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Kinsey's case goes from puzzling to sinister when a house is torched, and an apartment is burgled of worthless papers.
In this book, writers such as Mary Higgins Clark, Walter Mosley, Lawrence Block, Jay McInerney, and Donald E. Westlake stand beside a collection of new talent, selected by Sue Grafton.
Featuring P I Kinsey Millhone: "D is for Deadbeat" - Kinsey searches for an old client who turns up dead;
This book contains four complete Sue Grafton novels about investigator Kinsey Milhone: Q is for Quarry, R is for Ricochet, S is for Silence, and T is for Trespass.<P> Q is for Quarry: She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the case remained unsolved. That was eighteen years ago. Now, the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case. Old and ill, they need someone to do the legwork for them, and they turn to Kinsey Millhone. They will, they tell her, find closure if they can just identify the victim. Kinsey is intrigued with the challenge and agrees to work with them. But revisiting the past can be a dangerous business, and what begins with the pursuit of Jane Doe's real identity ends in a high-risk hunt for her killer.<P> R is for Ricochet:Reba Lafferty was a daughter of privilege. Abandoned by her rebellious mother when she was an infant, she was the only child of a rich man already in his mid-fifties when she was born, and her adoring father thoroughly spoiled her. Now, at thirty-two, having had many scrapes with the law, she is about to be released on probation from the California Institution for Women, having served twenty-two months of a four-year sentence for embezzlement. Though Nord Lafferty could deny his daughter nothing, he wasn't there for her when she was brought up on this charge. Now he wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers. It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the niceties of her parole. Maybe a week's work. Nothing untoward--the woman seems remorseful and friendly. And the money is good. But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling round. R is for Ricochet. And R is for romance: love gone right, love gone wrong, and matters somewhere in between.<P> S is for Silence: Cases don't get much colder than that of Violet Sullivan, who disappeared from her rural California town in 1953, leaving behind an abusive husband and a seven-year-old named Daisy. But P.I. Kinsey Millhone has promised Daisy she'll try her best to locate Violet, dead or alive. Kinsey tries to pick up a trail by speaking to those who remember her-and perhaps were more involved in her life than they let on. But the trail could lead her somewhere very dangerous. Because the case may have gone cold, but some peoples' feelings about Violet Sullivan still run as hot as ever...<P> T is for Trespass: In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene. Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.
Private investigator Kinsey Millhone continues to solve mysteries, in this case finding and taking an elderly woman to a nursing home near her daughter. But the lady mysteriously disappears within hours of her arrival. Painfully aware of the fact that a contract has been arranged for her own murder, Kinsey unravels the events of the past clue by clue, narrating the action-filled story in a realistic, easy-to-read, informal style.
His name was Parnell Perkins. He was shot at close range and left for dead in the parking lot. To the cops, it looked like a robbery gone sour. To Kinsey it looked like the cops were walking away.
Five years ago David Barney was acquitted of the murder of his rich wife, Isabelle. Now, Isabelle's ex-husband, Ken Voigt--who is suing Barney for her estate--is claiming the jury made a fatal mistake. . . Enter P. I. Kinsey Millhone, who takes the Barney case over from a former colleague...and comes up with more questions than answers. Why are Mr. Barney's witnesses denying ever having spoken to him? Why did Isabelle have so many enemies--including but not limited to her best friend, Voight's second wife, and her own twin sister?But the most troubling question of all is: Why is it that everything David Barney has to say about his beloved Isabelle still checks out? Now it's up to Kinsey to figure out who's getting away with murder.... before she courts her own.
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumored to be a ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity, Nikki was their number one suspect. The jury thought so too. Eight years later and out on parole, Nikki Fife hires Kinsey Millhone to find out who really killed her husband. But the trail has gone cold and there is a chilling twist even Kinsey doesn't expect... (from the book jacket)
Lorna Kepler was beautiful and willful, a loner who couldn't resist flirting with danger. Maybe that's what killed her.<P> Her death had raised a host of tough questions. The cops suspected homicide, but they could find neither motive nor suspect. Even the means were mysterious: Lorna's body was so badly decomposed when it was discovered that they couldn't be certain she hadn't died of natural causes. In the way of overworked cops everywhere, the case was gradually shifted to the back burner and became another unsolved file.<P> Only Lorna's mother kept it alive, consumed by the certainty that somebody out there had gotten away with murder.<P> In the ten months since her daughter's death, Janice Kepler had joined a support group, trying to come to terms with her loss and her anger. It wasn't helping. And so, leaving a session one evening and noticing a light on in the offices of Millhone Investigations, she knocked on the door.<P> In answering that knock, Kinsey Millhone is pulled into the netherworld of unavenged murder, where only a pact with the devil will satisfy the restless ghosts of the victims and give release to the living they have left behind.<P> Eleven books into the series that has won her readers around the world, Sue Grafton takes a darkside turn, pitching us into a shadow land of pain and grief where killers still walk free, unaccused, unpunished, unrepentant. With "K" is for Killer she offers a tale that is dark, complex, and deeply disturbing.
In 1982, Sue Grafton introduced Kinsey Millhone. Today, Kinsey is an icon of detective fiction and her creator is at the top of her form. This collection is both a look at Sue Grafton's own early life in the guise of the character Kit Blue, and a fascinating glimpse of Kinsey Millhone in nine tales featuring "the spunkiest, funniest, and most engaging private investigator [in] the entire detective novel genre."--Entertainment Weekly
Kinsey's skills are about to be sorely tested. She is about to meet her duplicitous match in a couple of world-class prevaricators who quite literally take her for the ride of her life.<P> "L" Is for Lawless: Call it Kinsey Millhone in bad company. Call it a mystery without a murder, a treasure hunt without a map, a quest novel with truly mixed-up motives. Call it the return of Kinsey as bad girl-- quick-witted and quicksilvery, smart-mouthed and smart-alecky-- poking her nose into everyone's dirty laundry as she joins up with a modern-day Bonnie and Clyde in an Our Gang comedy that will take her halfway across the country and leave her with a major headache and an empty bank balance.<P> America's favorite borderline delinquent is back with her one-liners on tap and her energy level on high, romping through her fastest and funniest adventure in this, her twelfth foray into the alphabet of crime.
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which--under the unspoken bylaws of investigative etiquette--she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
Dr. Dowan Purcell had been missing for nine weeks when Kinsey got a call asking her to take on the case. A specialist in geriatric medicine, Purcell was a prominent member of the Santa Theresa medical community, and the police had done a thorough job. Purcell had no known enemies and seemed content with his life. At the time of his disappearance, he was running a nursing care facility where both the staff and the patients loved him. He adored his second wife, Crystal, and doted on their two-year-old son. It wasn't Crystal who called Kinsey. It was Purcell's ex-wife, Fiona. Everything about their meeting made Kinsey uneasy. Fiona's manner was high-handed and her expectations unrealistic. Kinsey's instincts told her to refuse the job, yet she ended up saying, "I'll do what I can, but I make no promises. " It was a decision she'd live to regret. Pursuing the mysterious disappearance of Purcell, Kinsey crashes into a wall of speculation. It seems everyone has a theory. The cops think he went on a bender and is too ashamed to come home. Fiona is sure he ran off to get away from Crystal, and Crystal is just as sure he's dead. The staff at the nursing home is convinced he's been kidnapped, and one of his daughters, having consulted a psychic, is certain that he's trapped in a dark place, though she doesn't know where. Kinsey is awash in explanations and sorely lacking in facts. Then pure chance leads her in another direction, and she soon finds herself in a dangerous shadow land, where duplicity and double-dealing are the reality and, with the truth glinting elusively out of reach, she must stake her life on a thin thread of intuition. P Is for Peril: Kinsey Millhone's latest venture into the darker side of the human soul.
She was a "Jane Doe," an unidentified white female whose decomposed body was discovered near a quarry off California's Highway 1. The case fell to the Santa Teresa County Sheriff's Department, but the detectives had little to go on. The woman was young, her hands were bound with a length of wire, there were multiple stab wounds, and her throat had been slashed. After months of investigation, the case remained unsolved. That was eighteen years ago. Now, the two men who found the body, both nearing the end of long careers in law enforcement, want one last shot at the case. Old and ill, they need someone to do the legwork for them, and they turn to Kinsey Millhone. They will, they tell her, find closure if they can just identify the victim. Kinsey is intrigued with the challenge and agrees to work with them. But revisiting the past can be a dangerous business, and what begins with the pursuit of Jane Doe's real identity ends in a high-risk hunt for her killer.
Reba Lafferty was a daughter of privilege, the only child of an adoring father. Nord Lafferty was already in his fifties when Reba was born, and he could deny her nothing. Over the years, he quietly settled her many scrapes with the law, but he wasn't there for her when she was convicted of embezzlement and sent to the California Institution for Women. Now, at thirty-two, she is about to be paroled, having served twenty-two months of a four-year sentence. Nord Lafferty wants to be sure she stays straight, stays at home and away from the drugs, the booze, the gamblers." "It seems a straightforward assignment for Kinsey: babysit Reba until she settles in, make sure she follows all the rules of her parole. Maybe all of a week's work. Nothing untoward - the woman seems remorseful and friendly. And the money is good." But life is never that simple, and Reba is out of prison less than twenty-four hours when one of her old crowd comes circling round.
S is for silence: the silence of the lost, the silence of the missing, the silence of oblivion. Thirty-four years ago, Violet Sullivan put on her party finery and left for the annual Fourth of July fireworks display. She was never seen again. In the small California town of Serena Station, tongues wagged. Some said she'd run off with a lover. Some said she was murdered by her husband. But for the not-quite-seven-year-old daughter Daisy she left behind, her absence has never been explained or forgotten. Now, thirty-four years later, she wants the solace of closure. In S is for Silence, Kinsey Millhone's nineteenth excursion into the world of suspense and misadventure, S is for surprises as Sue Grafton takes a whole new approach to telling the tale. And S is for superb: Kinsey and Grafton at their best.
In what may be her most unsettling novel to date, Sue Grafton's T is for Trespass is also her most direct confrontation with the forces of evil. Beginning slowly with the day-to-day life of a private eye, Grafton suddenly shifts from the voice of Kinsey Millhone to that of Solana Rojas, introducing readers to a chilling sociopath. Rojas is not her birth name. It is an identity she cunningly stole, an identity that gives her access to private caregiving jobs. The true horror of the novel builds with excruciating tension as the reader foresees the awfulness that lies ahead. The suspense lies in whether Millhone will realize what is happening in time to intervene.<P> Though set in the late eighties, T is for Trespass could not be more topical: identity theft; elder abuse; betrayal of trust; the breakdown in the institutions charged with caring for the weak and the dependent. It reveals a terrifying but all-too-real rip in the social fabric. Once again, Grafton opens up new territory with startling results.
It's April, 1988, a month before Kinsey Millhone's thirty-eighth birthday, and she's alone in her office doing paperwork when a young man arrives unannounced. He has a preppy air about him and looks as if he'd be carded if he tried to buy booze, but Michael Sutton is twenty-seven, an unemployed college dropout. Twenty-one years earlier, a four-year-old girl disappeared. A recent reference to her kidnapping has triggered a flood of memories. Sutton now believes he stumbled on her lonely burial when he was six years old. He wants Kinsey's help in locating the child's remains and finding the men who killed her. It's a long shot but he's willing to pay cash up front, and Kinsey agrees to give him one day. As her investigation unfolds, she discovers Michael Sutton has an uneasy relationship with the truth. In essence, he's the boy who cried wolf. Is his current story true or simply one more in a long line of fabrications? Grafton moves the narrative between the eighties and the sixties, changing points of view, building multiple subplots, and creating memorable characters. Gradually, we see how they all connect. But at the beating center of the novel is Kinsey Millhone, sharp- tongued, observant, a loner...
Private detective Kinsey Millhone feels a bit out of place in Nordstrom's lingerie department, but she's entirely in her element when she puts a stop to a brazen shoplifting spree. For her trouble she nearly gets run over in the parking lot by one of the fleeing thieves--and later learns that the one who didn't get away has been found dead in an apparent suicide. But Audrey Vance's grieving fiancé suspects murder and hires Kinsey to investigate--in a case that will reveal a big story behind a small crime, and lead her into a web that connects a shadowy "private banker," an angry trophy wife, a spoiled kid with a spiraling addiction, and a brutal killer without a conscience...
Two dead bodies changed the course of my life that fall. One of them I knew and the other I'd never laid eyes on until I saw him in the morgue. The first was a local PI of suspect reputation. He had been gunned down near the beach at Santa Teresa. It looked like a robbery gone bad. The other was on the beach six weeks later. He'd been sleeping rough. Probably homeless. No identification. A slip of paper with Millhone's name and number was in his pants pocket. The coroner asked her to come to the morgue to see if she could ID him. Two seemingly unrelated deaths, one a murder, the other apparently of natural causes. But as Kinsey digs deeper into the mystery of the John Doe, some very strange linkages begin to emerge. And before long at least one aspect is solved as Kinsey literally finds the key to his identity. "And just like that," she says, "the lid to Pandora's box flew open. It would take me another day before I understood how many imps had been freed, but for the moment, I was inordinately pleased with myself. " In this multilayered tale, the surfaces seem clear, but the underpinnings are full of betrayals, misunderstandings, and outright murderous fraud. And Kinsey, through no fault of her own, is thoroughly compromised. W is for . . . wanderer . . . worthless . . . wronged . . . W is for wasted.
Sue Grafton weaves the experience of today's top mystery authors into a comprehensive how-to.
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