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This is a collection of four science fiction stories including: Enough Rope by Poul Anderson; The Claustrophile by Theodore Sturgeon; The Children's Hour by Henry Kuttner, and Plus X by Eric Frank Russell.
Written between 1955 and 1957, the 15 stories in And Now the News ... include five previously uncollected stories along with five well-known works, two cowritten with genre legend Robert Heinlein. Spanning his most creative period, these tales show why Sturgeon won every science fiction award given.
volume 9 of the complete stories of theodore sturgeon, one of sci fi's greatest masters
The early 1950s, during which this material was written, was the beginning of Sturgeon's greatest creative period. The title story for this collection was later expanded into the International Fantasy Award winning novel More Than Human. Sturgeon's whimsical, sardonic sense of humor lifts his work out of the mundane realm of genre science fiction. This wide-ranging collection shows precisely why he has been cited as a primary influence by authors as varied as Stephen King, Ray Bradbury, and Carl Sagan. Includes extensive notes and background information on each story by editor Paul Williams.
Sci-fi master Theodore Sturgeon wrote stories with power and freshness, and in telling them created a broader understanding of humanity--a legacy for readers and writers to mine for generations. Along with the title story, the collection includes stories written between 1953 and 1955, Sturgeon's greatest period, with such favorites as "Bulkhead," "The Golden Helix," and "To Here and the Easel."
James Blish called him the "finest conscious artist science fiction ever produced." Kurt Vonnegut based the famous character Kilgore Trout on him. And such luminaries as Harlan Ellison, Stephen King, and Octavia Butler have hailed him as a mentor. Theodore Sturgeon was both a popular favorite and a writer's writer, carving out a singular place in the literary landscape based on his masterful wordplay, conceptual daring, and narrative drive. Sturgeon's sardonic sensibility and his skill at interweaving important social issues such as sex--including gay themes--and war into his stories are evident in all of his work, regardless of genre.Case and the Dreamer displays Sturgeon's gifts at their peak. The book brings together his last stories, written between 1972 and 1983. They include "The Country of Afterward," a sexually explicit story Sturgeon had been unable to write earlier in his career, and the title story, about an encounter with a transpatial being that is also a meditation on love. Several previously unpublished stories are included, as well as his final one, "Grizzly," a poignant take on the lung disease that killed him two years later. Noted critic and anthologist Paul Williams contextualizes Sturgeon as both man and artist in an illuminating afterword, and the book includes an index to the stories in all thirteen volumes.
You are about to enter fantastic worlds beyond your wildest imaginings-worlds of mystery and monsters, terror and ethereal love, sudden death and miraculous life, jet-propelled shivers and humor. On this incredible, awesome journey, you will meet: a strange, yet exquisitely beautiful and profoundly wise race of... what? a blood-sucking Teddy Bear which bestows on a four-year-old a terrifying memory of the future. Bianca, a deformed imbecile whose hands, hauntingly beautiful and with a consciousness of their own, drive a man mad with love and desire and ultimately fulfill a gruesome wish. young Leo, who learns that his entire existence has been dreamed by someone else. virgins and unicorns who contest the meaning of truth. Some of Sturgeon's most haunting stories of what art--music, painting, sculpture and surely writing--just might actually be.
Timshel was once the vacation spot of the galaxy, full of culture, natural beauty, and friendly, hospitable inhabitants. But now Timshel has cut itself off from the universe. No one is allowed to enter or leave. Concerned, the Federation has sent agents to investigate, but none have returned. Captain Kirk and the crew of the Starship Enterprise TM are shocked to discover the truth: the people of Timshel have succumbed to an insidious new technology that guarantees every citizen total pleasure, a soul-destroying ecstasy that has enslaved their entire civilization. Kirk and Spock have faced many threats before, but now they face the most seductive menace of all: perfect happiness. And the rest of the Federation may soon fall under the irresistible control of the Joy Machine.
Killdozer! is the third volume of a series of the complete short stories from Theodore Sturgeon's career. It contains a few of his best and most famous short stories: "Medusa", "Killdozer!" and "Mewhu's Jet." The series editor Paul Williams has dug into the background of each story, and come up with a lot of interesting lore about Sturgeon. Especially of interest in this volume is the alternative original ending to "Mewhu's Jet."
The third volume of the entire short story works of one of science fiction's greatest masters. Contains the classic story Killdozer.
By the winner of the Hugo, the Nebula, and the World Fantasy Life Achievement Awards, this latest volume finds Theodore Sturgeon in fine form as he gains recognition for the first time as a literary short story writer. Written between 1957 and 1960, when Sturgeon and his family lived in both America and Grenada, finally settling in Woodstock, New York, these stories reflect his increasing preference for psychology over ray guns. Stories such as "The Man Who Told Lies," "A Touch of Strange," and "It Opens the Sky" show influences as diverse as William Faulkner and John Dos Passos. Always in touch with the zeitgeist, Sturgeon takes on the Russian Sputnik launches of 1957 with "The Man Who Lost the Sea," switching the scene to Mars and injecting his trademark mordancy and vivid wordplay into the proceedings. These mature stories also don't stint on the scares, as "The Graveyard Reader"--one of Boris Karloff's favorite stories--shows. Acclaimed novelist Jonathan Lethem's foreword neatly summarizes Sturgeon's considerable achievement here.
The second of a planned 10 volumes that will reprint all Sturgeon's short fiction covers his prolific output during 1940 and 1941, after which he suffered five years of writer's block. Showcasing Sturgeon's early penchant for fantasy, the first six selections include whimsical ghost stories, such as "Cargo," in which a World War II munitions freighter is commandeered by invisible, peace-loving fairies. With the publication of his enduring SF classic, "Microcosmic God," Sturgeon finally found his voice, combining literate, sharp-edged prose with fascinating speculative science while recounting the power struggle between a brilliant scientist, who creates his own miniature race of gadget makers, and his greedy banker. Voice found or not, every one of the stories here is readable and entertaining today because of Sturgeon's singular gifts for clever turns of phrase and compelling narrative. As Samuel R. Delaney emphasizes in an insightful introduction, Sturgeon was the single most influential SF writer from the 1940s through the 1960s.
Volume 2 of the complete stories of Theodore Sturgeon, one of sci fi's greatest masters
Startling, stunning, as chilling as it is unforgettable, More Than Human is the story of a strange metamorphosis --as only Theodore Sturgeon could conceive it.
This book contains ten major stories by the master of science fiction, fantasy, and horror written during the 1960s. The controversial "If All Men We re Brothers, Would You Let One Marry Your Sister?" shows the author's technique of "ask the next question" used in a way that shatters social conventions. "When You Care, When You Love" offers a prescient vision of the marriage of deep obsessive love and genetic manipulation, written long before actual cloning techniques existed. "Runesmith" constitutes a rare example of Sturgeon collaborating with a legendary colleague, Harlan Ellison. Included also are two other rarities: two detective stories and a Western that showcase Sturgeon's knack for characterization and action outside his usual genre. "Take Care of Joey" has been read as an allusion to the complex personal relationship between Sturgeon and Ellison, while "It Was Nothing, Really!" hilariously skewers the mores of the military-industrial complex. As always, these stories demonstrate not only Sturgeon's brilliant wordplay but also his timeliness, with "Brown-shoes" and "The Nail and the Oracle" standing out as powerful commentaries on the use and abuse of power that might have been written yesterday.
The fifth of ten volumes that will reprint all Sturgeon's short fiction covers his prolific output volume contains 15 classics and two previously unpublished stories, including "Quietly." The Perfect Host provides enough of a representative sampling of Sturgeon's "greatest hits" to give the uninitiated a good sense of what all the fuss was about way back when. At the same time it offers a generous selection of alternate takes and rarities, notably several of Sturgeon's best forays into other forms of genre writing, plus previously unreleased cuts and liner notes.
Volume 5 of the complete stories of Theodore Sturgeon, one of sci fi's greatest masters
Kurt Vonnegut cites Theodore Sturgeon as the inspiration for his character Kilgore Trout. This volume includes 12 stories from 1953, considered Sturgeon's golden era. Among them are such favorites as the title story, "The Silken-Swift," "A Way of Thinking," "The Dark Room," "The Clinic," and "The World Well Lost," a story very ahead of its time in advocating gay rights.
volume 7 of the stories of theodore sturgeon, one of sci fi's greatest masters
Theodore Sturgeon was a model for his friend Kurt Vonnegut's legendary character Kilgore Trout, and his work was an acknowledged influence on important younger writers from Harlan Ellison and Robert Silverberg to Stephen King and Octavia Butler. His work has long been deeply appreciated for its sardonic sensibility, dazzling wordplay, conceptual brilliance, memorable characters, and unsparing treatment of social issues such as sex, war, and marginalized members of society. Sturgeon also authored several episodes of the original Star Trek TV series and originated the Vulcan phrase "Live long and prosper." This twelfth volume of North Atlantic's ambitious series reprinting his complete short stories includes classic works such as the award-winning title story, which won both the Hugo and Nebula Awards in 1971, as well as "Case and the Dreamer," a well-crafted tale of an encounter with a trans-spatial being that is also a meditation on love, and "The [Widget], the [Wadget], and Boff," a creative exploration of the human ability to achieve self-realization in response to crisis. The book includes a new Foreword, an illuminating section of Story Notes, and a comprehensive index for the entire series.
Thunder and Roses is the fourth volume in The Complete Stories of Theodore Sturgeon. Included in Thunder and Roses are 15 stories, with major works like "Maturity," "The Professor's Teddy Bear," "A Way Home," and the title story, in addition to two works never published before.
Volume 4 of the complete stories of Theodore Sturgeon, one of sci fi's greatest masters. This collection contains stories written in the mid 1940's which cover the full range of Ted Sturgeons writings, mostly science fiction and fantasy (including some of his best: 'Maturity', 'Thunder and Roses' and 'The sky was full of ships') but also western ('Well Spiced'), horror ('The Professor's Teddy Bear'), mainstream fiction ('Wham, Bop' and 'A Way Home') and an extremely poignant romance between a man and two women that didn't need the SF element, but that certainly added to the eerie undercurrent of the relationship ('Hurricane Trio'). Some of the stories in this collection use odd spelling to indicate dialect
The Ultimate Egoist, the first volume of The Complete Stories of Theodore Sturgeon, contains the late author's earliest work, written from 1937 to 1940. Although Sturgeon's reach was limited to the lengths of the short story and novelette, his influence was strongly felt by even the most original science fiction stylists, including Ray Bradbury, Arthur C. Clarke, and Gene Wolfe, each of whom contributes a laudatory foreword. The more than 40 stories here showcase Sturgeon's masterful knack with clever, O. Henry-ish plot twists, sparkling character development, and almost archetypal, why didn't I think of that? story ideas. Early Sturgeon masterpieces include "It," about the violence done by a creature spontaneously born from garbage and mud, and "Helix the Cat," about an inventor's bizarre encounter with a disembodied soul and the cat that saves it. Sturgeon's unique genius is timelessly entertaining.
Volume 1 of the complete stories of Theodore Sturgeon, one of sci fi's greatest masters
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