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Homer's classical Greek epic poem, as translated by Alexander Pope. [This text is listed as an example that meets Common Core Standards in English language arts in grades 6-8 at http://www.corestandards.org.]
This edition reprints the text of Pope's classic poem -- both the five-canto 1714 version and the facsimilie of the original 1712 version -- together with a broad selection of documents. Including correspondence, poems, broadsides, reviews, and parodies, the documents focus special attention on Pope's life and career as well as on eighteenth-century poetic traditions and innovations, social habits and assumptions, historical events, and political implications. A general introduction providing historical and cultural background, a chronology of Pope's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a selected bibliography, and a generous collection of maps, portraits, and illustrations make this volume a unique scholarly edition of this classic work of eighteenth-century literature.
Pope's famous poem The Rape of the Lock, and his subsequent poem A Key to the Lock, written in response to critics of The Rape of the Lock.
Alexander Pope enjoyed in his lifetime a fame and fortune that few poets have received. Known for his brilliant epigrams, he was an uncompromising social critic and razor-sharp satirist of fashionable society's foibles. His poetry was characterized by a graceful mastery of the English language, a biting wit, and a moral alertness that ranged from contemptuous to compassionate to dryly humorous. Considered England's greatest living poet by the age of 25, Pope would be hailed by Lord Byron as "the greatest name in our Poetry. " Presented here in their entirety are several of Pope's principal works, including the delightful mock-epic, The Rape of the Lock, Windsor Forrest, Essay on Man, Eloïse to Abelard, Essay on Criticism, and his satirical masterpiece, The Dunciad. Together, they represent the writings of one of the Enlightenment's greatest poets. With notes and introduction by Martin Price, Christopher R. Miller
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