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1959: When Stella Raphael joins her psychiatrist husband at his new posting, a remote maximum-security hospital for the criminally insane, she soon she falls under the spell of a brilliant and magnetic sculptor who has been confined for murdering his wife. "Beautifully written, morally complex, utterly convincing". --"People". Copyright © Libri GmbH. All rights reserved.
Dark, unnerving and wickedly funny, Patrick McGrath's acclaimed short stories deal in the bizarre, the erotic and the unexpected. A failed writer meets an ageing gin-queen who claims he was once visited by an angel; a little girl finds a delirious, dying explorer from the Congo at the bottom of her back garden; a night-club is terrorized by a strange libidinous hand; and a young Victorian lady sails to India to find her fiance Cecil horribly transformed...
The aloof and enigmatic Constance Schuyler lives alone in Manhattan. At a literary party she meets Sidney Klein, a professor of poetry twenty years her senior. Intoxicated by her chilly beauty, Sidney pursues the young woman with restless determination and soon proposes marriage. Constance accepts, and with some misgivings moves into his dark, book-filled apartment. But Constance is a haunted woman. When her father, a doctor, makes a devastating revelation, she is forced to revisit the childhood she spent with her dissipated sister Iris in a broken-down house on the Hudson River. Meanwhile Iris's lover, Eddie, who plays piano in a cocktail lounge, threatens Constance's already shaky marriage, and before long her world begins to fall apart. Her only consolation is the friendship of Sidney's boy Howard, a strange, delicate child, not unlike Constance herself. . . A compelling story of a troubled marriage and a damaged family, Constance is also a tale of resilience and loyalty, and of the sudden unexpected glimpse of moral inspiration in the midst of crisis that can lead even the most lost of souls back to the light.
"A stormy tale of obsession...this is a haunting portrayal of a man broken by passion" (Library Journal). Dr. Edward Haggard is a lonely, pain-racked romantic, standing at the window of his house on the edge of a cliff, watching as the clouds of war draw near, and reflecting on the nature of love, death, medicine, war--but most of all on the wife of the senior pathologist, and the few brief months of bliss they shared. Shortly after the outbreak of World War II, a fighter pilot appears in Dr. Haggard's surgery, reawakening memories of the single grand passion of Haggard's life. For this young man is the son of the woman Haggard loved, and as the doctor becomes more and more intrigued by the bizarre changes occurring in his new patient's body, his old passion gives way to a fresh one, a passion altogether odder, and darker, than the first. In true gothic fashion, Patrick McGrath brings to his narration of a doomed love affair and bizarre aftermath an acute erotic intensity, portraying a man whose disease is passion--disease that can exalt a man, but can also destroy him.
This exuberantly spooky novel, in which horror, repressed eroticism, and sulfurous social comedy intertwine like the vines in an overgrown English garden, is now a major motion picture, starring Alan Bates, Sting, and Theresa Russell.
Master storyteller Patrick McGrath--author of the critically acclaimed novel Asylum and a finalist for England's prestigious Whitbread Prize for fiction--once again spins a hypnotic tale of psychological suspense and haunting beauty. Set among the teeming streets and desolate wharves of Hogarth's London, then shifting to the powder-keg colony of Massachusetts Bay, Martha Peake envelops the reader in a world on the brink of revolution, and introduces us to a flame-haired heroine who will live in the imagination long after the last page is turned.Settled with our narrator beside a crackling fire, we hear of the poet and smuggler Harry Peake--how Harry lost his wife, Grace, in a tragic fire that left him horribly disfigured; how he made a living displaying his deformed spine in the alehouses of eighteenth-century London; and how his only solace was his devoted daughter, Martha, who inherited all of his fire but none of his passion for cheap gin. As the drink eats away at Harry's soul, it opens ancient wounds; when he commits one final act of unspeakable brutality, Martha, fearing for her life, must flee for the American colonies. Once safely on America's shores, Martha immerses herself in the passions of smoldering rebellion. But even in this land of new beginnings, she is unable to escape the past. Caught up in a web of betrayals, she redeems herself with one final, unforgettable act of courage.Superbly plotted and wholly absorbing, Martha Peake is an edge-of-your-seat shocker that is crafted with the psychological precision Patrick McGrath's fans have come to expect. A writer whose novels The New York Times Book Review has called both "mesmerizing" and "brilliant," McGrath applies his remarkable imaginative powers to a fresh and broad historical canvas. Martha Peake is the poignant, often disturbing tale of a child fighting free of a father's twisted love, and of the colonists' struggle to free themselves from a smothering homeland. It is Patrick McGrath's finest novel yet.From the Hardcover edition.
During their privileged, eccentric English childhood, Jack Rathbone enjoyed the unstinting adoration of his sister, Gin. So when both are art students in London, it is wrenching for her to watch him fall under the spell of Vera Savage, a flamboyant and reckless painter from Glasgow. Jack and Vera run off to New York City within weeks of meeting, and from a bruised, bereft distance Gin follows their progress south through Miami and pre-revolutionary Havana to Port Mungo, a seedy town in the mangrove swamps of Honduras. There, in an old banana warehouse, Jack obsessively devotes himself to his canvases while Vera succumbs to a chronic restlessness that not even the birth of two daughters can subdue. Passion, narcissism, and the relentless demands of creativity hold these riveting characters in thrall, and McGrath skilfully evokes a feverish world of tropical impulses and artistic ambition that leads ultimately to dark secrets and to death.
Spider is gaunt, threadbare, unnerved by everything from his landlady to the smell of gas. He tells us his story in a storm of beautiful language that slowly reveals itself as a fiendishly layered construction of truth and illusion. With echoes of Beckett, Poe, and Paul Bowles, Spider is a tale of horror and madness, storytelling and skepticism, a novel whose dizzying style lays bare the deepest layers of subconscious terror.
El psiquiatra Charlie Weir se dedica a acabar con los demonios de la gente, pero todavía no ha encontrando la manera de resolver los conflictos que tiene con su propia familia, especialmente la rivalidad con su hermano Walt o la pérdida de su mujer y su hija.A través de su hermano conoce a Nora, que pronto se convierte en su amante. Pero la vulnerabilidad de Nora, al principio tan irresistible, empieza a ocupar demasiado espacio en su vida. Charlie quiere averiguar la fuente de tanto sufrimiento, pero en su búsqueda, él mismo se encuentra con su inconsciente que le revelará un secreto espeluznante.
Hailed by the San Francisco Chronicle as "an uncommon storyteller [with a] trademark ability to probe the layers of the human psyche," Patrick McGrath has written his most addictive and enthralling novel yet.Charlie Weir's family is comprehensively dysfunctional -- abandoned by his father, his mother ravaged by that betrayal, and his brother, Walt, a successful artist, less Charlie's ally than his rival. So it's hardly surprising that he should find a vocation in psychiatry in New York City, counseling traumatized war veterans returning home from Vietnam. Agnes Magill, the sister of one damaged soldier, soon becomes Charlie's wife. But the suicide of her brother, Danny, ends the marriage, leaving Charlie to endure a corrosive loneliness even as Manhattan grows steadily more dirty and dangerous around him.Then, in the haunting aftermath of Charlie's mother's death, Agnes returns to offer him the solace that he has never been able to provide for her. Almost simultaneously, he is presented with a quite different anodyne -- a volatile woman whose irresistible beauty, tinged though it is with an air of grievous suffering, jeopardizes everything he has hoped might restore his dwindling faith in his calling, his future and himself.As Charlie's hold on sanity weakens, and events conspire to send him reeling headlong toward the abyss, the themes of family, passion and madness - by now synonymous with Patrick McGrath's writing -- rightly assume "the inevitability of myth," as Tobias Wolff has written of his work, in "fiction of a depth and power we hardly hope to encounter anymore." A genuine psychological thriller, Trauma is an experience at once unnerving, unsettling and utterly riveting.From the Hardcover edition.
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