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Dinah Sachs and Asa Thayer have had a love affair, conducted in afternoons stolen from the office of the magazine where they work. But now that the affair is over, Dinah, in an act of lingering passion, invents a narrative of Asa's youth, imagining the events that shaped the "happy, handsome man" who, in her words, "was born to stomp on my heart."Witty and sexy, funny and immediate, Asa, As I Knew Him is a a seductive dialogue between love and memory, obsession and illusion.From the Trade Paperback edition.
"It was probably because I was so often taken away from Cambridge when I was young that I loved it as much as I did . . ." So begins this novel-from-life by the best-selling author of Girl, Interrupted, an exploration of memory and nostalgia set in the 1950s among the academics and artists of Cambridge, Massachusetts. London, Florence, Athens: Susanna, the precocious narrator of Cambridge, would rather be home than in any of these places. Uprooted from the streets around Harvard Square, she feels lost and excluded in all the locations to which her father's career takes the family. She comes home with relief--but soon enough wonders if outsiderness may be her permanent condition. Written with a sharp eye for the pretensions--and charms--of the intellectual classes, Cambridge captures the mores of an era now past, the ordinary lives of extraordinary people in a singular part of America, and the delights, fears, and longings of childhood.From the Hardcover edition.of childhood, the mores of an era now past, the ordinary lives of extraordinary people in a singular part of America, and the ways we can-and cannot-go home.
The Camera My Mother Gave Metakes us through Susanna Kaysen's often comic, sometimes surreal encounters with all kinds of doctors--internists, gynecologists, "alternative health" experts--as well as with her boyfriend and her friends, when suddenly, inexplicably, "something went wrong" with her vagina. The title comes from Luis Buñuel's filmViridiana. Some peasants are at a banquet in a country mansion. They ask a maid to take a group snapshot, and she obliges, lifting up her skirt and using the "camera" that's underneath. Kaysen'sThe Camera My Mother Gave Meobserves what happens when sexual pleasure is replaced by pain. "When eros goes away," she writes, "it's as if I'm colorblind. The world is gray. " But is this a problem of body, or mind? And can clinicians tease out the difference between the two? Spare, frank, and altogether original,The Camera My Mother Gave Mechallenges us to think in new ways about the centrality and power of sexuality. It is an extraordinary investigation into the role sex plays in perception and our notions of ourselves--and into what happens when the erotic impulse meets the world of medicine
Jonathan Brand, a graduate student in anthropology, has decided to do his fieldwork in the remote Faroe Islands in the North Atlantic. But, despite his Harvard training, he can barely understand, let alone "study," the culture he encounters. From his struggles with the local cuisine to his affair with the Danish woman the locals want him to marry, Jonathan is both repelled by and drawn into the Faroese way of life. Wry and insightful, Far Afield reveals reveals Susanna Kaysen's gifts of imagination, satire, and compassion.
A nonfictional account by the author of her life as a teenager. The story of her life in and out of a psychiatric hospital.
This is the story of Erik, the child born disfigured, destined, to become the Phantom of the Opera. It is the story of a quest for the simplest of heart's desires: to be loved. It is a Story of power and darkness, of magic and Murder, of sensuality, betrayal, and, ultimately, the eternal quality of love. While the story of the Phantom of the Opera told in the original novel by Gaston Leroux in 1911 has inspired various films and the record-breaking Broadway musical, this is the first novel to explore the entire life of the man behind the legend- and the mask. Who was the Phantom and what was his life before the Opera? What made this brilliant, enigmatic, and dangerous man hide from the world, far below the Paris Opera House? Born in 1831 with a horrific facial disfigurement, Erik is forced to live in a lonely attic, cut off from his beautiful mother, whose only gift to him is a mask. He runs away and finds himself a freak in a Gypsy carnival sideshow, a stonemason's 'apprentice in Rome, a sinister magician at the court of the shah in Persia, and finally, the mysterious genius behind the construction of the Paris Opera House. A man capable of great evil and Of great good, at once cruel and erotically dark, there is a complex and vividly brought to life force.
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