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This demanding and rewarding third novel by the author of Labrador (1990) and The Girl Who Trod on a Loaf (1993) will delight all serious readers. Its sensuous prose and vivid rendering of the minutiae of everyday life propel the reader through three haunting tales woven together. They are the stories of two parents and two daughters in 1950s Philadelphia, a dollhouse whose inhabitants are not quite lifeless, and Edwina Moss, a 19th-century chatelaine of domesticity. The Philadelphia family's story is narrated by the elder daughter, who, infatuated with literature, peppers her narrative with sly allusions to Wuthering Heights (shutters banging, wind sweeping across the moors) and A Girl of the Limberlost. Strained marriages, details of housekeeping, anorexic daughters (both human and not), and the mysterious conflation of two paintings of Heaven and of Hell combine to demand rereading.
In The Summer Book Tove Jansson distills the essence of the summer--its sunlight and storms--into twenty-two crystalline vignettes. This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia's grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland. The grandmother is unsentimental and wise, if a little cranky; Sophia is impetuous and volatile, but she tends to her grandmother with the care of a new parent. Together they amble over coastline and forest in easy companionship, build boats from bark, create a miniature Venice, write a fanciful study of local bugs. They discuss things that matter to young and old alike: life, death, the nature of God and of love. "On an island," thinks the grandmother, "everything is complete." In The Summer Book, Jansson creates her own complete world, full of the varied joys and sorrows of life.Tove Jansson, whose Moomintroll comic strip and books brought her international acclaim, lived for much of her life on an island like the one described in The Summer Book, and the work can be enjoyed as her closely observed journal of the sounds, sights, and feel of a summer spent in intimate contact with the natural world.
Versailles is the story of an expansive spirit locked in a pretty body and an impossible moment in history. As the novel begins, fourteen-year-old Marie Antoinette is traveling from Austria to France to meet her fiancé, the mild, abstracted Louis. He will become the sixteenth Louis to reign in France, and Antoinette will be his queen, hemmed in by towering hairdos, the xenophobic suspicion of her subjects, the misogyny of her detractors, the larger-than-life figures of Mirabeau, Du Barry, Robespierre, and the manifold twists and turns of the palace she calls home.The novel moves from room to room, from garden to fountain, occasionally breaking into playlets in which we glimpse characters struggling to mind their step in the great ballroom of the world. Driving our tour is the relentless engine of time, that friend to youth, for whom anything is possible. Antoinette gives birth to four children, two of whom will outlive her; she falls in love; she dies at the guillotine. A meditation on time and the soul's true journey within it, Versailles is at once wittily entertaining and astonishingly wise.
The Vet's Daughter combines shocking realism with a visionary edge. The vet lives with his bedridden wife and shy daughter Alice in a sinister London suburb. He works constantly, captive to a strange private fury, and treats his family with brutality and contempt. After his wife's death, the vet takes up with a crass, needling woman who tries to refashion Alice in her own image. And yet as Alice retreats ever deeper into a dream world, she discovers an extraordinary secret power of her own. Harrowing and haunting, like an unexpected cross between Flannery O'Connor and Stephen King, The Vet's Daughter is a story of outraged innocence that culminates in a scene of appalling triumph.
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