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The Book of Blam, Aleksandar Tišma's "extended kaddish . . . [his] masterpiece" (Kirkus Reviews), is a modern-day retelling of the book of Job. The war is over. Miroslav Blam walks along the former Jew Street, and he remembers. He remembers Aaron Grün, the hunchbacked watchmaker; and Eduard Fiker, a lamp merchant; and Jakob Mentele, a stove fitter; and Arthur Spitzer, a grocer, who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a lawyer who was a Communist. All dead. As are his younger sister and his best friend, a Serb, both of whom joined the resistance movement; and his mother and father in the infamous Novi Sad raid in January 1942--when the Hungarian Arrow Cross executed 1,400 Jews and Serbs on the banks of the Danube and tossed them into the river.Blam lives. The war he survived will never be over for him.
Because Chekhov's plays convey the universally recognizable, sometimes comic, sometimes dramatic, frustrations of decent people trying to make sense of their lives, they remain as fresh and vigorous as when they were written a century ago. Gathered here in superb new renderings by one of the most highly regarded translators of our time--versions that have been staged throughout the United States, Canada, and Great Britain--are Chekhov's four essential masterpieces for the theater.From the Trade Paperback edition.
[From the book jacket] "Ironic, playful, and multilayered, winner of three major prizes for the best Yugoslav novel of 1988, this beguiling novel-about-a-novel is set at an international literary conference in Zagreb. It begins with the death of an anti-Franco poet who slips into the pool of the intercontinental Hotel and continues with a rapid and entertaining chain of events involving espionage, sexual intrigue, murder, and a good deal of one-upmanship among the assembled academics. " "In the style of David Lodge, the novel is filled with colorful characters and hilarious scenes; but amid the lighthearted action Ugresic provides a serious and doubly outsidered perspective on the differences between the worlds of Eastern Europe and the West. Through the eyes of her Yugoslav and Russian characters Ugresic expresses the incredulity that many in Eastern Europe felt at the Western tendency to romanticize the "communist" world; simultaneously, through her American character, she explodes many of the myths of the West in the minds of Eastern Europe. In addressing issues of mutual cultural misunderstanding without attempting to impose artificial solutions to the problems, Ugresic has produced a truly successful multicultural novel"
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