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As Venice braces for a winter storm, the Italian sleuth Commissario Guido Brunetti finds out that an old friend has been savagely beaten at the palazzo home of a reigning diva. Then, as flood waters rise, a corpse is discovered. Brunetti must wade through the chaotic city to solve his deadliest case yet.
When the body of a man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Commissario Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can he identify the man when he can't show pictures of his face? The autopsy shows a way forward: it turns out the man was suffering from a rare, disfiguring disease. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside his usual sphere. From a shopkeeper, they learn that the man had a kindly way with animals. At the same time, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, and in Brunetti's home, where conversation at family meals offers a window into the joys and conflicts of Italian life. Perhaps with the help of Signorina Elettra, Brunetti and Vianello can identify the man and understand why someone wanted him dead. As subtle and engrossing as the other Commissario Brunetti tales, Leon's Beastly Things is immensely enjoyable, intriguing, and ultimately moving.
Donna Leon's critically acclaimed, internationally bestselling Commissario Guido Brunetti series has attracted readers the world over with the beauty of its setting, the humanity of its characters, and its fearlessness in exploring politics, morality, and contemporary Italian culture. <P> In the pages of Leon's novels, the beloved conversations of the Brunetti family have drawn on topics of art and literature, but books are at the heart of this novel in a way they never have been before. One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: the culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem--the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist. <P> As the investigation proceeds, the suspects multiply. And when a seemingly harmless theologian, who had spent years reading at the library turns up brutally murdered, Brunetti must question his expectations about what makes a man innocent, or guilty.
There is little violent crime in Venice, a serenely beautiful floating city of mystery and magic, history and decay. But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice. But as the investigation unfolds, a chilling picture slowly begins to take shape -- a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one ...
Donna Leon’s Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced readers to the glamorous and cutthroat world of opera and one of Italy’s finest living sopranos, Flavia Petrelli—then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.<P><P> Brunetti and his wife, Paola, attend an early performance, and Flavia receives a standing ovation. Back in her dressing room, she finds bouquets of yellow roses—too many roses. Every surface of the room is covered with them. An anonymous fan has been showering Flavia with these beautiful gifts in London, St. Petersburg, Amsterdam, and now, Venice, but she no longer feels flattered. A few nights later, invited by Brunetti to dine at his in-laws’ palazzo, Flavia confesses her alarm at these excessive displays of adoration. And when a talented young Venetian singer who has caught Flavia’s attention is savagely attacked, Brunetti begins to think that Flavia’s fears are justified in ways neither of them imagined. He must enter in the psyche of an obsessive fan before Flavia, or anyone else, comes to harm.
In 'The Golden Egg', as the first leaves of autumn begin to fall, Vice Questore Patta asks Brunetti to look into a minor shop-keeping violation committed by the mayor's future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but he has little choice but to comply. Then Brunetti's wife, Paola, comes to him with a request of her own. The mentally handicapped man who worked at their dry cleaner has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him. Brunetti begins to investigate the death and is surprised when he finds nothing on the man: no birth certificate, no passport, no driver's license, no credit cards. As far as the Italian government is concerned, he never existed. Stranger still, the dead man's mother refuses to speak to the police, and assures Brunetti that her son's identification papers were stolen in a burglary. As secrets unravel, Brunetti suspects that the Lembos, an aristocratic family, might be somehow connected to the death. But why would anyone want this sweet, simple-minded man dead?
In the night, Brunetti is summoned to the hospital bed of a senior pediatrician. Three men had burst into the doctor's apartment, attacked him, left him mute, and took his eighteen-month-old boy. Why?
Guido Brunetti, the world-weary Venetian commissario, faces an unsettling case that hits particularly close to home for him, since he has a young son.
In Donna Leon’s Commissario Guido Brunetti series, the Venetian inspector has been called on to investigate many things, from shocking to petty crimes. But inThe Waters of Eternal Youth, the 25th novel in this celebrated series, Brunetti finds himself drawn into a case that may not be a case at all. Fifteen years ago, a teenage girl fell into a canal late at night. Unable to swim, she went under and started to drown, only surviving thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out, though not before she suffered irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn’t remember a thing. Now, at a fundraising dinner for a Venetian charity, a wealthy and aristocratic patroness--the girl’s grandmother--asks Brunetti if he will investigate. Brunetti’s not sure what to do. If a crime was committed, it would surely have passed the statute of limitations. But out of a mixture of curiosity, pity, and a willingness to fulfill the wishes of a guilt-wracked older woman, who happens to be his mother-in-law’s best friend, he agrees. Brunetti soon finds himself unable to let the case rest, if indeed there is a case. Awash in the rhythms and concerns of contemporary Venetian life, from historical preservation, to housing, to new waves of African migrants, and the haunting story of a woman trapped in a damaged perpetual childhood,The Waters of Eternal Youth is another wonderful addition to this series.
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