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Eighteen-year-old Stony De Coco is trapped in a working-class world that offers him only one way of proving his loyalty, and no way out.
Eighteen years ago, Richard Price's first novel, The Wanderers, was hailed by Hubert Selby, Jr., in the New York Times Book Review as "an outstanding work of art." Three novels and a dozen years later, Price made an equally stunning debut in Hollywood with his screenplay for The Color of Money, which was nominated for an Academy Award. And in 1989 his script for Sea of Love was widely recognized as a key to that movie's great success. But none of these accomplishments prepares us for the power and the brilliance of his new novel: with Clockers, Richard Price takes a long step forward and joins the first rank of American writers. Rocco Klein, a veteran homicide detective in a city just outside Manhattan, has lost his appetite for the wild drama of the street. When a warm June night brings yet another drug murder, Rocco has no sense that the case is anything special. A black twenty-year-old steps forward to confess, but a little digging reveals that he's never been in any kind of trouble, whereas his brother runs a crew of street-corner cocaine dealers-- clockers--in a nearby housing project. Soon Rocco is sure that Victor Dunham is innocent, sure that his brother Strike is the real killer, and suddenly Rocco's hunger for the job is back. But we know this brother, and we know Strike is not the killer. Driven and shrewd, Strike uses violence when he has to, but his primary concern is survival. He has been clocking for almost a year; if he could somehow move up to the ounce business, he might get off the street before it breaks him. But then Rocco Klein begins hounding him, and Strike's life becomes a nightmare. At once an explosive murder mystery and a riveting portrait of two lives on a collision course, Clockers is a spectacular achievement. Richard Price has given voice to the harrowing but vital landscape of the American inner city, and this is quite simply one of the best novels in years.
A white woman, her hands gashed and bloody, stumbles into an inner-city emergency room and announces that she has just been carjacked by a black man. But then comes the horrifying twist: Her young son was asleep in the back seat, and he has now disappeared into the night. So begins Richard Price's electrifying new novel, a tale set on the same turf--Dempsey, New Jersey--as Clockers. Assigned to investigate the case of Brenda Martin's missing child is detective Lorenzo Council, a local son of the very housing project targeted as the scene of the crime. Under a white-hot media glare, Lorenzo launches an all-out search for the abducted boy, even as he quietly explores a different possibility: Does Brenda Martin know a lot more about her son's disappearance than she's admitting? Right behind Lorenzo is Jesse Haus, an ambitious young reporter from the city's evening paper. Almost immediately, Jesse suspects Brenda of hiding something. Relentlessly, she works her way into the distraught mother's fragile world, befriending her even as she looks for the chance to break the biggest story of her career. As the search for the alleged carjacker intensifies, so does the simmering racial tension between Dempsey and its mostly white neighbor, Gannon. And when the Gannon police arrest a black man from Dempsey and declare him a suspect, the animosity between the two cities threatens to boil over into violence. With the media swarming and the mood turning increasingly ugly, Lorenzo must take desperate measures to get to the bottom of Brenda Martin's story. At once a suspenseful mystery and a brilliant portrait of two cities locked in a death-grip of explosive rage, Freedomland reveals the heart of the urban American experience--dislocated, furious, yearning--as never before. Richard Price has created a vibrant, gut-wrenching masterpiece whose images will remain long after the final, devastating pages.
Selected essays on the theories of Einstein and others in the twentieth century
A tale of 2 Lower East sides: one a high-priced Bohemia, the other a home to hardship, its residents pushed to the edges of their time-honored turf.
Rainforest Warriors is a historical, ethnographic, and documentary account of a people, their threatened rainforest, and their successful attempt to harness international human rights law in their fight to protect their way of life--part of a larger story of tribal and indigenous peoples that is unfolding all over the globe.The Republic of Suriname, in northeastern South America, contains the highest proportion of rainforest within its national territory, and the most forest per person, of any country in the world. During the 1990s, its government began awarding extensive logging and mining concessions to multinational companies from China, Indonesia, Canada, and elsewhere. Saramaka Maroons, the descendants of self-liberated African slaves who had lived in that rainforest for more than 300 years, resisted, bringing their complaints to the Inter-American Commission on Human Rights.In 2008, when the Inter-American Court of Human Rights delivered its landmark judgment in their favor, their efforts to protect their threatened rainforest were thrust into the international spotlight. Two leaders of the struggle to protect their way of life, Saramaka Headcaptain Wazen Eduards and Saramaka law student Hugo Jabini, were awarded the Goldman Prize for the Environment (often referred to as the environmental Nobel Prize), under the banner of "A New Precedent for Indigenous and Tribal Peoples."Anthropologist Richard Price, who has worked with Saramakas for more than forty years and who participated actively in this struggle, tells the gripping story of how Saramakas harnessed international human rights law to win control of their own piece of the Amazonian forest and guarantee their cultural survival.
Ray Mitchell is lying in a hospital bed, drifting in and out of consciousness, his head a bloody mess of swabs and bandages. He knows who did it, but he's not saying. He had been a successful and wealthy TV scriptwriter, but losing his job he returned to the mean streets of his youth -- the projects of Dempsey, New Jersey, across the river from the glittering metropolis of New York, in order to try and give something back to the community where he grew up. But being charitable isn't always easy, and parachuting back into his childhood life was never going to be without its difficulties. His attempt to be a 'good man' leads him down many dark avenues, where his ostentatious displays of wealth can only incite trouble. In true Richard Price tradition, Samaritan has all the elements of a thriller and all the depth and beauty and characterisation of a literary masterpiece.
The language of special responsibilities is ubiquitous in world politics, with policymakers and commentators alike speaking and acting as though particular states have, or ought to have, unique obligations in managing global problems. Surprisingly, scholars are yet to provide any in-depth analysis of this fascinating aspect of world politics. This path-breaking study examines the nature of special responsibilities, the complex politics that surround them and how they condition international social power. The argument is illustrated with detailed case-studies of nuclear proliferation, climate change and global finance. All three problems have been addressed by an allocation of special responsibilities, but while this has structured politics in these areas, it has also been the subject of ongoing contestation. With a focus on the United States, this book argues that power must be understood as a social phenomenon and that American power varies significantly across security, economic and environmental domains.
A teenage gang comes of age in the 1960s Bronx. Written when the author was twenty-four, this story was the basis for a major feature film.
The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.<P><P> Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.<P> Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.<P> Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.
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