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"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion--to "talk only about the thing which interests you for the moment"--meant that his thoughts could range freely. The strict instruction that these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three essential volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended.
The year 2010 marked the 100th anniversary of Mark Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press published Autobiography of Mark Twain, Volume 1, the first of a projected three-volume edition of the complete, uncensored autobiography. The book became an immediate bestseller and was hailed as the capstone of the life's work of America's favorite author. This Reader's Edition, a portable paperback in larger type, republishes the text of the hardcover Autobiography in a form that is convenient for the general reader, without the editorial explanatory notes. It includes a brief introduction describing the evolution of Mark Twain's ideas about writing his autobiography, as well as a chronology of his life, brief family biographies, and an excerpt from the forthcoming Autobiography of Mark Twain, Volume 2--a controversial but characteristically humorous attack on Christian doctrine.
"I've struck it!" Mark Twain wrote in a 1904 letter to a friend. "And I will give it away--to you. You will never know how much enjoyment you have lost until you get to dictating your autobiography." Thus, after dozens of false starts and hundreds of pages, Twain embarked on his "Final (and Right) Plan" for telling the story of his life. His innovative notion--to "talk only about the thing which interests you for the moment"--meant that his thoughts could range freely. The strict instruction that many of these texts remain unpublished for 100 years meant that when they came out, he would be "dead, and unaware, and indifferent," and that he was therefore free to speak his "whole frank mind." The year 2010 marks the 100th anniversary of Twain's death. In celebration of this important milestone and in honor of the cherished tradition of publishing Mark Twain's works, UC Press is proud to offer for the first time Mark Twain's uncensored autobiography in its entirety and exactly as he left it. This major literary event brings to readers, admirers, and scholars the first of three volumes and presents Mark Twain's authentic and unsuppressed voice, brimming with humor, ideas, and opinions, and speaking clearly from the grave as he intended.
Mark Twain's complete, uncensored Autobiography was an instant bestseller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly-awaited Volume 2 delves deeper into Mark Twain's life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view. Editors: Benjamin Griffin and Harriet E. Smith Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
"La mayoría de las aventuras que refiero en este libro son reflejo de la realidad; una o dos me han ocurrido a mí mismo; el resto son anécdotas de otros niños, compañeros míos de escuela. Huck Finn ha existido; Tom Sawyer también, si bien no se trata de un solo individuo; es una combinación de las características de tres chiquillos amigos. Es, pues, un trabajo arquitectónico de orden compuesto. Las raras supersticiones de las que doy fe prevalecían entre los niños y los esclavos del Oeste en la época de este relato, o sea hace treinta o cuarenta años. A pesar de que destino este libro a pasatiempo de muchachos, espero que no lo despreciarán los hombres ni las mujeres, ya que en parte está compuesto con la idea de despertar recuerdos del pasado en los adultos y exponer cómo sentían, pensaban y hablaban, y en qué raras empresas se embarcaban." Mark Twain
This unique collection of Twain's essential short stories and semi-autobiographical narratives is a testament to the author's vast imagination. Featuring popular tales such as "Jim Smiley and His Jumping Frog" and "The Man That Corrupted Hadleyburg," as well as some delightful excerpts from The Diaries of Adam and Eve, this compilation also includes darker works written in the author's twilight years. These selections illuminate the depth of Twain's artistry, humor, irony, and narrative genius.
This comprehensive volume of all of Twain's shorter works is representative of his vast humor and wit. "The Complete Short Stories of Mark Twain" includes the following tales: The Notorious Jumping Frog of Calaveras County, The Story of the Bad Little Boy, Cannibalism in the Cars, A Day at Niagara, Legend of the Capitoline Venus, Journalism in Tennessee, A Curious Dream, The Facts in the Great Beef Contract, How I Edited an Agricultural Paper, A Medieval Romance, My Watch, Political Economy, Science vs. Luck, The Story of the Good Little Boy, Buck Fanshaw's Funeral, The Story of the Old Ram, Tom Quartz, A Trial, The Trials of Simon Erickson, A True Story, Experience of the McWilliamses with Membranous Croup, Some Learned Fables for Good Old Boys and Girls, The Canvasser's Tale, The Loves of Alonzo Fitz Clarence and Rosannah Ethelton, Edward Mills and George Benton: A Tale, The Man Who Put Up at Gadsby's, Mrs. McWilliams and the Lightning, What Stumped the Bluejays, A Curious Experience, The Invalid's Story, The McWilliamses and the Burglar Alarm, The Stolen White Elephant, A Burning Brand, A Dying Man's Confession, The Professor's Yarn, A Ghost Story, Luck, Playing Courier, The Californian's Tale, The Diary of Adam and Eve, The Esquimau Maiden's Romance, Is He Living or Is He Dead?, The 1,000,000 Bank-Note, Cecil Rhodes and the Shark, The Joke That Made Ed's Fortune, A Story Without an End, The Man That Corrupted Hadleyburg, The Death Disk, Two Little Tales, The Belated Russian Passport, A Double-Barreled Detective Story, The Five Boons of Life, Was It Heaven? Or Hell?, A Dog's Tale, The $30,000 Bequest, A Horse's Tale, Hunting the Deceitful Turkey, Extract from Captain Stormfield's Visit to Heaven, A Fable, and The Mysterious Stranger. Nearly 500 pages of classic tales by one of America's most loved authors.
ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP A nineteenth-century American travels back in time to sixth-century England in this darkly comic social satire. THIS ENRICHED CLASSIC EDITION INCLUDES: A concise introduction that gives the reader important background information A chronology of the author's life and work A timeline of significant events that provides the book's historical context An outline of key themes and plot points to guide the reader's own interpretations Detailed explanatory notes Critical analysis, including contemporary and modern perspectives on the work Discussion questions to promote lively classroom and book group interaction A list of recommended related books and films to broaden the reader's experience Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential. SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON
Hank Morgan awakens one morning to find he has been transported from nineteenth-century New England to sixth-century England and the reign of King Arthur and the Knights of the Round Table. Morgan brings to King Arthur's utopian court the ingenuity of the future, resulting in a culture clash that is at once satiric, anarchic, and darkly comic. Critically deemed one of Twain's finest and most caustic works, A Connecticut Yankee in King Arthur's Court is both a delightfully entertaining story and a disturbing analysis of the efficacy of government, the benefits of progress, and the dissolution of social mores. It remains as powerful a work of fiction today as it was upon its first publication in 1889.From the Trade Paperback edition.
Mark Twain A Connecticut Yankee in King Arthur's Court Cracked on the head by a crowbar in nineteenth-century Connecticut, Hank Morgan wakes to find himself in King Arthur's England, facing a world whose idyllic surface masks fear, injustice, and ignorance. In this acclaimed tour de force, Mark Twain moves from broad comedy to biting social satire, from the pure joy of wild high jinks to deeply probing insights into the nature of man. Considered by H. L. Mencken to be "the most bitter critic of American platitude and delusion...that ever lived," Twain enchants readers with a Camelot that strikes disturbingly contemporary notes. With an introduction by Leland Krauth And an afterword by Edmund Reiss
WhenA Connecticut Yankee at King Arthur's Courtwas published in 1889, Mark Twain was undergoing a series of personal and professional crises. In his Introduction, M. Thomas Inge shows how what began as a literary burlesque of British chivalry and culture developed to tragedy and into a novel that remains a major literary and cultural text for generations of new readers. This edition reproduces a number of the original drawings by Dan Beard, of whom Twain said "He not only illustrates the text but he illustrates my thoughts. "
Mark Twain es conocido por ser el autor de Las aventuras de Tom Sawyer y Huckleberry Finn, pero donde alcanzó las más altas cotas de genialidad es en el campo de la narrativa breve, y especialmente con el relato humorístico, al que elevó a la categoría de obra de arte. Con un trabajo narrativo artesanal, sus cuentos se caracterizan por la hábil confección de las tramas, sus personajes inolvidables, su arrasador sentido del humor y por un lenguaje vívido que retrata a la perfección la apasionante vida en la América del siglo XIX.
«Me gusta una buena historia bien contada. Por esta razón, a veces me veo obligado a contarlas yo mismo». Con estas palabras Mark Twain, según Hemingway el padre indiscutible de la literatura estadounidense, defendía sus cuentos, hábilmente tramados, de inventiva inagotable y personajes inolvidables. El diario de Adán y Eva (1893-1905), una divertidísima y por tanto poco ortodoxa reconstrucción de la vida en el Jardín del Edén, es una excelente muestra.Este relato forma parte de la antología Cuentos selectos.
Purportedly pages from Eve's (Garden of Eden) Diary "Translated from the Original." Eve expresses her thought about Eden and what's in it and about Adam.
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