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Though Dad moves around a lot and his jobs keep changing, a young girl and her brother hold fast to memories of his magical, unexpected visits in this portrait of an African-American family held together by a special bond of love.
When Shanon, Palmer, Amy, and Lisa start attending an all-girls boarding school, they are unhappy that there aren't very many opportunities to socialize with boys. So, they decide to search out pen pals from the neighboring all-boys boarding school.
Corey and his family have escaped from slavery and the South and are now living in Canada. They own their own land, have made new friends, and Corey gets to go to school. But danger still remains across the river in Ohio, where slave-catchers lurk, waiting to capture escaped slaves to bring them back to their former masters.
Corey Birdsong is a lively young boy in search of freedom in the same country that made an economy of slavery. He and his family are owned by the Hart family of Kentucky. But, when Corey's father, Roland, flees to the North and Corey and his mother follow. Corey records his daily life on the Hart farm with incredible insight and honesty, and later he describes the difficult journey along the "Underground Railroad" to the North to be reunited with his father. With the help of many kind strangers, Corey, his parents, and his new baby sister arrive safely in Canada.
In "Message in the Sky", Corey begins attending school, and his family, along with his friend, Mingo, are living well in Canada, where they've built their own farm. But, the Birdsongs cannot let go of the memories of their friends left behind in America. Corey and Mingo hatch a plan to help Aunt Queen, Mingo's adopted mother, escape, but Corey's parents forbid it, and start saving money to buy her freedom, instead. However, when Corey accidentally ends up on the American side of the Ohio River, he finds himself a conductor on the Underground Railroad.
HOT ICE. Taboo to the touch. A fire in the cold. That was us. Welcome to a stage, where a soaring painting takes shape before your eyes, a big-booty poet stands at the mike, and there's a seat right in front, just for you. This is a place where wise old ladies live and boys act like horses. This is a vision of love that was crushed and brought back to life. And this is my story. I'm Orphea Proud. Welcome to the show. As Orphea, who discovers her sexuality as a lesbian, shares her story, powerful questions of family, prejudice, and identity are explored.
Haley's excited about turning 13, but her teenage years start off with a thud when, shortly after her birthday, her mother checks herself into the hospital for severe depression. Her older brother, Otis, is busy with his job, and Haley tries to keep her mind off the family problems with her own job, helping a music teacher clean up his backyard garden. As Haley's family life becomes more and unstable, it's her work and her growing friendship with her employer that sustain her. When Otis gets arrested for selling stolen goods and a social worker takes Haley into a group home, it's her employer she turns to to help her pick up the pieces.
IS THIS SOME KIND OF JOKE? Palmer and Shanon are tutoring children as part of their school's community-service requirement. Shanon loves it, but Palmer can't keep her mind on her young pupil, Gabby -she'd rather think about her new pen pal. His name is Sam O'Leary, and his letters are wonderful! But Palmer has a lot to learn about priorities-and about Sam. Gabby really looks up to Palmer, and is devastated when Palmer disappoints her. And it seems there is no Sam O'Leary at Ardsley. But if that's true, who's been writing to Palmer?
Beware of conjurers and voodoo queens! In their wake, strange things happen. Witches shrink to the size of peas, and children are transformed into bugs or birds. But if fear hides in the folds of the voodoo queen's cloak, so does power. Conjure women and conjure men--versed in spells and potions to cure any ill--were once familiar figures in America. The occupation has dwindled, but the fascination remains. Their feats live on in folktales and history. Vampire Bugs presents an assortment of funny and frightening magicians and an array of young heroes and heroines. Both provocative and entertaining, these stories will give readers the opportunity to reflect on their fears and on their own power.
"Daughter--that's my name. Daughter McGuire--I'm eleven. " When Daughter McGuire, her mother, and her younger brothers, Satchel and Jerry Lee, move next door to her grandparents, she's faced with starting over in a new school, making new friends, and keeping clear of troublemakers like the Avengers. Life would also be easier if her father hadn't run off to Colorado. If her parents were together again, her mother's creepy friend Jim Signet wouldn't be hanging around. But things pick up when Daughter and her classmates Connie and Anna discover Topknot Cave and start the Explorers Club. And at school Mrs. Jackson, Daughter's teacher, suggests an exciting family heritage project. The hitch is that some people think that Daughter's family heritage is too "mixed-up". According to her family tree she is African-Italian-Irish-Jewish-Russian-American. One of the Avengers calls her a "zebra", because one of her parents is black and the other is white. Daughter is so upset, she begins to wonder what she should call herself. As her project comes together, Daughter learns more about her background and the story of the courageous woman whose name she carries. Little does Daughter McGuire know that her own courage will soon be tested in a way she had never dreamed of. Sharon Dennis Wyeth wrote The World of Daughter McGuire because she wanted to issue a challenge. As she says, "Daughter McGuire's world is by no means perfect. Parents don't behave the way you want them to and there are cruel acts of bias. But there is also humor in this world and love aplenty in Daughter, Satch and Jerry Lee's not-so-typical, typical extended family. I want my readers to make connections in spite of external bias, to celebrate ourselves as individuals in a world where conscience counts more than color. "
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