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This autobiographical account of the life of William Carlos Williams recounts the challenges of being a busy physician in the town of Rutherford, New Jersey as well as pursuing a literary career. One of the finest chapters in this autobiography tells how each of his two roles stimulated and supported the other.
Considered by many to be the most characteristically American of our twentieth-century poets, William Carlos Williams "wanted to write a poem / that you would understand / ,,,But you got to try hard--." So that readers could more fully understand the extent of Williams' radical simplicity, all of his published poetry, excluding Paterson, was reissued in two definite volumes, of which this is the first.
Not only for students and doctors, this volume contains Williams's thirteen "doctor stories," several of his most famous poems on medical matters, and "The Practice" from The Autobiography. These writings, together with Dr. Robert Coles's enthusiastic appraisal of teaching Williams and Dr. William Eric Williams's personal and touching filial account, "My Father, the Doctor," make up an intriguing and timely study of the poet as a physician of rare humanity and self-knowledge. As Coles suggests, Dr. Williams's writing can help many others take a knowing look at the medical profession.
Imaginations: Kora in Hell / Spring and All / The Descent of Winter / The Great American Novel / A Novelette & Other Proseby William Carlos Williams Webster Schott
Imaginations makes accessible to the broad reading public live early books by William Carlos Williams, which, except for Kora in Hell, have long been hard to find in their original and complete forms. Written between 1920 and 1932, all five were first published in small editions, three of them in France. These are pivotal and seminal works, books in which a great writer was charting the course he later would follow, experimenting freely, boldly searching for a new kind of prose style to express "the power of the imagination to hold human beings to life and propel them onward." The prose-poem improvisations (Kora in Hell) . . . the interweaving of prose and poetry in alternating passages (Spring and All and The Descent of Winter) . . . an antinovel whose subject is the impossibility of writing "The Great American Novel" in America . . . automatic writing (A Novelette) . . . these are the challenges which Williams accepted and brilliantly met in his early work.
A new edition of William Carlos Williams' loving and groundbreaking book about American history, with a new introduction by Rick Moody. Although admired by D. H. Lawrence, this modern classic went generally unnoticed during the years after its publication in 1925. Yet it is "a fundamental book, essential if one proposes to come to terms with American literature" (Times Literary Supplement). William Carlos Williams was not a historian, but he was fascinated by the texture of American history. Beginning with Columbus's discovery of the Indies and moving on through Sir Walter Raleigh, Cotton Mather, Daniel Boone, George Washington, Ben Franklin, Aaron Burr, Edgar Allan Poe, and Abraham Lincoln, Williams found in the fabric of familiar episodes new shades of meaning and configurations of character. He brought a poetic imagination to the task of reconstructing a live tradition for Americans, and what results is one of the finest works of prose to have been penned by any writer of the twentieth century.
Long recognized as a masterpiece of modern American poetry, William Carlos Williams' "Paterson" is one man's testament and vision. "Paterson" is both a place -- the New Jersey city near which Williams lived -- and a man: the symbolic figure in whom the person (the poet's own life) and the public (the history of the region) are combined.
Long recognized as a masterpiece of modern American poetry, WIlliam Carlos Williams' Paterson is one man's testament and vision, "a humanist manifesto enacted in five books, a grammar to help us life" (Denis Donoghue). Paterson is both a place--the New Jersey city in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure ofPaterson (in Dr. Williams' words) "follows the course of the Passaic River" from above the great falls to its entrance into the sea. The unexpected Book Five, published in 1958, affirms the triumphant life of the imagination, in spite of age and death. This revised edition has been meticulously re-edited by Christopher MacGowan, who has supplied a wealth of notes and explanatory material.
This collection makes available work of one of our greatest American poets in the last decade of his life. The first section, Pictures from Brueghel, contains previously uncollected short poems, while the second and third parts are the complete texts of The Desert Music (1954) and Journey to Love (1955), originally published by Random House. This collection makes available work of one of our greatest American poets in the last decade of his life. The first section, Pictures from Brueghel, contains previously uncollected short poems, while the second and third parts are the complete texts of The Desert Music (1954) and Journey to Love (1955), originally published by Random House. In these books, Dr. Williams perfected his "variable foot" metric and achieved full mastery of the "American idiom" which was his lifelong first concern. Among the poems of this period is the long "Asphodel, That Greeny Flower" which W. H. Auden has called "one of the most beautiful love poems in the language." Pictures from Brueghel was awarded the Pulitzer Prize for Poetry only two months after William Carlos Williams' death on March 4, 1963.
With the publication of this book, Charles Tomlinson's edition of Williams's Selected Poems, New Directions has introduced a gathering larger and more comprehensive than the original 1963 edition. Opening with Professor Tomlinson's superbly clear and helpful introduction this selection reflects the most up-to-date Williams scholarship. In addition to including many more pieces, Tomlinson has organized the whole in chronological order. "It isn't what he [the poet] says that counts as a work of art," Williams maintained, "it's what he makes, with such intensity of purpose that it lives with an intrinsic movement of its own to verify its authenticity."
A beautiful facsimile of the 1923 original edition which is considered "one of the greatest poems of the twentieth century". (The New York Times) Spring and All is a manifesto of the imagination -- a hybrid of alternating sections of prose and free verse that coalesce in dramatic, energetic, and beautifully cryptic statements of how language re-creates the world. Spring and All contains some of Williams's best-known poetry, including Section I, which opens, "By the road to the contagious hospital," and Section XXII, where Williams penned his most famous poem, "The Red Wheelbarrow." Now, almost 90 years since its first publiction, New Directions publishes this facsimile of the original 1923 Contact Press edition, featuring a new introduction by C. D. Wright.
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