This diverse and distinctive collection of secondary sources, written by a variety of authors, emphasizes social and cultural history.
Before the Curse: The Chicago Cubs' Glory Years, 1870-1945 brings to life the early history of the much beloved and often heartbreaking Chicago Cubs. Originally called the Chicago White Stockings, the team immediately established itself as a powerhouse, winning the newly formed National Base Ball League's inaugural pennant in 1876, repeating the feat in 1880 and 1881, and commanding the league in the decades to come. The legendary days of the Cubs are recaptured here in more than two dozen vintage newspaper accounts and historical essays on the teams and the fans who loved them. The great games, pennant races, and series are all here, including the 1906 World Series between the Cubs and Chicago White Sox. Of course, Before the Curse remembers the hall-of-fame players--Grover Cleveland Alexander, Gabby Hartnett, Roger Hornsby, Dizzy Dean--who delighted Cubs fans with their play on the field and their antics elsewhere. Through stimulating introductions to each article, Randy Roberts and Carson Cunningham demonstrate how changes in ownership affected the success of the team, who the teams' major players were both on and off the field, and how regular fans, owners, players, journalists, and Chicagoans of the past talked and wrote about baseball.
In 1962, boxing writers and fans considered Cassius Clay an obnoxious self-promoter, and few believed that he would become the heavyweight champion of the world. But Malcolm X, the most famous minister in the Nation of Islam--a sect many white Americans deemed a hate cult--saw the potential in Clay, not just for boxing greatness, but as a means of spreading the Nation's message. The two became fast friends, keeping their interactions secret from the press for fear of jeopardizing Clay's career. Clay began living a double life--a patriotic "good Negro" in public, and a radical reformer behind the scenes. Soon, however, their friendship would sour, with disastrous and far-reaching consequences. Based on previously untapped sources, from Malcolm's personal papers to FBI records, Blood Brothers is the first book to offer an in-depth portrait of this complex bond. Acclaimed historians Randy Roberts and Johnny Smith reconstruct the worlds that shaped Malcolm and Clay, from the boxing arenas and mosques, to postwar New York and civil rights-era Miami. In an impressively detailed account, they reveal how Malcolm molded Cassius Clay into Muhammad Ali, helping him become an international symbol of black pride and black independence. Yet when Malcolm was barred from the Nation for criticizing the philandering of its leader, Elijah Muhammad, Ali turned his back on Malcolm--a choice that tragically contributed to the latter's assassination in February 1965. Malcolm's death marked the end of a critical phase of the civil rights movement, but the legacy of his friendship with Ali has endured. We inhabit a new era where the roles of entertainer and activist, of sports and politics, are more entwined than ever before. Blood Brothers is the story of how Ali redefined what it means to be a black athlete in America--after Malcolm first enlightened him. An extraordinary narrative of love and deep affection, as well as deceit, betrayal, and violence, this story is a window into the public and private lives of two of our greatest national icons, and the tumultuous period in American history that they helped to shape.
The Crispus Attucks High School basketball teams of 1955 and 1956 made Indiana basketball history as the first all-black team to win a state championship and then as the first undefeated team ever to win the championship. The story of Oscar Robertson's dedication to the game and of the unforgettable Attucks teams of the 1950s are told in this inspiring book that brings together race, joy, and achievement during a critical time in Indiana and American history.
This primary source reader captures the excitement of hands-on history through letters, articles, journalistic sources, photographs and posters. Constructing the American Past achieves a level of inclusion and depth rarely found in other source books. Each chapter focuses on a particular problem or moment in American history, and provides students with several points of view. The photographs, posters and maps included in the text ask the students to read the visual sources of American history. By exposing students to primary sources, the building blocks of history, Constructing the American Past fosters a solid foundation and invites its readers to build their own understanding of American history.
This is a college American history textbook, containing numerous historical documents.
Joe Louis defended his heavyweight boxing title an astonishing twenty-five times and reigned as world champion for more than eleven years. He got more column inches of newspaper coverage in the 1930s than FDR did. His racially and politically charged defeat of Max Schmeling in 1938 made Louis a national hero. But as important as his record is what he meant to African-Americans: at a time when the boxing ring was the only venue where black and white could meet on equal terms, Louis embodied all their hopes for dignity and equality. Through meticulous research and first-hand interviews, acclaimed historian and biographer Randy Roberts presents Louis, and his impact on sport and country, in a way never before accomplished. Roberts reveals an athlete who carefully managed his public image, and whose relationships with both the black and white communities--including his relationships with mobsters--were far more complex than the simplistic accounts of heroism and victimization that have dominated previous biographies. Richly researched and utterly captivating, this extraordinary biography presents the full range of Joe Louis's power in and out of the boxing ring.
No American has been more identified with his country than John Wayne. For millions of people from the heartland to the furthest corners of the earth, he simply is America. Wayne virtually defined the role of the cowboy and the soldier, unswervingly playing the gruff man of decency, the hero who would always come through when the chips were down. On-screen -- and off -- Wayne was larger than life. For twenty-five years he dominated at the box office. His popularity both at home and abroad remains higher than any other celebrity of his time. So why have critics and film historians refused to grant him the central importance he deserves? Why has there never before been a serious biography? The answers to these questions reveal much about both Wayne and America. He was highly regarded in the '40s and '50s. As the Cold War progressed, however, critics gradually turned away from him. By the '60s and '70s, Wayne's politics guaranteed that movies like The Green Berets would be panned, despite consistent popular success. Now, after the death of both Wayne and communism, it is high time for Randy Roberts and James Olson's reappraisal. Based on over five years of interview and archival research, John Wayne: American explains the appeal of Wayne's abiding Americanness. Indeed, we cannot understand America itself without understanding John Wayne. Born in a dyed-in-the-wool Republican town in Iowa, a football star and student leader, and a scholarship boy at USC, Wayne went to Hollywood because it was the truest meritocracy in America, the one place where his lack of wealth and connections could not hurt him. After spending the first decade of his career on Poverty Row, he emerged as a star in Stagecoach. But it was during World War II that Wayne -- and America -- emerged as superpowers. Wayne came to politics reluctantly, joining the mainstream of America in its confrontation with communism -- and maintaining his opposition ever since. At heart, however, Wayne was a nonideological conservative. He loved his freedom, his friends, his women, and his booze. He believed in simple justice, and common decency, and he will always be beloved as a result.
In late February and early March of 1836, the Mexican Army under the command of General Antonio López de Santa Anna besieged a small force of Anglo and Tejano rebels at a mission known as the Alamo. The defenders of the Alamo were in an impossible situation. They knew very little of the events taking place outside the mission walls. They did not have much of an understanding of Santa Anna or of his government in Mexico City. They sent out contradictory messages, they received contradictory communications, they moved blindly and planned in the dark. And in the dark early morning of March 6, they died. In that brief, confusing, and deadly encounter, one of America's most potent symbols was born. The story of the last stand at the Alamo grew from a Texas rallying cry, to a national slogan, to a phenomenon of popular culture and presidential politics. Yet it has been a hotly contested symbol from the first. Questions remain about what really happened: Did William Travis really draw a line in the sand? Did Davy Crockett die fighting, surrounded by the bodies of two dozen of the enemy? And what of the participants' motives and purposes? Were the Texans justified in their rebellion? Were they sincere patriots making a last stand for freedom and liberty, or were they a ragtag collection of greedy men-on-the-make, washed-up politicians, and backwoods bullies, Americans bent on extending American slavery into a foreign land? The full story of the Alamo -- from the weeks and months that led up to the fateful encounter to the movies and speeches that continue to remember it today -- is a quintessential story of America's past and a fascinating window into our collective memory. In A Line in the Sand, acclaimed historians Randy Roberts and James Olson use a wealth of archival sources, including the diary of José Enrique de la Peña, along with important and little-used Mexican documents, to retell the story of the Alamo for a new generation of Americans. They explain what happened from the perspective of all parties, not just Anglo and Mexican soldiers, but also Tejano allies and bystanders. They delve anew into the mysteries of Crockett's final hours and Travis's famous rhetoric. Finally, they show how preservationists, television and movie producers, historians, and politicians have become the Alamo's major interpreters. Walt Disney, John Wayne, and scores of journalists and cultural critics have used the Alamo to contest the very meaning of America, and thereby helped us all to "remember the Alamo."
This comprehensive volume deals at length the history of United States and the topics include Prehistory-1765, Creating the American Republic 1765-1816, Expansion and Reform 1812-1860, Civil War and Reconstruction 1846-1877, Industrialization of the United States 1865-1914, Emergence of the Modern United States 1890-1920, Prosperity and Depression 1919-1941, World War II and PostWar America 1931-1960, Challenges and Change 1945-1980 and Changing and Enduring Issues 1980-Today.
11th grade textbook
History textbook for 11th grade
This book was written to give you the skills and background you need to appreciate the past and to help prepare you to play your part in the history to come. It will give you a chance to reflect on the past, to see how the past influences the present, and to consider how you can make a difference for the future.
Learning about the entire span of American history is no small task. Luckily, this textbook and its companion Web site--PHSchool.com--come with a number of important tools to make your study of American history easier and more worthwhile.
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