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At an age when most men are content to simply remember the past, John Steinbeck set off on a remarkable journey across America. Ultimately it took him through almost forty states: from Long Island to Maine, through the Middle West to Chicago, onward by way of Minnesota, North Dakota, Montana and Idaho to Seattle, south to San Francisco and his birthplace, Salinas, eastward to new mexico, Arizona and Texas, on to New Orleans, Alabama, Virginia, Pennsylvania and finally to New Jersey and New York. His account of this extraordinary odyssey is one of the most profound and revealing documents of our time. [This text is listed as an example that meets Common Core Standards in English language arts in grades 6-8 at http://www.corestandards.org.]
A group of passengers is stranded at an isolated bus stop. What happens after that is a fascinating story.
About an attempt to organize the California farm workers in the 1930's.
John Steinbeck writes in his introduction "I have wanted to bring to present-day usage the stories of King Arthur .. I wanted to set them down in plain present-day speech for my own young sons,
A tender and bawdy fable of some gaily disreputable avoiders of work, drunks, fancy ladies, benign bums and social-outcast philosophers.
From the book jacket: In this short book illuminated by a deep understanding and love of humanity, John Steinbeck retells an old Mexican folk tale: the story of the great pearl, how it was found, and how it was lost. For the diver Kino, finding a magnificent pearl means the promise of a better life for his impoverished family. His dream blinds him to the greed and suspicions the pearl arouses in him and his neighbors, and even his loving wife cannot temper his obsession or stem the events leading to the tragedy. For Steinbeck, Kino and his wife illustrate the fall from innocence of people who believe that wealth erases all problems. Originally published in 1947, The Pearl shows why Steinbeck's style has made him one of the most beloved American writers: it is a simple story of simple people, recounted with the warmth and sincerity and unrivaled craftsmanship Steinbeck brings to his writing. It is tragedy in the great tradition, beautifully conveying not despair but hope for mankind.
Originally published at the zenith of Nazi Germany's power, Steinbeck's masterful fable explores the effects of invasion on conquered and conquerors alike. Occupied by enemy troops, a small, peaceable town comes face-to-face with evil imposed from the outside--and betrayal born within the close-knit community. As he delves into the motivations and emotions of the enemy commander and the quisling traitor, Steinbeck uncovers profound, often unsettling truths about war--and about human nature. Steinbeck's self-described "celebration of the durability of democracy" had an extraordinary impact as Allied propaganda in Nazi-occupied Europe. Despite Axis efforts to suppress it (in Fascist Italy, mere possession of a copy of the book was punishable by death), The Moon Is Down was secretly translated into French, Norwegian, Danish, Dutch, Swedish, German, Italian, and Russian; hundreds of thousands of copies circulated throughout Europe, making it by far the most popular piece of propaganda under the occupation. Few literary works of our time have demonstrated so triumphantly the power of ideas in the face of cold steel and brute force. Today, nearly forty years after his death, Nobel Prize winner John Steinbeck remains one of America's greatest writers and cultural figures.
Tells a story of a young boy and his life on his father's California ranch, raising a sorrel colt.
This book contains the humane and hard-hitting dispatches that John Steinbeck filed for the "New York Herald Tribune" at the height of World War II.
More than three decades after his death, John Steinbeck remains one of the nation's most beloved authors. Yet few know of his career as a journalist who covered world events from the Great Depression to Vietnam. Now, this original collection offers a portrait of the artist as citizen, deeply engaged in the world around him. In addition to the complete text of Steinbeck's last published book, America and Americans, this volume brings together for the first time more than fifty of Steinbeck's finest essays and journalistic pieces.
A nonfiction account of Steinbeck's experiences with U.S. Army Air Force bomber crews during World War II.
This exciting day-by-day account of Steinbeck's trip to the Gulf of California with biologist Ed Ricketts, drawn from the longer Sea of Cortez, is a wonderful combination of science, philosophy, and high-spirited adventure.
Each working day from January 29 to November 1, 1951, John Steinbeck warmed up to the work of writing East of Eden with a letter to the late Pascal Covici, his friend and editor at The Viking Press. It was his way, he said, of "getting my mental arm in shape to pitch a good game." Steinbeck's letters were written on the left-hand pages of a notebook in which the facing pages would be filled with the text of East of Eden. They touched on many subjects--story arguments, trial flights of workmanship, concern for his sons. Part autobiography, part writer's workshop, these letters offer an illuminating perspective on Steinbeck's creative process, and a fascinating glimpse of Steinbeck, the private man.
Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. For George and Lennie have a plan: to own an acre of land and a shack they can call their own. When they land jobs on a ranch in the Salinas Valley, the fulfillment of their dream seems to be within their grasp. But even George cannot guard Lennie from the provocations of a flirtatious woman, nor predict the consequences of Lennie's unswerving obedience to the things George taught him.
Novel-Ties study guides contain reproducible pages in a chapter by chapter format to accompany a work of literature of the same title.
"Traces the migration of an Oklahoma Dust Bowl family to California and their subsequent hardships as migrant farm workers."--Amazon.com. Adapted and abridged.
The Grapes of Wrath is a landmark of American literature. A portrait of the conflict between the powerful and the powerless, of one man's fierce reaction to injustice, and of one woman's stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. Although it follows the movement of thousands of men and women and the transformation of an entire nation, The Grapes of Wrath is also the story of one Oklahoma family, the Joads, who are driven off their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. First published in 1939, The Grapes of Wrath summed up its era in the way that Uncle Tom's Cabin summed up the years of slavery before the Civil War. Sensitive to fascist and communist criticism, Steinbeck insisted that "The Battle Hymn of the Republic" be printed in its entirety in the first edition of the book-which takes its title from the first verse: "He is trampling out the vintage where the grapes of wrath are stored. " At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck's fictional chronicle of the Dust Bowl migration of the 1930s is perhaps the most American of American Classics. [This text is listed as an example that meets Common Core Standards in English language arts in grades 9-10 at http://www.corestandards.org.]
Although his career continued for almost three decades after the 1939 publication of The Grapes of Wrath, John Steinbeck is still most closely associated with his Depression-era works of social struggle. But from Pearl Harbor on, he often wrote passionate accounts of America's wars based on his own firsthand experience. Vietnam was no exception.Thomas E. Barden's Steinbeck in Vietnam offers for the first time a complete collection of the dispatches Steinbeck wrote as a war correspondent for Newsday. Rejected by the military because of his reputation as a subversive, and reticent to document the war officially for the Johnson administration, Steinbeck saw in Newsday a unique opportunity to put his skills to use. Between December 1966 and May 1967, the sixty-four-year-old Steinbeck toured the major combat areas of South Vietnam and traveled to the north of Thailand and into Laos, documenting his experiences in a series of columns titled Letters to Alicia, in reference to Newsday publisher Harry F. Guggenheim's deceased wife. His columns were controversial, coming at a time when opposition to the conflict was growing and even ardent supporters were beginning to question its course. As he dared to go into the field, rode in helicopter gunships, and even fired artillery pieces, many detractors called him a warmonger and worse. Readers today might be surprised that the celebrated author would risk his literary reputation to document such a divisive war, particularly at the end of his career.Drawing on four primary-source archives--the Steinbeck collection at Princeton, the Papers of Harry F. Guggenheim at the Library of Congress, the Pierpont Morgan Library's Steinbeck holdings, and the archives of Newsday--Barden's collection brings together the last published writings of this American author of enduring national and international stature. In addition to offering a definitive edition of these essays, Barden includes extensive notes as well as an introduction that provides background on the essays themselves, the military situation, the social context of the 1960s, and Steinbeck's personal and political attitudes at the time.
The masterpiece of Steinbeck's later years, East of Eden is the powerful and vastly ambitious novel that is both family saga and a modern retelling of the book of Genesis.
To hear the speech of the real America, to smell the grass and the tress, to see the colors and the light--these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years. With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. And he reflects on the American character, racial hostility, on a particular form of American loneliness he finds almost everywhere, and on the unexpected kindness of strangers that is also a very real part of our national identity.
First published in 1938, this volume of stories collected with the encouragement of his longtime editor Pascal Covici serves as a wonderful introduction to the work of Nobel Prize winner John Steinbeck. Set in the beautiful Salinas Valley of California, where simple people farm the land and struggle to find a place for themselves in the world, these stories reflect Steinbeck's characteristic interests: the tensions between town and country, laborers and owners, past and present. Included here are the O. Henry Prize-winning story "The Murder"; "The Chrysanthemums," perhaps Steinbeck's most challenging story, both personally and artistically; "Flight," "The Snake," "The White Quail," and the classic tales of "The Red Pony. " With an introduction and notes by John H. Timmerman.
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