Including contributions by W. H. Auden * Elizabeth Bishop * John Cheever * Janet Flanner * John Hersey * Langston Hughes * Shirley Jackson * A. J. Liebling * William Maxwell * Carson McCullers * Joseph Mitchell * Vladimir Nabokov * Ogden Nash * John O'Hara * George Orwell * V. S. Pritchett * Lillian Ross * Stephen Spender * Lionel Trilling * Rebecca West * E. B. White * Williams Carlos Williams * Edmund Wilson And featuring new perspectives by Joan Acocella * Hilton Als * Dan Chiasson * David Denby * Jill Lepore * Louis Menand * Susan Orlean * George Packer * David Remnick * Alex Ross * Peter Schjeldahl * Zadie Smith * Judith ThurmanThe 1940s are the watershed decade of the twentieth century, a time of trauma and upheaval but also of innovation and profound and lasting cultural change. This is the era of Fat Man and Little Boy, of FDR and Stalin, but also of Casablanca and Citizen Kane, zoot suits and Christian Dior, Duke Ellington and Edith Piaf. The 1940s were when The New Yorker came of age. A magazine that was best known for its humor and wry social observation would extend itself, offering the first in-depth reporting from Hiroshima and introducing American readers to the fiction of Vladimir Nabokov and the poetry of Elizabeth Bishop. In this enthralling book, masterly contributions from the pantheon of great writers who graced The New Yorker's pages throughout the decade are placed in history by the magazine's current writers. Included in this volume are seminal profiles of the decade's most fascinating figures: Albert Einstein, Marshal Pétain, Thomas Mann, Le Corbusier, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey's account of the heroism of a young naval lieutenant named John F. Kennedy; A. J. Liebling's unforgettable depictions of the Fall of France and D Day; Rebecca West's harrowing visit to a lynching trial in South Carolina; Lillian Ross's sly, funny dispatch on the Miss America Pageant; and Joseph Mitchell's imperishable portrait of New York's foremost dive bar, McSorley's. This volume also provides vital, seldom-reprinted criticism. Once again, we are able to witness the era's major figures wrestling with one another's work as it appeared--George Orwell on Graham Greene, W. H. Auden on T. S. Eliot, Lionel Trilling on Orwell. Here are The New Yorker's original takes on The Great Dictator and The Grapes of Wrath, and opening-night reviews of Death of a Salesman and South Pacific. Perhaps no contribution the magazine made to 1940s American culture was more lasting than its fiction and poetry. Included here is an extraordinary selection of short stories by such writers as Shirley Jackson (whose masterpiece "The Lottery" stirred outrage when it appeared in the magazine in 1948) and John Cheever (of whose now-classic story "The Enormous Radio" New Yorker editor Harold Ross said: "It will turn out to be a memorable one, or I am a fish.") Also represented are the great poets of the decade, from Louise Bogan and William Carlos Williams to Theodore Roethke and Langston Hughes. To complete the panorama, today's New Yorker staff, including David Remnick, George Packer, and Alex Ross, look back on the decade through contemporary eyes. Whether it's Louis Menand on postwar cosmopolitanism or Zadie Smith on the decade's breakthroughs in fiction, these new contributions are illuminating, learned, and, above all, entertaining.From the Hardcover edition.
Holden Caulfield, a native New Yorker and a dreamer, is expelled from his Pennsylvania prep school. He travels back to his family's New York apartment, but spends three days time underground in the city before returning to his family. He struggles with growing up and finding meaning in his own life, spending much time in an alcohol-fueled daze to dull his pain. This is a classic coming of age story of an angst-ridden youngster, feeling misunderstood by the adults around him.
The author writes: Franny came out in The New Yorker/EM Zooey. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambitious one, and there is a real-enough danger, I suppose, that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.
A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, Just Before the War with the Eskimos, The Laughing Man, Down at the Dinghy, For Esme ... with Love and Squalor, Pretty Mouth and Green My Eyes, De Daumier-Smith's Blue Period, and Teddy.
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