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Mark Twain A Connecticut Yankee in King Arthur's Court Cracked on the head by a crowbar in nineteenth-century Connecticut, Hank Morgan wakes to find himself in King Arthur's England, facing a world whose idyllic surface masks fear, injustice, and ignorance. In this acclaimed tour de force, Mark Twain moves from broad comedy to biting social satire, from the pure joy of wild high jinks to deeply probing insights into the nature of man. Considered by H. L. Mencken to be "the most bitter critic of American platitude and delusion...that ever lived," Twain enchants readers with a Camelot that strikes disturbingly contemporary notes. With an introduction by Leland Krauth And an afterword by Edmund Reiss
Mark Twain es conocido por ser el autor de Las aventuras de Tom Sawyer y Huckleberry Finn, pero donde alcanzó las más altas cotas de genialidad es en el campo de la narrativa breve, y especialmente con el relato humorístico, al que elevó a la categoría de obra de arte. Con un trabajo narrativo artesanal, sus cuentos se caracterizan por la hábil confección de las tramas, sus personajes inolvidables, su arrasador sentido del humor y por un lenguaje vívido que retrata a la perfección la apasionante vida en la América del siglo XIX.
«Me gusta una buena historia bien contada. Por esta razón, a veces me veo obligado a contarlas yo mismo». Con estas palabras Mark Twain, según Hemingway el padre indiscutible de la literatura estadounidense, defendía sus cuentos, hábilmente tramados, de inventiva inagotable y personajes inolvidables. El diario de Adán y Eva (1893-1905), una divertidísima y por tanto poco ortodoxa reconstrucción de la vida en el Jardín del Edén, es una excelente muestra.Este relato forma parte de la antología Cuentos selectos.
Purportedly pages from Eve's (Garden of Eden) Diary "Translated from the Original." Eve expresses her thought about Eden and what's in it and about Adam.
This book publishes, for the first time in full, the two most revealing of Mark Twain's private writings. Here he turns his mind to the daily life he shared with his wife Livy, their three daughters, a great many servants, and an imposing array of pets. These first-hand accounts display this gifted and loving family in the period of its flourishing. Mark Twain began to write "A Family Sketch" in response to the early death of his eldest daughter, Susy, but the manuscript grew under his hands to become an exuberant account of the entire household. His record of the childrens' sayings--"Small Foolishnesses"--is next, followed by the related manuscript "At the Farm." Also included are selections from Livy's 1885 diary and an authoritative edition of Susy's biography of her father, written when she was a teenager. Newly edited from the original manuscripts, this anthology is a unique record of a fascinating family.
Quien habla es Satanás. No el ángel caído, según asegura él, sino un sobrino que se quedó en el cielo y que siente admiración por su popular pariente... Esta breve novela de Twain, publicada de forma póstuma, es una amarguísima reflexión en torno a la naturaleza del hombre, utilizando una vieja tradición de la sátira: presentar a un visitante exterior, libre de prejuicios, que observa las contradicciones de nuestra sociedad y la cobardía del hombre para afrontarlas. El visitante escogido tiene un carácter decididamente diabólico. Twain se decanta por un tono decididamente moralista. Que funciona, por fortuna, gracias al hecho de que la novela es breve, y por lo tanto no se convierte en un pesado discurso. Aquí nos lleva hasta el final del siglo XVI, en un apartado pueblito austriaco. Tres amigos adolescentes encuentran a Satanás -el presunto sobrino- y disfrutan de su compañía mientras éste, a la vez que les encandila con su hechizo, les muestra la cruda realidad de su tiempo y de nuestra especie: la hipocresía, la debilidad de la masa ante el agitador extremista -plasmado aquí en los cazadores de brujas-, la explotación del hombre por el hombre, la condición humana como inferior, en su capacidad para optar por el mal, a la de las propias bestias no guiadas más que por su instinto de supervivencia.
An adulteress, a runaway boy, a terrified soldier, and a maltreated sailor-all the heroes of these must-read novels have become part of our American literary heritage.
These four landmark novels of nineteenth-century American literature have gained a permanent place in our culture as great classics. They are not only part of our national heritage, but masterpieces of world literature whose deep and lasting influence is felt to this day. The Scarlet Letter vividly records America's moral and historical roots in Puritan New England and masterfully re-creates a society's preoccupation with sin, guilt, and pride. The Adventures of Huckleberry Finn carries readers along on Huck's unforgettable journey down the Mississippi in America's foremost comic epic--the first great novel in a truly American voice. The Red Badge of Courage re-creates the brutal reality of war and its psychological impact on a young Civil War soldier in one of the most moving and widely read American novels. Billy Budd, Sailor, joins the world's great tragic literature as a doomed seaman becomes the innocent victim of a clash between social authority and individual freedom. From the Paperback edition.
"The Gilded Age: A Tale of Today" is the collaborative work of Mark Twain and Charles Dudley Warner that satirized the era of political greed and corruption that followed the American Civil War. This period is often referred to as "The Gilded Age" because of this book. The corruption and greed that was typical of the era is exemplified through two fictional narratives; one of the Hawkins family, a poor family from Tennessee who try to get the government to purchase their 75,000 acres of unimproved land; and of Philip Sterling and Henry Brierly, two young upper-class men who seek their fortune in land as well.
First published in 1873, The Gilded Age is both a biting satire and a revealing portrait of post-Civil War America-an age of corruption when crooked land speculators, ruthless bankers, and dishonest politicians voraciously took advantage of the nation's peacetime optimism. With his characteristic wit and perception, Mark Twain and his collaborator, Charles Dudley Warner, attack the greed, lust, and naivete of their own time in a work which endures as a valuable social document and one of America's most important satirical novels.
Mark Twain's legendary insight and wit shine throughout this new selection of his writings, the first to focus on California. As a young man, the celebrated author of Huckleberry Finn, Tom Sawyer, and other classics spent the mid-1860s in California. In this collection of essays, newspaper articles, fiction, speeches, and letters, Twain presents his notoriously unconventional views on a state booming in the wake of the gold rush. His wry humor and irreverent social commentary illuminate everything from fashion, politics, and art to earthquakes, religion, and urban crime. Drawn from hard-to-find sources as well as his ever-popular books, Gold Miners and Guttersnipes: Tales of California by Mark Twain is a fresh and distinctive assortment by one of America's favorite authors.
Selected works of humour and criticism by a revered American master. Beloved by millions, Mark Twain is the quintessential American writer. More than anyone else, his blend of scepticism, caustic wit and sharp prose defines a certain American mythos. While his novel The Adventures of Huckleberry Finn is still taught to anyone who attends school and is considered by many to be the Great American Novel, Twain's shorter stories and criticisms have unequalled style and bite.In a review that's less than kind to the writing of James Fenimore Cooper, Twain writes: "Every time a Cooper person is in peril, and absolute silence is worth four dollars a minute, he is sure to step on a dry twig. There may be a hundred handier things to step on, but that wouldn't satisfy Cooper. Cooper requires him to turn out and find a dry twig; and if he can't do it, go and borrow one." It's difficult to imagine anyone else writing in quite this style, which is why Twain's legacy only continues to grow.
The Humorous Story an American Development. Its Difference from Comic and Witty Stories.
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