodore Sturgeon.
A collection of science fiction short stories from 1940.
A wide-ranging exploration of our universe -- from "what makes the wind blow?" to "how was the moon formed?" -- in questions-and-answer format, written in vintage Asimov style. "A fine introduction to modern astronomical theory." -- LIBRARY JOURNALFrom the Paperback edition.
This volume of science fiction contains all the stories from the collections, The Future in Question and Space Mail.
11 fantasy stories and also articles on various aspects of fantasy, such as writing it
Short Novels of the 1940's. Collects ten science fiction novels written during the 1940s, a great era of development of the genre, including Asimov's "The Mule," Sturgeon's "Killdozer," and Chandler's "Giant Killer."
In My Introduction to Soviet Science Fiction, the first book in this series, I divided the development of American science fiction into three stages. I won't repeat the line of argument here, but I will list the three stages once more.Stage One: Adventure dominant Stage Two: Technology dominant Stage Three: Sociology dominant
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