"Read, read, read. Read everything--trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it is good, you'll find out. If it's not, throw it out the window." --William Faulkner Absalom, Absalom! is Faulkner's epic tale of Thomas Sutpen, an enigmatic stranger who comes to Jefferson, Mississippi, in the early 1830s to wrest his mansion out of the muddy bottoms of the north Mississippi wilderness. He was a man, Faulkner said, "who wanted sons and the sons destroyed him."From the Trade Paperback edition. young Quentin Compson, a Harvard student. At the terrifying and abrupt end of the tale there remain in the crumbling shell of the old house only the dying son of its builder, an ancient Negro woman who had been his slave, and the idiot mulatto youth who was to be the only direct descendant of the Sutpen blood.This edition is set from the first American edition of 1936 and commemorates the seventy-fifth anniversary of Random House.From the Hardcover edition.
"I set out deliberately to write a tour-de-force. Before I ever put pen to paper and set down the first word I knew what the last word would be and almost where the last period would fall." --William Faulkner on As I Lay Dying As I Lay Dying is Faulkner's harrowing account of the Bundren family's odyssey across the Mississippi countryside to bury Addie, their wife and mother. Narrated in turn by each of the family members--including Addie herself--as well as others the novel ranges in mood, from dark comedy to the deepest pathos.[This text is listed as an example that meets Common Core Standards in English language arts in grades 11-12 at http://www.corestandards.org.]
"As I Lay Dying" is one of William Faulkner's greatest works and the most accessible of his major novels. This Norton Critical Edition is based on the 1985 corrected text and is accompanied by detailed explanatory annotations.
"The Bear, " "The Old People, " "A Bear Hunt, " "Race at Morning"--some of Nobel Prize-winning author William Faulkner's most famous stories are collected in this volume--in which he observed, celebrated, and mourned the fragile otherness that is nature, as well as the cruelty and humanity of men. "Contains some of Faulkner's best work."From the Trade Paperback edition.
Faulkner's first major foray into the collected stories which would evetually be encompassed in the Novel Go Down, Moses and is the heart of his view of the crimes inherent in slavery. the McCaslin family is central to his history of miscegenation and the continuing incest inherent therein. All of the themes he points to in his Nobel Prize Acceptance Speech as being the only things worth writing about are here.
"I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing." --William Faulkner <P><P> Forty-two stories make up this magisterial collection by the writer who stands at the pinnacle of modern American fiction. Compressing an epic expanse of vision into hard and wounding narratives, Faulkner's stories evoke the intimate textures of place, the deep strata of history and legend, and all the fear, brutality, and tenderness of the human condition. These tales are set not only in Yoknapatawpha County, but in Beverly Hills and in France during World War I. They are populated by such characters as the Faulknerian archetypes Flem Snopes and Quentin Compson, as well as by ordinary men and women who emerge so sharply and indelibly in these pages that they dwarf the protagonists of most novels. <P> Winner of the National Book Award
An essential collection of William Faulkner's mature nonfiction work, updated, with an abundance of new material. This unique volume includes Faulkner's Nobel Prize acceptance speech, a review of Hemingway's The Old Man and the Sea (in which he suggests that Hemingway has found God), and newly collected gems, such as the acerbic essay "On Criticism" and the beguiling "Note on A Fable." It also contains eloquently opinionated public letters on everything from race relations and the nature of fiction to wild-squirrel hunting on his property. This is the most comprehensive collection of Faulkner's brilliant non-fiction work, and a rare look into the life of an American master.
A collection of the essential works by William Faulkner, the American novelist and short story writer."I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't and then tries the short story which is the most demanding form after poetry. And failing that, only then does he take up novel writing." --William Faulkner
An allegorical story of World War I, set in the trenches in France and dealing ostensibly with a mutiny in a French regiment, it was originally considered a sharp departure for Faulkner. Recently it has come to be recognized as one of his major works and an essential part of the Faulkner oeuvre. <P><P> This novel won both the Pulitzer Prize and the National Book Award in 1955.
A sale of fiery wild ponies, which manage to escape their corral after they are sold, introduce Flem Snopes, the man behind the sale, to the town of Frenchman's Bend.
Not a fragment, not quite a finished work, Father Abraham is the brilliant beginning of a novel which William Faulkner tried repeatedly to write, for a period of almost a decade and a half, during the earlier part of his career-the novel about the Snopes family which he finally completed and published as The Hamlet in 1940. The twenty-four-page manuscript of Father Abraham here first published is apparently the earliest surviving attempt at this Snopes novel. Probably written late in 1926, by early 1927 it had been abandoned for another novel, Flags in the Dust, which Faulkner went on to complete later that year, and which was published in a much-edited and cut-down version, entitled Sartoris, in 1929. But the unfinished Snopes novel continued to plague him. He made further efforts to write it in the late 1920's and early 1930's, trying different titles ('Abraham's Children,' 'The Peasants'), making short stories out of episodes he had planned or drafted for the novel ('Centaur in Brass,' 'Wash'), even making large parts of entire novels, like As I Lay Dying and Absalom, Absalom!, out of the ideas and materials that had originally belonged to the Snopes book. When he finished writing The Hamlet, one of his longest novels, he still had so much material remaining that he planned at least two more books about the Snopeses, though it was not till late in his career that he finally got around to writing The Town (1957) and The Mansion (1959). And in 1964, two years after his death, all three volumes of the trilogy were brought out together, as he had wished, with the title Snopes. Father Abraham, then, marks the inception of a work that altogether spans nearly the whole of Faulkner's career as a writer of fiction, a work that includes some of his best writing and which, as it evolved, had profound effects upon much of the rest of it. After Father Abraham, no matter what other novels and stories he turned to, Faulkner's Snopeses would be a vital part of what he called the 'lumber room' of his imagination, and the completion of their saga would be one of his major ambitions- or obligations-as an artist.
A collection of works by Faulkner, including Foreword by William Faulkner; Nobel Prize Address; The Sound and the Fury; The Bear (Go Down, Moses); Old Man (The Wild Palms); Spotted Horses (The Hamlet); A Rose for Emily; Barn Burning; Dry September; That Evening Sun; Turnabout; Shingles for the Lord; A Justice; Wash; An Odor of Verbena (The Unvanquished); Percy Grimm (Light in August); The Courthouse (Requiem for a Nun).
The complete text, published for the first time in 1973, of Faulkner's third novel, written when he was twenty-nine, which appeared, with his reluctant consent, in a much cut version in 1929 as Sartoris.
"I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance." --William Faulkner, on receiving the Nobel Prize Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner's mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.From the Trade Paperback edition.
The Hamlet, the first novel of Faulkner's Snopes trilogy, is both an ironic take on classical tragedy and a mordant commentary on the grand pretensions of the antebellum South and the depths of its decay in the aftermath of war and Reconstruction. It tells of the advent and the rise of the Snopes family in Frenchman's Bend, a small town built on the ruins of a once-stately plantation. Flem Snopes -- wily, energetic, a man of shady origins -- quickly comes to dominate the town and its people with his cunning and guile.From the Trade Paperback edition.
A classic Faulkner novel which explores the lives of a family of characters in the South. An aging black who has long refused to adopt the black's traditionally servile attitude is wrongfully accused of murdering a white man.From the Trade Paperback edition.
Gavin Stevens, the wise and forbearing student of crime and the folk ways of Yoknapatawpha County, Mississippi, plays the major role in these six stories of violence. In each, Stevens' sharp insights and ingenious detection uncover the underlying motives.
"Read, read, read. Read everything--trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it is good, you'll find out. If it's not, throw it out the window." --William Faulkner Light in August, a novel about hopeful perseverance in the face of mortality, features some of Faulkner's most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.From the Trade Paperback edition.
En Luz de agosto aparecen retratados algunos de los personajes más memorables de Faulkner: la cándida e intrépida Lena Grove en busca del padre del hijo que no llegó a nacer; el reverendo Gal Hightower -atormentado por constante visiones de soldados de caballería confederados- y Joe Christmas, un misterioso vagabundo consumido por los orígenes raciales de sus antepasados. Faulkner, además de haber sido el innovador de una forma de narrar que ha influido poderosamente en las generaciones que le han continuado, fue el cronista de los más notables hechos, costumbres y personajes de su tierra. Luz de agosto es una de las obras más representativas de un hombre que, trabajando sobre la historia y haciendo campear la imaginación, logró convertirse en uno de los escritores más importantes de este siglo.
The Mansion completes Faulkner's great trilogy of the Snopes family in the mythical county of Yoknapatawpha, Mississippi, which also includes The Hamlet and The Town. Beginning with the murder of Jack Houston and ending with the murder of Flem Snopes, it traces the downfall of the indomitable post-bellum family who managed to seize control of the town of Jefferson within a generation.
"Full of the kind of swift and lusty writing that comes from a healthy, fresh pen."--Lillian Hellman, New York Herald Tribune A delightful surprise, Faulkner's second novel introduces us to a colorful band of passengers on a boating excursion from New Orleans. This engaging, high-spirited novel--which Faulkner wrote "for the sake of writing because it was fun"--offers a fascinating glimpse of Faulkner as a young artist.
This collection contains an overview of some of Faulkner's best works and of the body of his works. With only a few places which will be confusing to the reader, it is a perfect introduction to the student though some might think it would be better to start with whole novels and not just segments, excerpts, and stories. Cowley was Faulkner's primary, long-term editor and friend and as such was able to get Faulkner to permit some stories/chapters which he had neither before nor later permitted outside of the whole Novel.
One of the few of William Faulkner's works to be set outside his fictional Yoknapatawpha County, Pylon, first published in 1935, takes place at an air show in a thinly disguised New Orleans named New Valois. An unnamed reporter for a local newspaper tries to understand a very modern ménage a trois of flyers on the brainstorming circuit. These characters, Faulkner said, "were a fantastic and bizarre phenomenon on the face of the contemporary scene. . . . That is, there was really no place for them in the culture, in the economy, yet they were there, at that time, and everyone knew that they wouldn't last very long, which they didn't. . . . That they were outside the range of God, not only of respectability, of love, but of God too." In Pylon Faulkner set out to test their rootless modernity to see if there is any place in it for the old values of the human heart that are the central concerns of his best fiction.
One of Faulkner's comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family's retainers, to steal his grandfather's car and make a trip to Memphis. The Priests' black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba's bordello in Memphis. From there a series of wild misadventures ensues--involving horse smuggling, trainmen, sheriffs' deputies, and jail.
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