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Including contributions by W. H. Auden * Elizabeth Bishop * John Cheever * Janet Flanner * John Hersey * Langston Hughes * Shirley Jackson * A. J. Liebling * William Maxwell * Carson McCullers * Joseph Mitchell * Vladimir Nabokov * Ogden Nash * John O'Hara * George Orwell * V. S. Pritchett * Lillian Ross * Stephen Spender * Lionel Trilling * Rebecca West * E. B. White * Williams Carlos Williams * Edmund Wilson And featuring new perspectives by Joan Acocella * Hilton Als * Dan Chiasson * David Denby * Jill Lepore * Louis Menand * Susan Orlean * George Packer * David Remnick * Alex Ross * Peter Schjeldahl * Zadie Smith * Judith ThurmanThe 1940s are the watershed decade of the twentieth century, a time of trauma and upheaval but also of innovation and profound and lasting cultural change. This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker's pages throughout the decade are placed in history by the magazine's current writers. Included in this volume are seminal profiles of the decade's most fascinating figures: Albert Einstein, Marshal Pétain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey's account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling's unforgettable depictions of the Fall of France and D Day; Rebecca West's harrowing visit to a lynching trial in South Carolina; Lillian Ross's sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell's imperishable portrait of New York's foremost dive bar, McSorley's. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era's major figures wrestling with one another's work as it appeared--George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker's original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece "The Lottery" stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story "The Enormous Radio" New Yorker editor Harold Ross said: "It will turn out to be a memorable one, or I am a fish.") Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today's New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it's Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade's breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining.From the Hardcover edition.
Some Pig. Humble. Radiant. These are the words in Charlotte's web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter.<P><P> This is a tender novel of friendship, family, and adventure that will continue to be enjoyed by generations to come.<P> Newbery Honor book
This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children's literature that is "just about perfect." Some Pig. Humble. Radiant. These are the words in Charlotte's Web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter. E. B. White's Newbery Honor Book is a tender novel of friendship, love, life, and death that will continue to be enjoyed by generations to come. This book supports the Common Core State Standards Includes image descriptions. Image descriptions present.
In E. B. White on Dogs, his granddaughter and manager of his literary estate, Martha White, has compiled the best and funniest of his essays, poems, letters, and sketches depicting over a dozen of White's various canine companions. Featured here are favorite essays such as 'Two Letters, Both Open,' where White takes on the Internal Revenue Service, and also 'Bedfellows,' with its 'fraudulent reports'; from White's ignoble old dachshund, Fred. ('I just saw an eagle go by. It was carrying a baby.') From The New Yorker's 'The Talk of the Town' are some little-known Notes and Comment pieces covering dog shows, sled dog races, and the trials and tribulations of city canines, chief among them a Scotty called Daisy who was kicked out of Schrafft's, arrested, and later run down by a Yellow Cab, prompting The New Yorker to run her 'Obituary.' Some previously unpublished photographs from the E. B. White Estate show the family dogs, from the first collie, to various labs, Scotties, dachshunds, half-breeds, and mutts, all well-loved. This is a book for readers and writers who recognize a good sentence and a masterful turn of a phrase; for E. B. White fans looking for more from their favorite author; and for dog lovers who may not have discovered the wit, style, and compassion of this most distinguished of American essayists.
An American classic on pithy writing and perfect grammar.
This book's unique tone, wit and charm have conveyed the principles of English style to millions of readers. Use the fourth edition of "the little book" to make a big impact with writing.
The classic collection by one of the greatest essayists of our time.
In the summer of 1948, E.B. White sat in a New York City hotel room and, sweltering in the heat, wrote a remarkable pristine essay, Here is New York. Perceptive, funny, and nostalgic, the author's stroll around Manhattan--with the reader arm-in-arm--remains the quintessential love letter to the city, written by one of America's foremost literary figures. Here is New York has been chosen by The New York Times as one of the ten best books ever written about the city. The New Yorker calls it "the wittiest essay, and one of the most perceptive, ever done on the city."
Here a tidbit from this hilarious spoof: I wrote Thurber the other day and asked him please to bring sex up to date for the book. He replied as follows: "I last had word about Dr. Karl Zaner in 1941 when a correspondent wrote me that she had seen him about town, walking a little unsteadily and given to muttering inaudibly. There is some reason to believe that Dr. Zaner in his late years has become depressed by a lack of the schematic and the presence of too many variables in the study of sex. An ophthalmologist who studies two thousand similar eye ailments can come up with dependable conclusions, but the scientist of sex, completing his investigation of two thousand persons in love, is just about where he was when he started out. Only two facts, I suppose, can be stated in this fluctuant field, without fear of successful contradiction: young women are still faced with the problem of how to tell popularity from promiscuity, and young men are still up against the equally difficult problem of how to have fun without getting married while they are still making only $37.50 a week. The larger aspects of sex become more and more complex at the hands of the psychiatrists. As I understand it, and I am probably wrong, bisexuality is on the increase and the psychiatrists are inclined to view this trend as a development, or even flowering, of the individual. Historians, on the other hand, appear to regard it as an evidence of the decline of the species. ..."
Originally edited by Dorothy Lobrano Guth, and revised and updated by Martha White Foreword by John Updike These letters are, of course, beautifully written but above all personal, precise, and honest. They evoke E. B. White's life in New York and in Maine at every stage of his life. They are full of memorable characters: White's family, the New Yorker staff and contributors, literary types and show business people, farmers from Maine and sophisticates from New York–Katherine S. White, Harold Ross, James Thurber, Alexander Woolcott, Groucho Marx, John Updike, and many, many more. Each decade has its own look and taste and feel. Places, too–from Belgrade (Maine) to Turtle Bay (NYC) to the S. S. Buford, Alaska–bound in 1923–are brought to life in White's descriptions. There is no other book of letters to compare with this; it is a book to treasure and savor at one's leisure. As White wrote in this book, "A man who publishes his letters becomes nudist–nothing shields him from the world's gaze except his bare skin. . . . a man who has written a letter is stuck with it for all time. "
The closest thing to an autobiography we will ever see from White.
Collection of essays on the author's personal life written for The New Yorker Harper's Magazine.
In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine's first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled "Onward and Upward in the Garden," a critical review of garden catalogs, in which White extolled the writings of "seedmen and nurserymen," those unsung authors who produced her "favorite reading matter." Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his parents, his older brother George, and Snowbell the cat. Though he's shy and thoughtful, he's also a true lover of adventure. Stuart's greatest adventure comes when his best friend, a beautiful little bird named Margalo, disappears from her nest. Determined to track her down, Stuart ventures away from home for the very first time in his life. He finds adventure aplenty. But will he find his friend?
Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.This beloved book by E. B. White, author of Charlotte's Web and The Trumpet of the Swan, is a classic of children's literature that features a very small mouse on a very big adventure. Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his family. But when Stuart's best friend goes missing, he's determined to leave home and take an epic journey to find his friend.E. B. White's classic book is a tender novel of friendship, family, and adventure that will continue to be enjoyed by generations to come. It contains beautiful illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Charlotte's Web and Laura Ingalls Wilder's Little House series, among many other books. Correlates to the Common Core State Standards in English Language Arts
Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.This beloved book by E. B. White, author of Charlotte's Web and Stuart Little, is a classic of children's literature that perfectly describes what it's like to march to the beat of your own drummer.Louis is a trumpeter swan, but unlike the rest of his family, he can't make a sound. And since he can't trumpet his love, the beautiful swan Serena pays no attention to him. But when his father steals him a real brass trumpet, Louis has to find out if it's the key to what he's wanted all along.E. B. White's classic book is a tender novel of overcoming the odds and learning to do things on your own terms. It will continue to be enjoyed by generations to come. It contains evocative illustrations by Fred Marcellino, the acclaimed illustrator of Puss in Boots and I, Crocodile, among many other books.Correlates to the Common Core State Standards in English Language Arts
Like the rest of his family, Louis is a trumpeter swan. But unlike his four brothers and sisters, Louis can't trumpet joyfully. In fact, he can't even make a sound. And since he can't trumpet his love, the beautiful swan Serena pays absolutely no attention to him. Louis tries everything he can think of to win Serena's affection--he even goes to school to learn to read and write. But nothing seems to work. Then his father steals him a real brass trumpet. Is a musical instrument the key to winning Louis his love?
A delightful, witty, spirited collection of short pieces and essays by the inimitable E. B. White.
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