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The New York Times bestseller-a "gripping" posthumous collection of previously unpublished work by Kurt Vonnegut on the subject of war. A fitting tribute to a literary legend and a profoundly humane humorist, Armageddon in Retrospect is a collection of twelve previously unpublished writings on war and peace. Imbued with Vonnegut's trademark rueful humor and outraged moral sense, the pieces range from a letter written by Vonnegut to his family in 1945, informing them that he'd been taken prisoner by the Germans, to his last speech, delivered after his death by his son Mark, who provides a warmly personal introduction to the collection. Taken together, these pieces provide fresh insight into Vonnegut's enduring literary genius and reinforce his ongoing moral relevance in today's world.
Broad humor and bitter irony collide in this fictional autobiography of Rabo Karabekian, who, at age seventy-one, wants to be left alone on his Long Island estate with the secret he has locked inside his potato barn. But then a voluptuous young widow badgers Rabo into telling his life story--and Vonnegut in turn tells us the plain, heart-hammering truth about man's careless fancy to create or destroy what he loves.From the Trade Paperback edition.
Cat's Cradle is Kurt Vonnegut's satirical commentary on modern man and his madness. An apocalyptic tale of this planet's ultimate fate, it features a midget as the protagonist, a complete, original theology created by a calypso singer, and a vision of the future that is at once blackly fatalistic and hilariously funny. A book that left an indelible mark on an entire generation of readers, Cat's Cradle is one of the twentieth century's most important works--and Vonnegut at his very best. From the Trade Paperback edition.
Deadeye Dick is Kurt Vonnegut's funny, chillingly satirical look at the death of innocence. Amid a true Vonnegutian host of horrors--a double murder, a fatal dose of radioactivity, a decapitation, an annihilation of a city by a neutron bomb--Rudy Waltz, aka Deadeye Dick, takes us along on a zany search for absolution and happiness. Here is a tale of crime and punishment that makes us rethink what we believe . . . and who we say we are.From the Trade Paperback edition.
The Eden Express describes from the inside Mark Vonnegut's experience in the late '60s and early '70s--a recent college grad; in love; living communally on a farm, with a famous and doting father, cherished dog, and prized jalopy--and then the nervous breakdowns in all their slow-motion intimacy, the taste of mortality and opportunity for humor they provided, and the grim despair they afforded as well. That he emerged to write this funny and true book and then moved on to find the meaningful life that for a while had seemed beyond reach is what ultimately happens in The Eden Express. But the real story here is that throughout his harrowing experience his sense of humor let him see the humanity of what he was going through, and his gift of language let him describe it in such a moving way that others could begin to imagine both its utter ordinariness as well as the madness we all share.
Hocus Pocus is the fictional autobiography of a West Point graduate who was in charge of the humiliating evacuation of U.S. personnel from the Saigon rooftops at the close of the Vietnam War. Returning home from the war, he unknowingly fathered an illegitimate son. In 2001, the son begins a search for his father and catches up with him just in time to see him arrested for masterminding the prison break of 10,000 convicts.<P> Using his famous brand of satire and wit, Vonnegut captures twenty-first century America as only he could foresee it. In Hocus Pocus, readers will find a fresh novel, as fascinating and brilliantly offbeat as anything he's written.
One of the great American iconoclasts holds forth on politics, war, books and writers, and his personal life in a series of interviews, including his last--for US Airways Magazine.During his long career Kurt Vonnegut won international praise for his novels, plays, and essays. In this new anthology of conversations with Vonnegut--which collects interviews from throughout his career--we learn much about what drove Vonnegut to write and how he viewed his work at the end.From Kurt Vonnegut's Last InterviewIs there another book in you, by chance?No. Look, I'm 84 years old. Writers of fiction have usually done their best work by the time they're 45. Chess masters are through when they're 35, and so are baseball players. There are plenty of other people writing. Let them do it.So what's the old man's game, then?My country is in ruins. So I'm a fish in a poisoned fishbowl. I'm mostly just heartsick about this. There should have been hope. This should have been a great country. But we are despised all over the world now. I was hoping to build a country and add to its literature. That's why I served in World War II, and that's why I wrote books.When someone reads one of your books, what would you like them to take from the experience?Well, I'd like the guy--or the girl, of course--to put the book down and think, "This is the greatest man who ever lived."From the Trade Paperback edition.
This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut's fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut's unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels--from a crackpot scheme for manufacturing "atomic" bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. ("Knopf, for example, might give John Updike's contract to Simon and Schuster, and receive Joan Didion's contract in return.") Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. * On a job he had as a young man: "Hell is running an elevator throughout eternity in a building with only six floors." * To a relative who calls him a "great literary figure": "I am an American fad--of a slightly higher order than the hula hoop." * To his daughter Nanny: "Most letters from a parent contain a parent's own lost dreams disguised as good advice." * To Norman Mailer: "I am cuter than you are." Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.
Kurt Vonnegut cites Theodore Sturgeon as the inspiration for his character Kilgore Trout. This volume includes 12 stories from 1953, considered Sturgeon's golden era. Among them are such favorites as the title story, "The Silken-Swift," "A Way of Thinking," "The Dark Room," "The Clinic," and "The World Well Lost," a story very ahead of its time in advocating gay rights.
The Sirens of Titan is an outrageous romp through space, time, and morality. The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course there's a catch to the invitation-and a prophetic vision about the purpose of human life that only Vonnegut has the courage to tell.From the Trade Paperback edition.
There's been a timequake. And everyone--even you--must live the decade between February 17, 1991 and February 17, 2001 over again. The trick is that we all have to do exactly the same things as we did the first time--minute by minute, hour by hour, year by year, betting on the wrong horse again, marrying the wrong person again. Why? You'll have to ask the old science fiction writer, Kilgore Trout. This was all his idea.
Called "our finest black-humorist" byThe Atlantic Monthly, Kurt Vonnegut was one of the most influential writers of the 20th century. Now his first and last works come together for the first time in print, in a collection aptly titled after his famous phrase,We Are What We Pretend To Be. Written to be sold under the pseudonym of "Mark Harvey,"Basic Trainingwas never published in Vonnegut's lifetime. It appears to have been written in the late 1940s and is therefore Vonnegut's first ever novella. It is a bitter, profoundly disenchanted story that satirizes the military, authoritarianism, gender relationships, parenthood and most of the assumed mid-century myths of the family. Haley Brandon, the adolescent protagonist, comes to the farm of his relative, the old crazy who insists upon being called The General, to learn to be astraight-shooting American. Haley's only means of survival will lead him to unflagging defiance of the General's deranged (but oh so American, oh so military) values. This story and its thirtyish author were no friends of the milieu to which the slick magazines' advertisers were pitching their products. When Vonnegut passed away in 2007, he left his last novel unfinished. EntitledIf God Were Alive Today, this last work is a brutal satire on societal ignorance and carefree denial of the world's major problems. Protagonist Gil Berman is a middle-aged college lecturer and self-declared stand-up comedian who enjoys cracking jokes in front of a college audience while societal dependence on fossil fuels has led to the apocalypse. Described by Vonnegut as, "the stand-up comedian on Doomsday," Gil is a character formed from Vonnegut's own rich experiences living in areality Vonnegut himself considered inevitable. Along with the two works of fiction, Vonnegut's daughter, Nanette shares reminiscences about her father and commentary on these two works--both exclusive to this edition. In this fiction collection, published in print for the first time, exist Vonnegut's grand themes: trust no one, trust nothing; and the only constants are absurdity and resignation, which themselves cannot protect us from the void but might divert.
Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut's audacious sense of humor and extraordinary range of creative vision. From the Trade Paperback edition.
Since its original publication in 1968, Welcome to the Monkey House has been one of Kurt Vonnegut's most beloved works. This special edition celebrates a true master of the short-story form by including multiple variant drafts of what would eventually be the title story. In a fascinating accompanying essay, "Building the Monkey House: At Kurt Vonnegut's Writing Table," noted Vonnegut scholar Gregory D. Sumner walks readers through Vonnegut's process as the author struggles--false start after false start--to hit upon what would be one of his greatest stories. The result is the rare chance to watch a great writer hone his craft in real time. Praise for Kurt Vonnegut "Kurt Vonnegut is, in my view, the great, urgent passionate American writer of our century."--George Saunders "Vonnegut's fiction itches to seize the human truth by its large handles."--John UpdikeFrom the Trade Paperback edition.
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