George Orwell's two subversive masterpieces--now together in one edition--are "weapons of self-respect as well as of self-defense," writes Christopher Hitchens in his introduction. Animal FarmA biting satire of the Russian Revolution, Animal Farm imagines a wholly democratic society built on the credo that All Animals Are Created Equal. The pigs Napoleon, Squealer, and Snowball emerge as leaders of the new community in a subtle evolution that leads to the brutal betrayal of the faithful horse Boxer and reestablishes totalitarian rule, adding an unforgettable bloodstained postscript to their founding slogan. 1984London, 1984: Big Brother is watching, and the Thought Police are always one step ahead of you. Winston Smith is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called The Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he risks his life in a deadly fight for freedom.
From one of the most admired public intellectuals of our time, and a multi-award winning and #1 bestselling author, comes a collection of his most important and controversial essays on the theme of culture and politics and how the two relate.
"All first-rate criticism first defines what we are confronting," the late, great jazz critic Whitney Balliett once wrote. By that measure, the essays of Christopher Hitchens are in the first tier. For nearly four decades, Hitchens has been telling us, in pitch-perfect prose, what we confront when we grapple with first principles--the principles of reason and tolerance and skepticism that define and inform the foundations of our civilization--principles that, to endure, must be defended anew by every generation. "A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens--who staunchly declines all offers of knighthood--hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts. Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan. Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy--applied as they are here to a dazzling variety of subjects--all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
Written on the brink of World War II, Rebecca West's classic examination of the history, people, and politics of Yugoslavia illuminates a region that is still a focus of international concern. A magnificent blend of travel journal, cultural commentary, and historical insight, Black Lamb and Grey Falcon probes the troubled history of the Balkans and the uneasy relationships among its ethnic groups. The landscape and the people of Yugoslavia are brilliantly observed as West untangles the tensions that rule the country's history as well as its daily life.
This reprint from 1941 is an in-depth exploration of the history, people, and politics of Yugoslavia, by novelist and writer Rebecca West (1892-1983). The lengthy volume began as a travel book but turned into a detailed study that includes history and cultural commentary about relationships among ethnic groups and about everyday life. It is organized by different regions, including Croatia, Bosnia, Serbia, Montenegro, and Macedonia.
Crimes happen everywhere in this world, this book provides stories of the victims, what and how they have been through.
America's "special relationship" with Britain goes largely unexamined. The author shows that the "special" ingredient in the relationship is a compound of empire, transmitted from an ancient regime that has tried to preserve and renew itself thereby.
"Christopher Hitchens is the greatest essayist in the English language." --Christopher Buckley Christopher Hitchens has long been considered on of the most compelling and intelligent writers and orators on our time. In this four-volume eBook bundle, no subject is left unconsidered in Hitchens's hands: from the case against god and religion in God Is Not Great; to various "Amusements, Annoyances, and Disappointments" in Arguably -- the Ten Commandments, the concept of "funny"; from a memoir tracing his storied life in Hitch-22 to a raw and honest meditation on life and death in Mortality, his last book before his death in 2011. Provocative and perceptive, unabashed and polemical, The Christopher Hitchens 4-Book Ebook Collection is the essential reader for any Hitchens fan. GOD IS NOT GREAT: HOW RELIGION POISONS EVERYTHING HITCH-22: A MEMOIR ARGUABLY: ESSAYS MORTALITY
Discussion of the conflicts involving Greece, Turkey, and Cyprus and the effects of this conflict on the rest of the world.
Siguiendo la tradición de Por qué no soy cristiano, de Bertrand Russell, Christopher Hitchens presenta el argumento definitivo contra la religión. A través de una interpretación profunda y erudita de las principales ideas religiosas, Hitchens demuestra que la religión, producto del hombre, es peligrosamente represiva y distorsiona la explicación de nuestro origen en el universo. El autor propone una vida laica, basada en la ciencia y la razón, en la que cielo e infierno ceden su lugar a la visión del universo del telescopio Hubble.
Con la muerte de Osama bin Laden y las revueltas en los países árabes, el mundo parece cerrar una época. En El enemigo, Christopher Hitchens reflexiona acerca de la figura que atemorizó a Occidente durante diez años, su final y su sangriento y finalmente fallido legado.
Throughout history, arguments for and against the existence of God have been largely confined to philosophy and theology, while science has sat on the sidelines. Despite the fact that science has revolutionized every aspect of human life and greatly clarified our understanding of the world, somehow the notion has arisen that it has nothing to say about the possibility of a supreme being, which much of humanity worships as the source of all reality. This physicist and author contends that, if God exists, some evidence for this existence should be detectable by scientific means, especially considering the central role that God is alleged to play in the operation of the universe and the lives of humans. Treating the traditional God concept, as conventionally presented in the Judeo-Christian and Islamic traditions, like any other scientific hypothesis, Stenger examines all of the claims made for God's existence. He considers the latest Intelligent Design arguments as evidence of God's influence in biology. He looks at human behavior for evidence of immaterial souls and the possible effects of prayer. He discusses the findings of physics and astronomy in weighing the suggestions that the universe is the work of a creator and that humans are God's special creation. After evaluating all the scientific evidence, Stenger concludes that beyond a reasonable doubt the universe and life appear exactly as we might expect if there were no God. This paperback edition of the New York Times bestselling hardcover edition contains a new foreword by Christopher Hitchens and a postscript by the author in which he responds to reviewers' criticisms of the original edition.
When Hitchens (contributing editor, Vanity Fair) asserts, as he does in the subtitle, that "religion poisons everything," he's not kidding. He believes that the argument with faith "is the foundation and origin of all arguments, because it is the beginning--but not the end--of all arguments about philosophy, science, history, and human nature." His polemical attack on religion portrays it as prone to violence, destructive of valuable human knowledge, sexually repressive, socially regressive, and just plain irrational. Those readers wondering if the title of the book, alluding to the standard Muslim invocation "God is great" ("Allahu Akbar"), means that this volume is aimed primarily at supporting Hitchens's well-known antipathy towards "Islamo-fascism" and support for the "War on Terror" should be assured that he tosses his polemical barbs at other religious targets here as well, including Christianity and Buddhism. Annotation ©2007 Book News, Inc., Portland, OR (booknews.com)
Over the course of his 60 years, Christopher Hitchens has been a citizen of both the United States and the United Kingdom. He has been both a socialist opposed to the war in Vietnam and a supporter of the U.S. war against Islamic extremism in Iraq. He has been both a foreign correspondent in some of the world's most dangerous places and a legendary bon vivant with an unquenchable thirst for alcohol and literature. He is a fervent atheist, raised as a Christian, by a mother whose Jewish heritage was not revealed to him until her suicide. In other words, Christopher Hitchens contains multitudes. He sees all sides of an argument. And he believes the personal is political. This is the story of his life, lived large.
En Hitch 22, sus esperadas memorias, Christopher Hitchens, el escritor politico por excelencia, repasa su vida hasta la actualidad, desde su infancia en Portsmouth con una madre que le adoraba, de destino trágico, y un padre reservado y distante; hasta su vida en Washington DC, desde donde ha escrito contra todo tipo de tiranías. En el camino recuerda los amigos, las batallas y las botellas, las grandes luchas y las causas perdidas, y los errores y las dudas que han definido su vida.Hitch 22 es un libro por turnos conmovedor, gracioso, delicioso, enfurecedor e inspirador. Un complemento indispensable a la vida y la obra de un intelectual fundamental de los últimos treinta años.
The gloves come off in this electric exchange, originally hosted by Christianity Today, as leading atheist Christopher Hitchens (author of God Is Not Great) and Christian apologist Douglas Wilson (author of Letter from a Christian Citizen) go head-to-head on this divisive question. The result is entertaining and provocative a glimpse into the ongoing debate.
In the book that he was born to write, provocateur and best-selling author Christopher Hitchens inspires future generations of radicals, gadflies, mavericks, rebels, angry young (wo)men, and dissidents. Who better to speak to that person who finds him or herself in a contrarian position than Hitchens, who has made a career of disagreeing in profound and entertaining ways. This book explores the entire range of "contrary positions"-from noble dissident to gratuitous pain in the butt. In an age of overly polite debate bending over backward to reach a happy consensus within an increasingly centrist political dialogue, Hitchens pointedly pitches himself in contrast. He bemoans the loss of the skills of dialectical thinking evident in contemporary society. He understands the importance of disagreement-to personal integrity, to informed discussion, to true progress-heck, to democracy itself. Epigrammatic, spunky, witty, in your face, timeless and timely, this book is everything you would expect from a mentoring contrarian.
Selected essays from his work on the subject.
"I did not, I wish to state, become a journalist because there was no other #145;profession' that would have me. I became a journalist because I did not want to rely on newspapers for information. "Love, Poverty and War: Journeys and Essaysshowcases America's leading polemicist's rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.
"I did not, I wish to state, become a journalist because there was no other 'profession' that would have me. I became a journalist because I did not want to rely on newspapers for information." The Christopher Hitchens Reader showcases America's leading polemicist's rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.
Among his many books, perhaps none have sparked more outrage than The Missionary Position, Christopher Hitchens's meticulous and searing study of the life and deeds of Mother Teresa. A Nobel Peace Prize recipient canonized by the Catholic Church in 2003, Mother Teresa of Calcutta was celebrated by heads of state and adored by millions for her work on behalf of the poor. In his measured critique, Hitchens asks only that Mother Teresa's reputation be judged by her actions -- not the other way around. With characteristic elan and rhetorical dexterity, Hitchens eviscerates the fawning cult of Teresa, recasting the Albanian missionary in a light she has never before been seen in.
"A religious fundamentalist, a political operative, a primitive sermonizer, and an accomplice of worldly secular powers. Her mission has always been of this kind. The irony is that she has never been able to induce anybody to believe her. It is past time that she was duly honored and taken at her word."Among his many books, perhaps none have sparked more outrage than THE MISSIONARY POSITION, Christopher Hitchens's meticulous study of the life and deeds of Mother Teresa. A Nobel Peace Prize recipient beatified by the Catholic Church in 2003, Mother Teresa of Calcutta was celebrated by heads of state and adored by millions for her work on behalf of the poor. In his measured critique, Hitchens asks only that Mother Teresa's reputation be judged by her actions-not the other way around.With characteristic élan and rhetorical dexterity, Hitchens eviscerates the fawning cult of Teresa, recasting the Albanian missionary as a spurious, despotic, and megalomaniacal operative of the wealthy who long opposed measures to end poverty, and fraternized, for financial gain, with tyrants and white-collar criminals throughout the world.
«En mis tiempos, me he despertado más de una vez sintiendo que me moría. Pero nada me había preparado para la mañana de junio en la que, al recobrar la conciencia, me sentí como si de verdad estuviera encadenado a mi propio cadáver. Toda la cavidad de mi pecho y mi tórax parecía haberse vaciado y después llenado con cemento de secado lento. Me oía respirar débilmente, pero no podía inflar los pulmones. Mi corazón latía demasiado o demasiado poco. Cualquier movimiento, por pequeño que fuera, requería premeditación y planificación. Me exigió un esfuerzo extenuante cruzar la habitación de mi hotel de Nueva York y llamar a los servicios de urgencias. Llegaron con gran rapidez y se comportaron con inmensa cortesía y profesionalidad. Tuve tiempo de preguntarme para qué necesitaban tantas botas y cascos y tanto pesado equipamiento de apoyo, pero ahora que visualizo la escena retrospectivamente la veo como una deportación muy amable y firme, que me llevó desde el país de los sanos a la frontera inhóspita del territorio de la enfermedad. En unas horas, tras realizar una buena cantidad de trabajo en mi corazón y mis pulmones, los médicos de ese triste puesto fronterizo me habían enseñado unas cuantas postales del interior, y me habían dicho que mi siguiente e inmediata parada tendría que ser con un oncólogo. Alguna clase de sombra se proyectaba en los negativos.»CHRISTOPHER HITCHENS
On June 8, 2010, while on a book tour for his bestselling memoir, Hitch-22, Christopher Hitchens was stricken in his New York hotel room with excruciating pain in his chest and thorax. As he would later write in the first of a series of award-winning columns for Vanity Fair, he suddenly found himself being deported "from the country of the well across the stark frontier that marks off the land of malady." Over the next eighteen months, until his death in Houston on December 15, 2011, he wrote constantly and brilliantly on politics and culture, astonishing readers with his capacity for superior work even in extremis.Throughout the course of his ordeal battling esophageal cancer, Hitchens adamantly and bravely refused the solace of religion, preferring to confront death with both eyes open. In this riveting account of his affliction, Hitchens poignantly describes the torments of illness, discusses its taboos, and explores how disease transforms experience and changes our relationship to the world around us. By turns personal and philosophical, Hitchens embraces the full panoply of human emotions as cancer invades his body and compels him to grapple with the enigma of death.MORTALITY is the exemplary story of one man's refusal to cower in the face of the unknown, as well as a searching look at the human predicament. Crisp and vivid, veined throughout with penetrating intelligence, Hitchens's testament is a courageous and lucid work of literature, an affirmation of the dignity and worth of man.
In No One Left to Lie To, a New York Times bestseller, Christopher Hitchens casts an unflinching eye on Bill Clinton and his presidency and offers a searing indictment of a president who sought to hold power at any cost. With blistering wit and meticulous documentation, the incomparable Christopher Hitchens masterfully deconstructs Clinton's terms as President of the United States, studying his abject propensity for pandering to the Left while delivering to the Right, and arguing that the personal transgressions that plagued Clinton's reputation and presidency were ultimately indistinguishable from his political corruption. Hitchens dexterously questions what so few have, from the former president's refusals to deny accusations of rape, to the shortsightedness of so many of his political maneuvers -- the welfare bill, his "ludicrous" war on drugs, and his abandonment of homosexuals with the enactment of the Defense of Marriage Act, among others.
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