A flash of lightning, quivering ground, and, instead of her grandparents' farm, Polly sees mist and jagged mountains -- and coming toward her, a group of young men carrying spears. Why has a time gate opened and dropped Polly into a world that existed 3,000 years ago? Will she be able to get back to the present before the time gate closes -- and leaves her to face a group of people who believe in human sacrifice?
A gifted marine biology student on his way to Portugal to spend the summer working for the renowned scientist Dr. O'Keefe.
"Emma Wheaton has interrupted her successful stage career to attend her dying father, David Wheaton. The legendary actor is obsessed with an unfinished play about the Old Testament King David written by Emma's estranged husband. As his family - itself of biblical proportions, because David Wheaton has had nine wives and eleven children - gathers, the stories of both Davids and their women are simultaneously woven together and unraveled. For Emma, being with her extended family brings back memories both painful and healing, and confronting her own tumultuous past helps her understand the effect her father's life has had on them all. As David Wheaton faces his approaching death, Emma grapples with her future." "Steeped in the modern world of the theater and the ancient world of prophets and kings, Madeleine L'Engle's latest novel examines the lot of mothers and wives and daughters. Certain Women shows her intimate knowledge of theatrical life, resolves a long-held fascination with King David, and continues her exploration of biblical matters."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The book begins: We are four generations under one roof this summer, from infant Charlotte to almost-ninety Great-grandmother. This is a situation which is getting rarer and rarer in this day and age when families are divided by large distances and small dwellings, Josephine and Alan and the babies come from England; Great-grandmother from the Deep South; Hugh and I and our younger children from New York; and our assorted "adopted" children from as far afield as Mexico and as close as across the road; all to be together in Crosswicks, our big, old-fashioned New England farmhouse. It's an ancient house by American standards-well over two hundred years old. It still seems old to me, although Josephine and Alan, in Lincoln, live close by the oldest inhabited house in Europe, built in the eleven-hundreds. When our children were little and we lived in Crosswicks year round, they liked to count things. They started to count the books, but stopped after they got to three thousand. They also counted beds, and figured that as long as all the double beds held two people, we could sleep twenty-one; that, of course, included the attic. We are using the attic this summer, though we haven't yet slept twenty-one. A lot of the time it is twelve, and even more to feed. Cooking is the only part of housekeeping I manage with any grace; it's something like writing a book: you look in the refrigerator and see what's there, choose all the ingredients you need, and a few your husband thinks you don't need, and put them all together to concoct a dish. Vacuum cleaners are simply something more for me to trip over; and a kitchen floor, no matter how grubby, looks better before I wax it. The sight of a meal's worth of dirty dishes, pots, and pans makes me want to run in the other direction. Every so often I need out; something will throw me into total disproportion, and I have to get away from everybody-away from all these people I love most in the world-in order to regain a sense of proportion.
A thirteen-year-old boy's trip to Venezuela with his cousin culminates in murder and the discovery of an unexpected bond with an Indian tribe, dating from the days of Simon Bolivar. Copyright © Libri GmbH. All rights reserved.
Description from the book jacket: "Polly O'Keefe will never forget the summer she met Max-no matter how hard she tries. Sixteen-year-old Polly is on her way to a conference on the island of Cyprus, where she will work as a gofer. The trip was arranged by Maximiliana Horne, a rich, brilliant artist who returned a year ago with her longtime companion, Dr. Ursula Heschel, to her antebellum mansion on Benne Seed Island and became the O'Keefes' neighbor. Max and Polly formed an instant friendship and Max took over Polly's education, giving her the encouragement and confidence that her isolated upbringing had not. Polly adored Max, even idolized her, until Max betrayed her. Alone during a three-day stopover in Athens, Polly tries to figure out what went wrong with Max, to understand how Max could hurt her so much. The arrival of Zachary Gray, a wealthy and handsome young man determined to spend all his time with Polly, only complicates her thinking as she remembers events on Benne Seed while he shows her the sights. Leaving Athens behind, Polly still cannot forgive Max and yet she is torn by the knowledge that soon she may not have the chance to, even if she wants it. In Cyprus, while preparing for the conference, Polly becomes friends with Virginia Porcher, a writer she has always admired; Omio Heno, a vibrant young man from the island of Baki; and other remarkable delegates, from whom Polly learns she is not the only one who has suffered. Then Zachary shows up and, because of his own arrogance and cowardliness, leads her into danger. In the healing company of her new friends, Polly realizes that it is all right to have contradictory feelings about someone, and that on the other side of pain there is still love."
In this autobiographical memoir, L'Engle offers reflections, meditations, and poems based around the seasons of the Anglican church year. (Third in the Crosswicks journal series.)
4th book in L'Engles time quartet series. Twins Sandy and Dennys Murry are accidentally transported to the biblical time of Noah and the flood, caught in struggles of good and evil and human nature.
The moment Maggy Hamilton steps into the happy lives of the Austin family, she disrupts their harmonious world, bringing with her all the sullenness and insolence of her own misery.
The Midnight Folk introduces readers to Kay Harker, the orphaned boy who is also the hero of John Masefield's classic Christmas fantasy, The Box of Delights. Kay lives in a vast old country house, and is looked after by an unpleasant duo: the oily and egregious Sir Theopompous and the petulant and punitive Sylvia Daisy Pouncer. In her zeal to educate Kay on the finer points of Latin grammar, Sylvia Daisy has even taken away all of Kay's toys. Life seems very dull, until out of an old family portrait steps Kay's great-grandfather, a sea captain, who, if legend is to be believed, made off with a fabulous treasure. Soon Kay is engaged in a thrilling quest that begins each night as the clock strikes twelve, taking him into the enchanted and dangerous world of the Midnight Folk: pirates, highwaymen, talking animals, and a gang of witches led by none other than Sylvia Daisy (in cahoots, as in The Box of Delights, with the arch-villain Abner Brown). In the end, it is that ragtag team of old toys that rallies to support Kay and save the day.A book to set beside C.S. Lewis's Narnia tales and Joan Aiken's Wolves of Willoughby Chase--not to mention the Harry Potter series--The Midnight Folk is a wonderful and enthralling contribution to the great English tradition of children's literature, beloved by adults and children alike.
Vicky Austin, almost 15, tells about her family's summer cross-country camping trip. From the Austin series. During this camping trip, Vicky tries to come to terms with her feelings about life, God, boys, and the possibility of starting school in New York City in the fall.
Praise for The Ordering of LoveBy Madeleine L'Engle"In a brilliant marriage of myth and manner, histories sacred and profane, prayers of petition and of praise, these poems both articulate and illumine the trouble in the gap in which we live-the gap between human affections and Divine Love. L'Engle is unfailing in her willingness to see through-not around-human suffering, and in so doing announces no final severing of spirit and flesh but an enduring vision of resurrection in that crux, in the cross, in the One in Whom all things meet, continuing." -Scott Cairns, author of Slow Pilgrim and Philokalia: New and Selected Poems"I love L'Engle's poetry for the way it incarnates not only the great Truths of the faith, but all the little truths of our ordinary existence-our working and playing and loving and fighting and dreaming and idling and all the rest of it-and for the way it shows us that those big and little truths should not, cannot, be separated."-Carolyn Arends, recording artist and author"Why is L'Engle one of the defining poets of our time? Because when life hurts, she does not shrink from the wounds. She clarifies the murk with hope as we feel the lift of grace."-Calvin Miller, Beeson Divinity SchoolBirmingham, Alabama"We are, all of us, the richer for this carefully crafted and prayerfully rendered collection."-Phyllis Tickle, Author, The Divine Hours"Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared."-Madeleine L'EngleMadeleine L'Engle's writing has always translated the invisible and intricate qualities of love into the patterns and rhythms of visible life. Now, with compelling language and open-hearted vulnerability, The Ordering of Love brings together the exhaustive collection of L'Engle's poetry for the first time. This volume collects nearly 200 of L'Engle's original poems, including eighteen that have never before been published. Reflecting on themes of love, loss, faith, and beauty, The Ordering of Love gives vivid and compelling insight into the language of the heart.From the Hardcover edition.
"In a brilliant marriage of myth and manner, histories sacred and profane, prayers of petition and of praise, these poems both articulate and illumine the trouble in the gap in which we live--the gap between human affections and Divine Love. L'Engle is unfailing in her willingness to see through--not around--human suffering, and in so doing announces no final severing of spirit and flesh but an enduring vision of resurrection in that crux, in the cross, in the One in Whom all things meet, continuing." -Scott Cairns, author of Slow Pilgrim and Philokalia: New and Selected Poems. "I love L'Engle's poetry for the way it incarnates not only the great Truths of the faith, but all the little truths of our ordinary existence--our working and playing and loving and fighting and dreaming and idling and all the rest of it--and for the way it shows us that those big and little truths should not, cannot, be separated." -Carolyn Arends, recording artist and author. "Why is L'Engle one of the defining poets of our time? Because when life hurts, she does not shrink from the wounds. She clarifies the murk with hope as we feel the lift of grace." -Calvin Miller, Beeson Divinity School Birmingham, Alabama. "We are, all of us, the richer for this carefully crafted and prayerfully rendered collection." -Phyllis Tickle, Author, The Divine Hours. "Poetry, at least the kind I write, is written out of immediate need; it is written out of pain, joy, and experience too great to be borne until it is ordered into words. And then it is written to be shared." -Madeleine L'Engle. Madeleine L'Engle's writing has always translated the invisible and intricate qualities of love into the patterns and rhythms of visible life. Now, with compelling language and open-hearted vulnerability, The Ordering of Love brings together the exhaustive collection of L'Engle's poetry for the first time. This volume collects nearly 200 of L'Engle's original poems, including eighteen that have never before been published. Reflecting on themes of love, loss, faith, and beauty, The Ordering of Love gives vivid and compelling insight into the language of the heart.
Touche L'Engle-Franklin is confused: Her mistress goes away for several days and then returns with another dog. But this dog doesn't have a tail. She doesn't have much hair. And she never has to go outside when it's raining. What on earth could the family want with that inferior breed known as Baby? Based on the true tale of her own poodle's experience coping with a new baby in the house, Newbery-winning author Madeleine L'Engle gives this familiar domestic drama an utterly charming new twist. Tongue-in-cheek wit, endearing illustrations, and a revealing author's note make this a publishing event to celebrate.
A historical novel set in the post-Civil-War American South. Stella, a young English bride, moves to the home of her husband's family and is soon caught up in inter-family conflict, the brutality of racism, and the consequences of difficult choices.
Vicky Austin struggles with the meaning of life, as she watches her grandfather dying. Her friend Adam Eddington and her gift of communication with dolphins give her hope and joy. (Newbery Honor book)
Famed concert pianist Katherine Vigneras returns home to New York City for her retirement and hopes to enjoy the simple pleasures of living and a respite from the celebrity's life she once enjoyed. Unhappily, other people's problems intrude and she begins to function as an adviser, which stirs up forgotten memories.
While L'Engle and her family are caring for her dying mother, L'Engle pays tribute to her mother's life and familial roots. (2nd in the autobiographical Crosswicks Journal Series)
Meg Murry O'Keefe and her family are just sitting down to Thanksgiving dinner when her father gets a phone call from the White House about a madman's threat of nuclear war. Only an old Irish rune seems to hold a clue to averting worldwide disaster, and when Meg's brother Charles Wallace, now fifteen, recites it, a radiant white beast--the unicorn Gaudior--appears to join him on his quest. But there are only twenty-four hours in which to stop tragedy from occurring. Can Charles Wallace, with the help of Gaudior and Meg, possibly succeed?
After a year in New York City and a summer with her grandfather, Vicky Austin returns to the rural Connecticut village she grew up in-- and feels totally out of place. Then she meets Adam Eddington's great-aunt Serena, who reminds her of her beloved grandfather, and she begins to find a comfortable, if not exciting, routine to her days. At Christmas, Serena gives Vicky a trip to Antarctica, to visit Adam. Vicky can't believe her luck. As Vicky becomes more and more caught up in a mystery involving drugs, nuclear waste, and international espionage, she discovers that her assumptions about the world are hopelessly naive and that life, hers included, is as fragile as the ecosystem of Antarctica, the world's most remote continent. As she tries to stay alive after being left on an iceberg in the Antarctic, sixteen-year-old Vicky recalls the series of events that brought her to the bottom of the world and involved her in a dangerous mystery. From the Austin series.
In this autobiographical memoir, author Madeline L'Engle celebrates her 40-year marriage to actor Hugh Franklin, and chronicles his battle with terminal cancer. (4th in the Crosswicks Journal Series)
In this classic book, Madeleine L'Engle addresses the questions: What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L'Engle's beautiful and insightful essay, readers will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one's own art.
Evil in the form of the Echthroi is spreading throughout the galaxy, but Meg Murry is not involved in the struggle until the Echthroi invade her younger brother, Charles. Through a day and a night of terror, the forces of good and evil fight for Charles' life and the ultimate salvation of mankind. NOTE: This is the sequel to _A Wrinkle in Time_. (Science fiction, Juvenile literature)
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