Escritos durante la década de 1990, los ensayos y artículos de Algo supuestamente divertido que nunca volveré a hacer constituyen una de las radiografías más irreverentes e hilarantes de la cultura americana de fin de milenio. Las subculturas televisivas, las entretelas del deporte de elite, la vida salvaje y surreal en el Medio Oeste o el turismo de lujo en el Caribe son algunos de los fenómenos que David Foster Wallace describe desde una perspectiva donde se entremezclan la f amiliaridad, el asombro y una mordacidad descabellada. En estos textos, publicados originalmente en revistas como Harpers o Variety, el autor consigue dar una vuelta de tuerca inédita en la literatura norteamericana: aunar una capacidad analítica deslumbrante con una visión satírica corrosiva y la imaginación narrativa alucinante que conocemos de su ficción. Como una Guía de Fin de Milenio escrita a cuatro manos por Nathanael West y Don DeLillo.
"The Best American Essays 2007" offers up the best essays of the year selected and introduced by David Foster Wallace.
Brilliant, dazzling, never-before-collected nonfiction writings by "aone of the most influential writers of his generation" (New York Times). David Foster Wallace was beloved for his inimitable voice and wit-and, for many of his readers, admired as much for his astonishingly perceptive and inventive essays as he was for his fiction. Both Flesh and Not gathers fifteen of Wallace's seminal essays, all published in book form for the first time.Never has Wallace's seemingly endless curiosity been more evident than in this compilation of work spanning nearly 20 years of writing. Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges; Terminator 2 and The Best of the Prose Poem; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more.In addition to these essays, Both Flesh and Not includes a selection from Wallace's personal vocabulary list, an assembly of unusual words and definitions that serve as a reminder of Wallace's ferocious love of language. A sweeping, exhilarating collection of some of the author's most emotionally immediate work, Both Flesh and Not reminds us why A.O. Scott, writing in the New York Times, called David Foster Wallace "The best mind of his generation."
David Foster Wallace made an art of taking readers into places no other writer even gets near. In his exuberantly acclaimed collection, BRIEF INTERVIEWS WITH HIDEOUS MEN, he combined hilarity and an escalating disquiet in stories that astonish, entertain, and expand our ideas of the pleasures that fiction can afford.
Una novela crítica, divertida y reflexiva sobre la adicción, el consumismo y la soledad de la sociedad Norteamericana, escrita con gran sabiduría y sentido del humor.
Published when Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a slightly altered Cleveland, Ohio. Lenore's great-grandmother has disappeared with twenty-five other inmates of the Shaker Heights Nursing Home. Her beau, and boss, Rick Vigorous, is insanely jealous, and her cockatiel, Vlad the Impaler, has suddenly started spouting a mixture of psycho-babble, Auden, and the King James Bible. Ingenious and entertaining, this debut from one of the most innovative writers of his generation brilliantly explores the paradoxes of language, storytelling, and reality.
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker at the annual Maine Lobster Festival, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters.
Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult-video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are enthralling narrative adventures. Whether covering the three-ring circus of a vicious presidential race, plunging into the wars between dictionary writers, or confronting the World's Largest Lobster Cooker, Wallace projects a quality of thought that is uniquely his and a voice as powerful and distinct as any in American letters. Book jacket.
In intimate and eloquent interviews, including the last he gave before his suicide, the writer hailed by A.O. Scott of The New York Times as "the best mind of his generation" considers the state of modern America, entertainment and discipline, adulthood, literature, and his own inimitable writing style.In addition to Wallace's last interview, the volume features a conversation with Dave Eggers, a revealing Q&A with the magazine of his alma mater Amherst, his famous Salon interview with Laura Miller following the publication of Infinite Jest, and more.These conversations showcase and illuminate the traits for which Wallace remains so beloved: his incomparable humility and enormous erudition, his wit, sensitivity, and humanity. As he eloquently describes his writing process and motivations, displays his curiosity by time and again turning the tables on his interviewers, and delivers thoughtful, idiosyncratic views on literature, politics, entertainment and discipline, and the state of modern America, a fuller picture of this remarkable mind is revealed.
Where do you begin with a writer as original and brilliant as David Foster Wallace? Here--with a carefully considered selection of his extraordinary body of work, chosen by a range of great writers, critics, and those who worked with him most closely. This volume presents his most dazzling, funniest, and most heartbreaking work--essays like his famous cruise-ship piece, "A Supposedly Fun Thing I'll Never Do Again," excerpts from his novels The Broom of the System, Infinite Jest, and The Pale King, and legendary stories like "The Depressed Person." Wallace's explorations of morality, self-consciousness, addiction, sports, love, and the many other subjects that occupied him are represented here in both fiction and nonfiction. Collected for the first time are Wallace's first published story, "The View from Planet Trillaphon as Seen In Relation to the Bad Thing" and a selection of his work as a writing instructor, including reading lists, grammar guides, and general guidelines for his students. A dozen writers and critics, including Hari Kunzru, Anne Fadiman, and Nam Le, add afterwords to favorite pieces, expanding our appreciation of the unique pleasures of Wallace's writing. The result is an astonishing volume that shows the breadth and range of "one of America's most daring and talented writers" (Los Angeles Times Book Review) whose work was full of humor, insight, and beauty.
Hay relatos de tamaño convencional y otros que ocupan un solo párrafo; uno está escrito como un esquema y otro como una entrada de diccionarios; hay transcripciones de entrevistas cuyas preguntas jamás leemos, pero imaginamos; hay notas a pie de página que puntúan lo que dice el texto. En definitiva, una colección de relatos anárquica y exuberante.
¿Cómo evitamos vivir nuestras vidas estando muertos, siendo inconscientes, meros esclavos de nuestras cabezas y sintiéndonos completa e imperialmente solos, día tras día? ¿Cómo logramos distanciarnos de nuestros pensamientos egocéntricos y logramos ser lo bastante conscientes y estar lo bastante despiertos como para elegir a qué prestar atención y cómo construir el sentido a partir de la experiencia? A medida que busca respuestas a estas preguntas nada sencillas, David Foster Wallace hace agudas observaciones acerca de la vida contemporánea y pone de manifiesto los fundamentos de la naturaleza humana. Y al hacerlo, revela una de las decisiones más importantes e inconscientes que tomamos todos los días: qué pensamos sobre el mundo que nos rodea.Transido con el humor único de David Foster Wallace, su intelecto preciso y su filosofía práctica, Esto es agua muestra los retos de la vida diaria y ofrece consejos que nos renuevan con cada lectura.«Era mi favorito.»Zadie Smith
"A gripping guide to the modern taming of the infinite."--The New York Times. With a new introduction by Neal Stephenson. Is infinity a valid mathematical property or a meaningless abstraction? David Foster Wallace brings his intellectual ambition and characteristic bravura style to the story of how mathematicians have struggled to understand the infinite, from the ancient Greeks to the nineteenth-century mathematical genius Georg Cantor's counterintuitive discovery that there was more than one kind of infinity. Smart, challenging, and thoroughly rewarding, Wallace's tour de force brings immediate and high-profile recognition to the bizarre and fascinating world of higher mathematics.
David Wallace brings his intellectual ambition to the story of how mathematicians have understood the infinite, from the ancient Greeks to the nineteenth-century mathematical genius Cantor's discovery that there is more than one kind of infinity.
«Filósofo inquisitivo y habilidoso narrador, el autor de La broma infinita crea complejas historias repletas de cuestiones metafísicas y crítica social devastadora, todo ello con un peculiar sentido del humor.» Booklist «Uno de los mayores talentos de su generación, un escritor virtuoso que aparentemente es capaz de hacerlo todo.» The New York Times «Wallace pertenece a la mejor clase de exhibicionista, un escritor que no se contenta con sus dones literarios... Es capaz de correr riesgos espléndidos, y cuando triunfa el resultado es una ficción extraordinaria y visionaria.» San Francisco Chronicle
Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor's argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor's argument. Wallace was a great skeptic of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community. " As Wallace rises to meet the challenge to free will presented by Taylor (and a number of other philosophical heavyweights), we experience the developing perspective of this major novelist, along with the beginning of his lifelong struggle to establish solid logical ground for his soaring convictions. This volume reproduces Taylor's original article and other works on fatalism cited by Wallace in his critique. James Ryerson, an editor at the New York Times Magazine, draws parallels in his introduction between Wallace's early work in philosophy and the themes and explorations of his fiction. A companion website, www. davidfosterwallace-fate-time-language. net, established by Maureen Eckert, will feature interviews with philosophers and avid Wallace fans on the import of his arguments.
One of David Foster Wallace's most famous essays, now available as an eBook short.Beloved for his keen eye, sharp wit, and relentless self-mockery, David Foster Wallace has been celebrated by both critics and fans as the voice of a generation. In this hilarious essay, originally published in the collection A Supposedly Fun Thing I'll Never Do Again, he ventures to the Illinois State Fair, where he examines butter sculptures, munches on corndogs, and swaps stories with local exhibitors. As he wanders through this endlessly fascinating world, Wallace's one-of-a-kind blend of humor and insight is on full display. "Getting Away from Already Being Pretty Much Away from It All" is an uproarious and ultimately unforgettable foray into a classic part of American life and culture.
This collection of short stories represents the first flowering of post-post-modernism: visions of the world that re-imagine reality as more realistic than we can imagine.
Remarkable, hilarious and unsettling re-imaginations of reality by "a dynamic writer of extraordinary talent " (Jennifer Levin, New York Times Book Review). Girl with Curious Hair is replete with David Foster Wallace's remarkable and unsettling reimaginations of reality. From the eerily "real," almost holographic evocations of historical figures like Lyndon Johnson and overtelevised game-show hosts and late-night comedians to the title story, where terminal punk nihilism meets Young Republicanism, Wallace renders the incredible comprehensible, the bizarre normal, the absurd hilarious, the familiar strange.
For the first time ever available as an audiobook, Girl with Curious Hair is being produced as part of Hachette Audio's ambitious David Foster Wallace audiobook publishing program, joining Brief Interviews with Hideous Men, Consider the Lobster, and This is Water. (Broom of the System will be released in June 2010.)Remarkable, hilarious and unsettling re-imaginations of reality by "a dynamic writer of extraordinary talent " (Jennifer Levin, New York Times Book Review).David Foster Wallace was one of the most prodigiously talented and original young writers in America today, and Girl with Curious Hair displays the full range of his gifts. From the eerily "real," almost holographic evocations of historical figures like Lyndon Johnson and overtelevised game-show hosts and late-night comedians to the title story, where terminal punk nihilism meets Young Republicanism, Wallace renders the incredible comprehensible, the bizarre normal, the absurd hilarious, the familiar strange.
A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do.
Set in an addict's halfway house and a tennis academy, and featuring one of the most endearing screwed-up families in contemporary fiction, this novel explores essential questions about what entertainment is and why it has come to dominate our lives, about how our desire for entertainment affects our need to connect with other people, and about what the pleasures we choose say who we are.
One of our most brilliantly entertaining observers of American culture spends a week embedded in Senator John McCain's entourage - and indelibly captures the nonstop circus that is an American presidential campaign.
David Foster Wallace es uno de los escritores con mayor talento y más audaces de la actual narrativa norteamericana. En La niña del pelo raro, la presente recopilación de diez relatos, recrea -de manera exquisita y perturbadora a la vez- la realidad en la que vivimos. Desde la evocación de personajes históricos como el presidente Lyndon Johnson, de los concursos televisivos de máxima audiencia o de los presentadores estrella de programas al filo de la medianoche, hasta el relato que da título a la obra, en el que el nihilismo punk y las juventudes republicanas se dan la mano, Wallace siempre consigue que lo increíble parezca comprensible; lo raro, normal; lo absurdo, hilarante, y lo familiar, extraño.
A recognised master of form and a brilliant recorder of human behaviour, David Foster Wallace has been hailed as 'the most significant writer of his generation' (TLS). Each new book confirms and extends his genius, and this new short story collection is no exception. In the stories that make up Oblivion, David Foster Wallace conjoins the rawest, most naked humanity with the infinite convolutions of self-consciousness - a combination that is dazzlingly, uniquely his.
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