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Millions of people yearn to create their own boy wizard or talking frog to entertain children everywhere. But before they prepare their Newbery Medal acceptance speech, they need to know where to start their literary career. From preparing a dynamite proposal to mastering the craft of storytelling. The Only Writing Series You'll Ever Need: Writing Children's Books is perfect for the writer full of ideas, but no clue what to do with them!
Thirteen-year-old Michael knows he is lucky. Few slaves in 1805 Charleston are where they want to be. But Michael works on the docks and ships in Charleston Harbor, close to the seas he longs to sail. Life seems good. But then his protective mistress dies and Michael's world changes. His friend Jim encourages him to "steal himself"; to run. Michael is torn. Mama always taught him, "to get along, you go along." But Papa wanted him to be free. "You see a possibility, you take it....A fish you pull in as a free man tastes ten times sweeter than a fish you catch for a master." Now Mama and Papa are both dead, and Michael must decide alone. Does he dare risk everything for a chance at freedom in some unknown place? If he and Jim are caught, he will have lost everything. But if he stays -- is staying safe worth staying a slave? How Michael makes his decision to flee seaward to freedom is the heart of this moving and dramatic story set in an America where slavery is a way of life in the South, and the journey to freedom one of immense courage and mortal danger.
Local antiques dealer, dead in a one-car accident on his way home from an antiques exposition in Columbus, Ohio Two Scranton, Pennsylvania, antiques dealers dead of smoke inhalation Massachusetts antiques dealer dead of substance abuse at an auction in Sharon, Connecticut Antiques dealer dies in his booth at the Westchester (New York) Antiques Show Ignorance is truly bliss for recently widowed Maggie Summer, owner of Shadows Antiques, when she arrives at the prestigious Rensselaer County Spring Antiques Fair. Sadly, she won't remain ignorant of the suspiciously high mortality rate among her fellow antiques dealers for long. Rumors are everywhere. The most recent victim, John Smithson, died of poison at a show just last week, and many of the same dealers are here at Rensselaer. They make the identical circuit year after year, so they know each other well. Or do they? Murder is still far from Maggie's mind as she arranges her Shadows booth: some Currier & Ives prints here, Winslow Homer wood engravings on the hack wall, other prints arranged on tables and easels by category. With eleven years' experience, she knows her stock. So far the worst thing that has happened was putting the wrong price tag on a Homer engraving and having to sell it for $170 instead of $1,700. Maggie doesn't intend for that to happen again, and she doesn't intend to worry about murder. This show's security is tight. But she can't help observing her colleagues with fresh eyes. Some, Eke Gussie White in the booth next door, are dear friends, and Gussie's assistant, her twenty-year-old nephew, Ben, who has Down's syndrome, is a delightful new acquaintance. Others, however, even people she's known for years, suddenly seem suspect. The opening night wine has hardly stopped flowing when death claims another victim. Maggie will still sell a few antique prints, but she'll spend most of her time looking for a killer and trying to save a vulnerable young friend. Will Maggie herself become a potential victim? The answer may be in one of Maggie's prints, but she has hundreds in her booth. Where should she begin? With its riveting behind-the-scenes glimpse of antiques shows and its revealing data on antique-print values, Shadows at the Fair introduces a captivating new series that unveils the powerful mysteries of antique prints even as it entertains.
She's an antique print dealer, a college professor, and now...a parent? Maggie Summer is considering adopting a child from the New Jersey agency Our World, Our Children, and she has happily agreed to stage a benefit antiques show on their behalf. With her dealer friends, her college, and her lover, Will Brewer, all donating their time and support, everything is falling into place. But someone is harboring a vicious grudge against Our World, Our Children. The adoptive mother of thirteen children is the first victim, and then Maggie begins receiving threats. With the crowded benefit set to open and hundreds of innocent lives at stake, Maggie races to preserve the future with a clue hidden in her prints from the past....
FROM THE PUBLISHER Maine. Antiques. August. Maggie Summer, owner of the antique print business Shadows, is thrilled when her old college roommate, Amy Douglas, invites -- almost begs -- her to come to the coast of Maine to see her new house. August is the perfect time for antiquing and, as it turns out, for murder. Amy and Drew Douglas have just bought a creaky but gorgeous eighteenth-century house in the little town of Madoc. Built in 1774, the house sits high on a hill overlooking the river. The house is great, but not the neighbors, who seem to think that the property should never have been put up for sale. Until now, it's always belonged to one formidable Maine family. Amy and Drew are New Yorkers. What are they doing here, where they don't belong? Hostile neighbors are just the start of their problems. Who is behind a series of strange fires and bizarre accidents? Where is the baby that Amy hears crying in the night, and why do she and Drew want so obsessively to have a child of their own? And what is the relationship between Drew and an attractive teenager named Crystal? As Maggie searches for answers, she runs into fellow antiques dealer Will Brewer, a man with whom she once hoped for a romantic future. But can she trust him now? He, too, is part of the family that always owned Amy and Drew's house. Is his loyalty to Maggie or to his family? When a body turns up in the backyard, Maggie's Maine holiday suddenly turns into a hunt for a killer. Who will tell Maggie the truth? Is there a clue in her antique prints? Everything comes back to the house on the hill. What tragedies has it seen? What sorrows are soon to come? If only walls could talk, then Maggie would know whom to fear. Inspired to use her own Colonial house as a provocative fictional setting, author Lea Wait combines history and mystery in this richly nuanced and immensely entertaining new Shadows mystery.
Maggie Summer has three loves: her antique print business, Shadows; her career as a community college professor in Somerset County, New Jersey; and the new man in her life, Will Brewer. Her biological clock is pushing her to decide whether she's ready to add a fourth love: an adopted child. Although Will is on the road just now, Maggie's life is full. She uses prints by Currier & Ives, Thomas Nast, and William Ludwell Sheppard to illustrate her lectures on American cultural history, and Oliver and Dorothy Whitcomb, a wealthy couple who are on the college board, are two of her best customers. When the Whitcombs design and dedicate a special dormitory for single parents and their children, Maggie is thrilled to become the faculty adviser to the young parents. Her new assignment gives her plenty of time to think about what single parenthood would mean for her. Plenty of time -- until one of the young mothers is poisoned, and the web of danger at the dorm threatens to encircle Maggie. There is a killer on campus. Is it an outsider or someone Maggie knows and trusts? Does someone want to destroy Whitcomb House or the college? And is Maggie in as much danger as her students? As always, Maggie finds the answers to her questions in the antique prints she knows and loves. And this time, torn between her own needs and those of her students, the most important discoveries Maggie makes are about herself. Rich with appealing characters and fascinating insiders' lore about antique prints, Shadows on the Ivy is the best yet in this award-nominated series from an author who brilliantly brings together her knowledge of prints and her love of storytelling.
"WHAT HAPPENED THIS AFTERNOON IS TOO TERRIBLE TO WRITE. . . . PLEASE, GOD, LET WILL LIVE. AND, PLEASE, GOD, FORGIVE ME. " All Will Ames ever wanted to do was farm. But when he's injured in a farm accident, Will is left without a leg -- and without his future. There's no place on a farm for a cripple. And so, after a long winter of healing, Will and his sister Cassie, who blames herself for the accident, go to stay in town with their older sister and her husband. There, as Maine becomes a state, Will learns that perhaps even without his leg, there's another, brighter future in store for him. And Cassie, too, learns that maybe, in the changing world of 1820, Will isn't the only one with the chance at a different, exciting future. . . .
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