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Anne Frank's The Diary of a Young Girl is among the most enduring documents of the twentieth century. Since its publication in 1947, it has been read by tens of millions of people all over the world. It remains a beloved and deeply admired testament to the indestructible nature of the human spirit. Restored in this Definitive Edition are diary entries that were omitted from the original edition. These passages, which constitute 30 percent more material, reinforce the fact that Anne was first and foremost a teenage girl, not a remote and flawless symbol. She fretted about and tried to cope with her own sexuality. Like many young girls, she often found herself in disagreements with her mother. And like any teenager, she veered between the carefree nature of a child and the full-fledged sorrow of an adult. Anne emerges more human, more vulnerable and more vital than ever.Anne Frank and her family, fleeing the horrors of Nazi occupation, hid in the back of an Amsterdam warehouse for two years. She was thirteen when she went into the Secret Annex with her family.From the Paperback edition.
Building on the work of biblical scholars--Rudolph Bultmann, Raymond Brown, Jane Schaberg, and Robert Funk, among others--filmmaker Paul Verhoeven disrobes the mythical Jesus to reveal a man who has much in common with other great political leaders throughout history--human beings who believed that change was coming in their lifetimes. Gone is the Jesus of the miracles, gone the son of God, gone the weaver of arcane parables whose meanings are obscure. In their place Verhoeven gives us his vision of Jesus as a complete man, someone who was changed by events, the leader of a political movement, and, perhaps most importantly, someone who, in his speeches and sayings, introduced a new ethic in which the embrace of human contradictions transcends the mechanics of value and worth that had defined the material world before Jesus. "The Romans saw [Jesus] as an insurrectionist, what today is often called a terrorist. It is very likely there were 'wanted' posters of him on the gates of Jerusalem. He was dangerous because he was proclaiming the Kingdom of Heaven, but this wasn't the Kingdom of Heaven as we think of it now, some spectral thing in the future, up in the sky. For Jesus, the Kingdom of Heaven was a very tangible thing. Something that was already present on Earth, in the same way that Che Guevara proclaimed Marxism as the advent of world change. If you were totalitarian rulers, running an occupation like the Romans, this was troubling talk, and that was why Jesus was killed." --Paul Verhoeven, from profile by Mark Jacobson in New York Magazine
With an "astute sense of musical form and a wonderful sense of passion" (New York Times Book Review), master storyteller Margriet de Moor, one of Europe's foremost novelists, once again brings us a richly imagined and highly original tale of passion and jealousy.The unnamed narrator, a young musicologist, meets and befriends the famous blind music critic Marius van Vlooten. Their first encounter is on an airplane en route to a master class in Bordeaux, where the narrator introduces Marius to Suzanna, the pretty first violinist of a string quartet there to perform Janácek's Kreutzer Sonata. From this chance meeting, a passionate love affair soon develops between Marius and Suzanna. They become engaged and marry.A series of subsequent conversations between Marius and the narrator reveals the truth behind Marius's blindness: when he was a young student, he had fallen madly in love with a girl who spurned him. Despairing, he tried to commit suicide, but succeeded only in blinding himself. Now, ten years later, Marius is prey to another terrible dilemma: he loves Suzanna desperately, but, strongly suspecting she has a lover, becomes insanely jealous. His suspicions and his past draw him-and the reader-into a dramatic and tense Hitchcockian vertigo, where the tragedy plays itself out.This subtly constructed novel evokes powerful emotions through what the characters see and don't see, but mostly through what they hear-the language of music.
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