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New York Times bestselling and award-winning author Ron Rash is "a storyteller of the highest rank" (Jeffrey Lent) and has won comparisons to John Steinbeck, Cormac McCarthy, and Gabriel GarcÍa MÁrquez. It is rare that an author can capture the complexities of a place as though it were a person, and rarer still that one can reveal a land as dichotomous and fractious as Appalachia-a muse; a siren; a rugged, brutal landscape of exceptional beauty, promise, and suffering-with the honesty and precision of a photograph. "If you haven't heard of the Southern writer Ron Rash, it is time you should" (The Plain Dealer). In Burning Bright, the stories span the years from the Civil War to the present day, and Rash's historical and modern settings are sewn together in a hauntingly beautiful patchwork of suspense and myth, populated by raw and unforgettable characters mined from the landscape of Appalachia. In "Back of Beyond," a pawnshop owner who profits from the stolen goods of local meth addicts-including his own nephew-comes to the aid of his brother and sister-in-law when they are threatened by their son. The pregnant wife of a Lincoln sympathizer alone in Confederate territory takes revenge to protect her family in "Lincolnites." And in the title story, a woman from a small town marries an outsider; when an unknown arsonist starts fires in the Smoky Mountains, her husband becomes the key suspect. In these stories, Rash brings to light a previously unexplored territory, hidden in plain sight-first a landscape, and then the dark yet lyrical heart and the alluringly melancholy soul of his characters and their home.
The New York Times bestselling author of Serena returns to Appalachia, this time at the height of World War I, with the story of a blazing but doomed love affair caught in the turmoil of a nation at war Deep in the rugged Appalachians of North Carolina lies the cove, a dark, forbidding place where spirits and fetches wander, and even the light fears to travel. Or so the townsfolk of Mars Hill believe'just as they know that Laurel Shelton, the lonely young woman who lives within its shadows, is a witch. Alone except for her brother, Hank, newly returned from the trenches of France, she aches for her life to begin. Then it happens'a stranger appears, carrying nothing but a beautiful silver flute and a note explaining that his name is Walter, he is mute, and is bound for New York. Laurel finds him in the woods, nearly stung to death by yellow jackets, and nurses him back to health. As the days pass, Walter slips easily into life in the cove and into Laurel's heart, bringing her the only real happiness she has ever known. But Walter harbors a secret that could destroy everything'and danger is closer than they know. Though the war in Europe is near its end, patriotic fervor flourishes thanks to the likes of Chauncey Feith, an ambitious young army recruiter who stokes fear and outrage throughout the county. In a time of uncertainty, when fear and ignorance reign, Laurel and Walter will discover that love may not be enough to protect them. This lyrical, heart-rending tale, as mesmerizing as its award-winning predecessor Serena, shows once again this masterful novelist at the height of his powers.
Ron Rash, PEN/Faulkner finalist and New York Times bestselling author of Serena and The Cove, has been called "a gorgeous writer" (Richard Price) with a "reputation for writerly miracles" (Janet Maslin, The New York Times), and is been heralded as "one of our very finest novelists" (Richard Russo). My Father Like a River transcends the haunting landscape of Rash's native south and explores the complex, powerful relationship between father and family, and the authentic sense of loss one experiences while unemployed--all told in vivid, potent prose. Also includes Ron's short story "The Trusty", which was originally published in The New Yorker.
Author of the New York Times best sellers The Cove and Serena (soon to be a film starring Jennifer Lawrence), Rash writes blazingly about Appalachia. And hes a prize winner (Frank OConnor International Story Award, O. Henry Prize) in the short form.
Will Alexander is the sheriff in a small town in southern Appalachia, and he knows that the local thug Holland Winchester has been murdered. The only thing is the sheriff can find neither the body nor someone to attest to the killing. Simply, almost elementally told through the voices of the sheriff, a local farmer, his beautiful wife, their son, and the sheriff's deputy, One Foot in Eden signals the bellwether arrival of one the most mature and distinctive voices in southern literature.
The year is 1929, and newlyweds George and Serena Pemberton travel from Boston to the North Carolina mountains where they plan to create a timber empire. Although George has already lived in the camp long enough to father an illegitimate child, Serena is new to the mountains-but she soon shows herself to be the equal of any man, overseeing crews, hunting rattle-snakes, even saving her husband's life in the wilderness. Together this lord and lady of the woodlands ruthlessly kill or vanquish all who fall out of favor. Yet when Serena learns that she will never bear a child, she sets out to murder the son George fathered without her. Mother and child begin a struggle for their lives, and when Serena suspects George is protecting his illegitimate family, the Pembertons' intense, passionate marriage starts to unravel as the story moves toward its shocking reckoning. Rash's masterful balance of violence and beauty yields a riveting novel that, at its core, tells of love both honored and betrayed.
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume.<P> No one captures the complexities of Appalachia--a rugged, brutal landscape of exquisite beauty--as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash's work are universal, striking an emotional chord that resonates deep within each of our lives.<P> Something Rich and Strange showcases this revered master's artistry and craftsmanship in thirty stories culled from his previously published collections Nothing Gold Can Stay, Burning Bright, Chemistry, and The Night New Jesus Fell to Earth. Each work of short fiction demonstrates Rash's dazzling ability to evoke the heart and soul of this land and its people--men and women inexorably tethered to the geography that defines and shapes them. Filled with suspense and myth, hope and heartbreak, told in language that flows like "shimmering, liquid poetry" (Atlanta Journal Constitution), Something Rich and Strange is an iconic work from an American literary virtuoso.
Set in the border states of Kansas and Missouri, WOE TO LIVE ON explores the nature of lawlessness and violence, friendship and loyalty, through the eyes of young recruit Jake Roedel. Where he and his fellow First Kansas Irregulars go, no one is safe, no one can be neutral. Roedel grows up fast, experiencing a brutal parody of war without standards or mercy. But as friends fall and families flee, he questions his loyalties and becomes an outsider even to those who have become outlaws.
From Publishers Weekly Rash's finely wrought third novel (after Saints at the River) follows the wayward trajectory of high school dropout Travis Shelton, who stumbles on a neighbor's crop of marijuana while out fishing in Madison County, N.C. He steals a few plants to sell to Leonard Shuler, a divorced and disgraced former high school teacher, who is living in a trailer and selling drugs. Travis has a violent run-in with the father-and-son Toomeys, who own the crop, and is left hospitalized and homeless. He moves in with Leonard and his pill-popping girlfriend. There, Travis and Leonard study the Civil War ledgers and journals of a Dr. Candler, and learn of the county's seismic upheaval during the Shelton Laurel Massacre and its aftermath. Meanwhile, the Toomeys, who do business with Leonard, are not finished exacting their pound of flesh, this time from Leonard. Rash's vivid prose depicts his characters' dependence on drugs, alcohol and hell-raising with sympathy, rendering their shared sense of futility and economic entrapment without sentimentality or easy answers. The Civil War sections are less successful, but they convey the past's hold on the present and ground Rash's Appalachian wanderers in a shared vision of American immobility. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved
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