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Chandran is a good-natured, popular, rather dreamy student who works hard to pass his exams. Newly graduated, he is unsure how he wants to spend his future. And then, one evening, walking by the river, he sees Malathi, a beautiful young girl dressed in a radiant green sari But the course of love does not run smoothly. Not all is well in Chandran's horoscope and while some customs can be forgotten, others must be strictly observed: customs that temporarily cause Chandran to turn his back on the legendary Malgudi altogether.
It is still a man's world in Malgudi. And that is where docile and obedient Savitri has endured more than her fair share of humiliations in her long-standing marriage. But even she knows when her bullying husband has gone too far. For when Ramani insists on taking on an elegant new employee for the Engladia Insurance Company, Savitri recognises more than a professional interest in the woman. Her first resort is to try to ignore it. And her last resort is only just forestalled by a passing burglar. . .
Krishna, an English teacher in the town of Malgudi, nagged by the feeling he's doing the wrong work, is nonetheless delighted by his domestic life, where his wife and young daughter wait for him outside the house every afternoon. Devastated by the death of his wife, Krishna comes to realise what he really wants to do, and makes a decision that will change his life forever.
Krishnan is happily married with Sushila and the couple have a daughter.Life takes a cruel turn when his wife dies of typhoid.
In the shade of a banyan tree sits Margayva, self-styled advisor on the complex minor transactions which are an integral part of Indian life. Who else would you consult if you wanted a loan from the local Co-operative Bank? But a scrape with officialdom in the form of an unplanned interview with the Bank's Secretary -and a mishap which finds his spoilt son Balu throwing his accounts book down a drain -temporarily cuts short a lucrative career. . .
There is no better introduction to R.K. Narayan than this remarkable collection of stories celebrating work that spans five decades. Characters include a storyteller whose magical source of tales dries up, a love-stricken husband who is told by astrologers he must sleep with a prostitute to save his dying wife, a pampered child who discovers that his beloved uncle may be an impostor or even a murderer. Standing supreme amid this rich assortment of stories is the title novella. Told by the narrator's grandmother, the tale recounts the adventures of her mother, married at seven and then abandoned, who crosses the subcontinent to extract her husband from the hands of his new wife. Her courage is immense and her will implacable -- but once her mission is completed, her independence vanishes.
This book is a first-person account of a charmingly neurotic character, whose materialism, protectiveness, and dishonesty lead him to success as often as they get him into trouble.
This is the story of Raju, who begins his life as a guide who does absolutely anything to entertain the tourists , but through a series of hilarious and ironic situations ends up as one of India's famous holy men.
The Mahabharata tells a story of such violence and tragedy that many people in India refuse to keep the full text in their homes, fearing that if they do, they will invite a disastrous fate upon their house. Covering everything from creation to destruction, this ancient poem remains an indelible part of Hindu culture and a landmark in ancient literature. Centuries of listeners and readers have been drawn to The Mahabharata, which began as disparate oral ballads and grew into a sprawling epic. The modern version is famously long, and at more than 1. 8 million words--seven times the combined lengths of the Iliad and Odyssey--it can be incredibly daunting. Contemporary readers have a much more accessible entry point to this important work, thanks to R. K. Narayan's masterful translation and abridgement of the poem. Now with a new foreword by Wendy Doniger, as well as a concise character and place guide and a family tree, The Mahabharata is ready for a new generation of readers. As Wendy Doniger explains in the foreword, "Narayan tells the stories so well because they're all his stories. " He grew up hearing them, internalizing their mythology, which gave him an innate ability to choose the right passages and their best translations. In this elegant translation, Narayan ably distills a tale that is both traditional and constantly changing. He draws from both scholarly analysis and creative interpretation and vividly fuses the spiritual with the secular. Through this balance he has produced a translation that is not only clear, but graceful, one that stands as its own story as much as an adaptation of a larger work.
Nataraj, owner of a small, friendly printing press in the enchanted city of Malgudi, has never been very successful at making enemies. Until, that is, he meets Vasu. Almost accidentally, Vasu, a pugnacious taxidermist, moves into Nataraj's attic, bringing an alarming stuffed jungle of hyenas, pythons, and tigers, and an assortment of dancing girls who clump up and down the printer's stairs. Vasu is definitely not a man to tangle with. But when, in search of bigger game, he threatens the beloved temple elephant, Nataraj rises to the occasion--and R. K. Narayan invests his story with all his warm, wicked, and delightful sense of comedy.
Vasu a big bully moves into Malgudi village ,he disturbs the peaceful life of Natraj,the printer and his friends.
In the novels of R. K. Narayan (1906-2001), the forefather of modern Indian fiction, human-scale hopes and epiphanies express the promise of a nation as it awakens to its place in the world. Mr. Sampath-The Printer of Malgudi is the story of a businessman who adapts to the collapse of his weekly newspaper by shifting to screenplays, only to have the glamour of it all go to his head. Written after India's independence, this novel is a masterpiece of social comedy, rich in local color and abounding in affectionate humor and generosity of spirit.
(Book Jacket Status: Jacketed)In the novels of R. K. Narayan (1906-2001), the forefather of modern Indian fiction, human-scale hopes and epiphanies express the promise of a nation as it awakens to its place in the world. The three novels brought together in this volume, all written after India's independence, are masterpieces of social comedy, rich in local color and abounding in affectionate humor and generosity of spirit.Mr. Sampath-The Printer of Malgudi is the story of a businessman who adapts to the collapse of his weekly newspaper by shifting to screenplays, only to have the glamour of it all go to his head. In The Financial Expert, a man of many hopes but few resources spends his time under a banyan tree dispensing financial advice to those willing to pay for his knowledge. In Waiting for the Mahatma, a young drifter meets the most beautiful girl he has ever seen-an adherent of Mahatma Gandhi-and commits himself to Gandhi's Quit India campaign, a decision that will test the integrity of his ideals against the strength of his passions.As charming as they are compassionate, these novels provide an indelible portrait of India in the twentieth century.From the Hardcover edition.
"I am inclined to call this the last chapter, but how can an autobiography have a final chapter? At best, it can only be a penultimate one; nor can it be given a rounded-off conclusion, as is possible in a work of fiction. " So begins the last chapter of My Days, the only memoir from R. K. Narayan, hailed as "India's most notable novelist and short-story writer" by the New York Times Book Review. In his usual winning, humorous style, R. K. Narayan shares his life story, beginning in his grandmother's garden in Madras with his ferocious pet peacock. As a young boy with no interest in school, he trains grasshoppers, scouts, and generally takes part in life's excitements. Against the advice of all, especially his commanding headmaster father, the dreaming Narayan takes to writing fiction, and one of his pieces is accepted by Punch magazine (his "first prestige publication"). Soon his life includes bumbling British diplomats, curious movie moguls, evasive Indian officials, eccentric journalists, and "the blind urge" to fall in love. R. K. Narayan's larger-than-life perception of the human comedy is at once acute and forgiving, and always true to it.
A shortened version of the most influential narrative tradition in human history: the story of Rama, the unjustly exiled prince.
Ten-year-old Swaminathan is living in exciting times. The sleeping giant of India is beginning to stir to the dwelling reverberations which herald the great struggle for independence. But it's all rather confusing for the boy. For like his family and friends, Swami has been immutably moulded by his British rulers - and though he might happily demonstrate against them, he wouldn't dream of missing cricket practice.
R. K. Narayan (1906--2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. The four novels collected here, all written during British rule, bring colonial India into intimate focus through the narrative gifts of this master of literary realism. Swami and Friends introduces us to Narayan's beloved fictional town of Malgudi, where ten-year-old Swaminathan's excitement about his country's initial stirrings for independence competes with his ardor for cricket and all other things British. The Bachelor of Arts is a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. In The Dark Room, Narayan's portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband's humiliations and trying to escape them. The title character in The English Teacher, Narayan's most autobiographical novel, searches for meaning when the death of his young wife deprives him of his greatest source of happiness. These pioneering novels, luminous in their detail and refreshingly free of artifice, are a gift to twentieth-century literature.(Book Jacket Status: Jacketed)From the Hardcover edition.
(Book Jacket Status: Jacketed) R. K. Narayan (1906--2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. The four novels collected here, all written during British rule, bring colonial India into intimate focus through the narrative gifts of this master of literary realism. Swami and Friendsintroduces us to Narayan's beloved fictional town of Malgudi, where ten-year-old Swaminathan's excitement about his country's initial stirrings for independence competes with his ardor for cricket and all other things British. The Bachelor of Artsis a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. InThe Dark Room, Narayan's portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband's humiliations and trying to escape them. The title character inThe English Teacher, Narayan's most autobiographical novel, searches for meaning when the death of his young wife deprives him of his greatest source of happiness. These pioneering novels, luminous in their detail and refreshingly free of artifice, are a gift to twentieth-century literature.
Two comic gems from the father of modern Indian fiction- available in one volume for the first time These two novels show R. K. Narayan at his best, offering enchanting tales of human absurdity that are also skillfully woven parables infused with Hindu mysticism. A Tiger for Malgudi is told from the point of view of the tiger Raja, now old and toothless, who looks back on his life in the circus and in films, and on his dramatic bid to escape the brutish human world in a quest for freedom. The Man-Eater of Malgudi is the story of Nataraj, a mild-mannered printer who stands up to Vasu, a pugnacious taxidermist, when Vasu begins to covet the beloved temple elephant for his collection.
The first that indolent young Sriram knows about Mahatma Ghandi's visit to Malgudi is when a collection box is waved beneath his nose by the most beautiful girl he has ever seen. The vision's name is Bharato. Capable and quick-witted, her scorn for her gauche but ardent admirer is almost equal to her devotion to the Mahatma. Yet that is how Sriram leaves Malgudi to become a passionate apostle of the Quit India campaign - only to find his convictions tested by the rigours of a prison cell.
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