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The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published almost two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. With a New Introduction by Douglas Clegg And an Afterword by Harold Bloom
Part of a new six-volume series of the best in classic horror, selected by award-winning director Guillermo del Toro Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. Featuring original cover art by Penguin Art Director Paul Buckley, these stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere. Frankenstein The epic battle between man and monster reaches its greatest pitch in the famous story of Frankenstein. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor himself to the very brink. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship . . . and horror.
The premier monster story of English literature--a tale of science pursued to horrifying extremesAn origin story nearly as famous as the book itself: One dreary summer on the shores of Lake Geneva, amid discussions of galvanism and the occult and fireside readings from a collection of German ghost stories, Lord Byron proposed a game. Each of his guests--eighteen-year-old Mary Godwin and her future husband, the poet Percy Bysshe Shelley, among them--would try their hand at writing a tale of the supernatural. Unable at first to think of a plot, Mary was visited one sleepless night by the terrible vision of a corpse, a "hideous phantasm of a man," lurching to life with the application of some unknown, powerful force. The man responsible, a "pale student of unhallowed arts," fled in horror from his creation, leaving it to return to the dead matter from which it had been born. But the monster did not die. It followed the man to his bedside, where it stood watching him with "yellow, watery, but speculative eyes"--eyes of one who thought, and felt. The novel that Mary Shelley would go on to publish, the legend of Victor Frankenstein and his unholy creation, and their obsessive, murderous pursuit of each other from Switzerland to the North Pole, has been the stuff of nightmares for nearly two centuries. A masterpiece of Romantic literature, it is also one of the most enduring horror stories ever written.
En el verano de 1816, el poeta Percy Bysshe Shelley y su esposa Mary se reunieron con Lord Byron y su médico Polidori en una villa a orillas del lago Leman. A instancias de Lord Byron y para animar una velada tormentosa, decidieron que cada uno inventaría una historia de fantasmas. La más callada y reservada, Mary Shelley, dio vida así a quien sería su personaje más famoso: el doctor Frankenstein. Al cabo de un año completaría la novela, hoy día un clásico imperecedero de la literatura. La historia es de todos conocida: un científico decide crear una criatura con vida propia a la que luego rechaza. Metáfora sobre la vida, la libertad y el amor, Frankenstein es una maravillosa fábula con todos los ingredientes de los grandes mitos.
(Book Jacket Status: Not Jacketed)No-one in the grip of Mary Shelley's FRANKENSTEIN, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the adaptations, imitations and outright plagiarisms which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818, Mary Shelley produced English Romanticism's finest prose fiction.From the Hardcover edition.
ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP A timeless, terrifying tale of one man's obsession to create life -- and the monster that became his legacy. EACH ENRICHED CLASSIC EDITION INCLUDES: A concise introduction that gives readers important background information A chronology of the author's life and work A timeline of significant events that provides the book's historical context An outline of key themes and plot points to help readers form their own interpretations Detailed explanatory notes Critical analysis, including contemporary and modern perspectives on the work Discussion questions to promote lively classroom and book group interaction A list of recommended related books and films to broaden the reader's experience Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential. SERIES EDITED BY CYNTHIA BRANTLEY JOHNSON
A timeless, terrifying tale of one man's obsession to create life--and the monster that became his legacy.Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of devoted science student Victor Frankenstein. Obsessed with discovering the cause of generation and life, and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts; but upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Dr. Frankenstein. Frankenstein, an instant bestseller and an important ancestor of both the horror and science-fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation, genetic engineering, and bio-terrorism, these questions are more relevant than ever.
The idea for the story came to the author, Mary Shelley, in a dream she had about a scientist who had created life and was horrified by what he had made. This Gothic-style romance is among the first of true science fiction novels, if not the first. A young scientist named Victor Frankenstein, after going through his own near-death experience, decides to play God and create life in the form of a grotesque creature, which turns into a nightmare. Through his experience, he learns that the gift of life is precious, not disposable. His journey and personal transformation has deeply affected readers. Frankenstein is a must-read for any lover of classic literature and science fiction.
Through letters sent by Robert Walton to his wife, a wandering figure emerges named Victor Frankenstein. Frail and nearing his death, Victor recounts a fantastical story of how he assembled old body parts to create a human-like being, a creature so utterly monstrous and hideous that he regretted being its creator. Frankenstein's rejection of his creation turns the 'creature' into a true monster, resulting in murder and havoc and a treacherous voyage to find and kill it once and for all. Frankenstein is a true classic of modern literature and is often considered to be a pioneering work of science fiction. Through Mary Shelley's extraordinary tale, we see the true reflection of the human condition, which demands wonder, fear and empathy.
The 1818 Text by Mary Shelley as well as context, notes, and criticism.
Begun when the author was only eighteen, and conceived from a nightmare, Frankenstein is the deeply disturbing story of a monstrous creation which has terrified readers since its first publication in 1818. The novel has seared its way into the popular imagination, and established itself as one of the pioneering works of modern science fiction.
Victor Frankenstein learns the secret of producing life, and so, by putting together parts of various corpses, he creates the Frankenstein monster. The monster is huge and disformed, but he means no harm to anyone--until constant ill treatment drives him to murder and revenge. This easy-to-read version of Mary Shelley's long-standing masterpiece easily captures the sadness and horror of the original.
A monster assembled by a scientist from parts of dead bodies develops a mind of his own as he learns to loathe himself and hate his creator.
The World History and World Geography Library consists of novels and other full-length works, related readings, and study guides you can use for small group or whole-class instruction. Study Guides offer instructional support and student activities for works from the Library. They include extensive back-ground on the author and the work, lesson plans for the work and the Related Readings, blackline master activities, cross-curricular connections, audiovisual recommendations; and assessment.
Mary Shelley's classic tale has been adapted and abridged by T. Ernesto Bethancourt.
En el verano de 1816, el poeta Percy B. Shelley y su esposa Mary se reunieron con Lord Byron y su médico Polidori en una villa a orillas del lago Leman. A instancias de Lord Byron y para animar una velada tormentosa, decidieron que cada uno inventaría una historia de fantasmas. La más callada y reservada, Mary Shelley, dio vida así a quien sería su personaje más famoso: el doctor Frankenstein. Al cabo de un año completaría la novela, hoy día un clásico imperecedero de la literatura gótica. La historia es de todos conocida: un científico decide crear una criatura con vida propia a la que luego rechaza. Metáfora sobre la vida, la libertad y el amor, Frankenstein o el moderno Prometeo es una maravillosa fábula con todos los ingredientes de los grandes mitos, un gran clásico que ahora recuperamos con una nueva traducción y precedido de un espléndido estudio de Alberto Manguel sobre la influencia del mito en el imaginario del cine.
A scientist dreams of giving life to a fully grown creature but is terrified by his creation.
A GOTHIC TREASURY OF THE SUPERNATURAL. What sends chills down our spine when we read a good horror story? Contrary to some modern trends, it is not merely how much blood is spilled or how grotesquely an alien creature or monster is portrayed. Rather, the thrill of terror comes in exploring the depths of the human soul and in discovering the capacity for evil that lies hidden there: the monsters that lurk within us are the most frightening ones of all. These six gothic masterpieces of supernatural horror and suspense provide a wealth of such terrors. The first true gothic novel appeared in 1764: Horace Walpole's The Castle of Otranto. Inspired by a dream in which Walpole saw a huge, armored hand in an ancient castle, the story contains all the elements that have become the earmarks of the gothic novel: a medieval castle, a lost heir who must prove himself in order to claim his fortune, a villain, a love interest, and various supernatural phenomena. The Castle of Otranto influenced countless literary works throughout the nineteenth century. In Geneva during the summer of 1816, Lord Byron, John Polidori, Percy Bysshe Shelley, and Mary Wollstonecraft Godwin (later Mary Shelley) amused one another by making up ghost stories. Mary Shelley's tale was the seed from which her timeless novel Frankenstein grew. Subtitled The Modern Prometheus, it is the spellbinding story of Victor Frankenstein, a doctor who plays God by creating a living being from the bodies of the dead; the tragic monster is ultimately seen as Frankenstein's alter ego. A similar theme appears in The Strange Case of Dr. Jekyll and Mr. Hyde. A doctor discovers a potion that has the power to transform him into a fiend whose deeds become more and more horrifying. Awakened by a nightmare, Robert Louis Stevenson feverishly wrote Dr. Jekyll and Mr. Hyde in three days, destroyed it, and wrote it again in another three days. In Dracula, Bram Stoker created a monstrous being founded in folklore and legend; it is a tale made the more horrifying by the enduring belief in the possible existence of real vampires. With superhuman power, the vampire Count Dracula lures victims into his clutches and drains them of life until they too join the living dead. Oscar Wilde portrays a beautiful, ever-youthful Adonis who leads a life of decadence in The Picture of Dorian Gray. As Dorian ruins and corrupts those around him, his portrait strangely alters with each new crime he commits. We follow him down this path of decay to a shattering, inevitable climax. In The Turn of the Screw, Henry James, the master of ambiguity, tells the story of a governess, her two charges, and the spiritual presence of a dead valet and a dead governess. If we cannot be sure that these ghosts are real or imagined, there is no doubt about the terror this tangled tale inspires. Complete and together in one volume, these six gothic classics of the supernatural, by great writers who are masters of the macabre, provide new insights--and heightened terrors--with each reading.
Mary Shelley's astounding look at the end of the world Set at the end of the twenty-first century, The Last Man is a moving and fantastical account of the apocalypse. Faced with a populace clamoring for more democratic rule, the last king of England relinquishes his throne. Suddenly a mysterious plague sweeps the globe, drawing ever nearer to England. As war, disease, and death ravage humanity, ideals of fairness and love are quickly supplanted by the imperative of survival. With semibiographical characters drawn from Shelley's own inner circle of friends and colleagues, this book is at once a look at the end of mankind and a critique of Romanticism. The Last Man's themes of destruction resonate as much now as they did nearly two hundred years ago. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
But my father, my beloved and most wretched father... Would he never overcome the fierce passion that now held pitiless dominion over him?With its shocking theme of father-daughter incest, Mary Shelley's publisher--her father, known for his own subversive books--not only refused to publish Mathilda, he refused to return her only copy of the manuscript, and the work was never published in her lifetime. His suppression of this passionate novella is perhaps understandable--unlike her first book, Frankenstein, written a year earlier, Mathilda uses fantasy to study a far more personal reality. It tells the story of a young woman whose mother died in her childbirth--just as Shelly's own mother died after hers--and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet. Yet despite characters clearly based on herself, her father, and her husband, the narrator's emotional and relentlessly self-examining voice lifts the story beyond autobiographical resonance into something more transcendent: a driven tale of a brave woman's search for love, atonement, and redemption. It took more than a century before the manuscript Mary Shelley gave her father was rediscovered. It is published here as a stand-alone volume for the first time. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.
Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel--as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley's amendments and contributions.For the first time we can hear Mary's sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley's contribution--some 5,000 words out of 72,000--and his stylistic and thematic changes. His occassionally florid prose is in marked contrast to the directness of Mary's writing. Interesting, too, are Percy's suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature's greatest works.From the Trade Paperback edition.
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