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Beautiful in the Mouth

by Thomas Lux Keetje Kuipers

Thomas Lux selected this debut collection as winner of BOA's A. Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.

Child Made of Sand

by Thomas Lux

Reader's familiar with Thomas Lux's quick-witted images ("Language without simile is like a lung/ without air") and his rambunctious, Cirque-Du-Soleil-like imagination ("The Under-Appreciated Pontooniers") will find in his new collection, Child Made of Sand, not only the signature funny, provocative, and poignant super-surrealism that has made him, along with Charles Simic, James Tate, and Dean Young, one of America's most inventive and humane poets, but they will also find in a surprising series of homages, elegies, rants, and autobiographical poems a new register of language in which time and mortality echo and reverberate in quieter notes. In "West Shining Tree," we can hear this shift in register when he asks: "I'll head dead West and ask of all I see:/ Which is the way, the long or the short way,/ to the West Shining Tree?"

The Cradle Place

by Thomas Lux

"[Lux is] sui generis, his own kind of poet, unlike any of the fashions of his time." - Stanley KunitzThomas Lux is humorous, edgy, and ever surprising in The Cradle Place, his tenth collection of verse. These fifty-two poems question language and intention and the sometimes untidy connections between the human and natural worlds. Lux has long been an outspoken advocate for the relevance of poetry in American culture, and his voice is urgent and unrelentingly evocative. As Sven Birkerts has noted, "Lux may be one of the poets on whom the future of the genre depends.""A book full of arresting images . . . The natural world, as it appears here, is at first lovely . . . but turns out dangerously vanquished . . . Not since Plath has hysteria looked this kissable." - San Francisco Chronicle"Lux has a gift for the swiftly turned expression . . . Such immediacy and quirkiness will hold a reader." - Poetry"Readers will be mesmerized." - Poetry Book of the Year, Library JournalTHOMAS LUX holds the Bourne Chair in Poetry and is director of the McEver Visiting Writers Program at the Georgia Institute of Technology. He has been awarded three NEA grants and the Kingsley Tufts Award, and is a former Guggenheim Fellow. He lives in Atlanta.

The Cradle Place

by Thomas Lux

"[Lux is] sui generis, his own kind of poet, unlike any of the fashions of his time." - Stanley KunitzThomas Lux is humorous, edgy, and ever surprising in The Cradle Place, his tenth collection of verse. These fifty-two poems question language and intention and the sometimes untidy connections between the human and natural worlds. Lux has long been an outspoken advocate for the relevance of poetry in American culture, and his voice is urgent and unrelentingly evocative. As Sven Birkerts has noted, "Lux may be one of the poets on whom the future of the genre depends.""A book full of arresting images . . . The natural world, as it appears here, is at first lovely . . . but turns out dangerously vanquished . . . Not since Plath has hysteria looked this kissable." - San Francisco Chronicle"Lux has a gift for the swiftly turned expression . . . Such immediacy and quirkiness will hold a reader." - Poetry"Readers will be mesmerized." - Poetry Book of the Year, Library JournalTHOMAS LUX holds the Bourne Chair in Poetry and is director of the McEver Visiting Writers Program at the Georgia Institute of Technology. He has been awarded three NEA grants and the Kingsley Tufts Award, and is a former Guggenheim Fellow. He lives in Atlanta.

God Particles

by Thomas Lux

God Particles displays the distinctive originality and unpredictability that prompted the Washington Post Book World to name Lux one of this generation's most gifted poets. A satiric edge, tempered by profound compassion, cuts through many of the poems in Lux's book. While themes of intolerance, inhumanity, loss, and a deep sense of mortality mark these poems, a lighthearted grace instills even the somberest moments with unexpected sweetness. In the title poem Lux writes, "there's no reason for God to feel guilt / I think He was downhearted, weary, too weary / to be angry anymore . . . / He wanted each of us, / and all the things we touch . . . / to have a tiny piece of Him / though we are unqualified, / of even the crumb of a crumb." Dark, humorous, and strikingly imaginative, this is Lux's most compassionate work to date.

God Particles: Poems

by Thomas Lux

God Particles displays the distinctive originality and unpredictability that prompted the Washington Post Book World to name Lux one of this generation's most gifted poets. A satiric edge, tempered by profound compassion, cuts through many of the poems in Lux's book. While themes of intolerance, inhumanity, loss, and a deep sense of mortality mark these poems, a lighthearted grace instills even the somberest moments with unexpected sweetness. In the title poem Lux writes, "there's no reason for God to feel guilt / I think He was downhearted, weary, too weary / to be angry anymore . . . / He wanted each of us, / and all the things we touch . . . / to have a tiny piece of Him / though we are unqualified, / of even the crumb of a crumb. " Dark, humorous, and strikingly imaginative, this is Lux's most compassionate work to date.

New and Selected Poems

by Thomas Lux

It's 1962, a year after the death of Sam's father--he was a war hero--and Sam and her mother must move, along with their very liberal views, to Jackson, Mississippi, her father's conservative hometown. Needless to say, they don't quite fit in. People like the McLemores fear that Sam, her mother, and her mother's artist friend, Perry, are in the South to "agitate" and to shake up the dividing lines between black and white and blur it all to grey. As racial injustices ensue--sit-ins and run-ins with secret white supremacists--Sam learns to focus with her camera lens to bring forth the social injustice out of the darkness and into the light.

The Street of Clocks

by Thomas Lux

The Street of Clocks, Thomas Lux's first all-new collection since 1994, is a significant addition to the work of an utterly original, highly accomplished poet. The poems gathered here are delivered by a narrator who both loves the world and has intense quarrels with it. Often set against vivid landscapes - the rural America of Lux's childhood and unidentified places south of the border - these poems speak from rivers and swamps, deserts and lawns, jungles and the depths of the sea.

Showing 1 through 8 of 8 results

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