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The Genetic Strand is the story of a writer's investigation, using DNA science, into the tale of his family's origins. National Book Award winner Edward Ball has turned his probing gaze on the microcosm of the human genome, and not just any human genome -- that of his slave-holding ancestors. What is the legacy of such a family history, and can DNA say something about it? In 2000, after a decade in New York City, Ball bought a house in Charleston, South Carolina, home to his father's family for generations, and furnished it with heirloom pieces from his relatives. In one old desk he was startled to discover a secret drawer, sealed perhaps since the Civil War, in which someone had hidden a trove of family hair, with each lock of hair labeled and dated. The strange find propelled him to investigate: what might DNA science reveal about the people -- Ball's family members, long dead -- to whom the hair had belonged? Did the hair come from white relatives, as family tradition insisted? How can genetic tests explain personal identity? Part crime-scene investigation, part genealogical romp, The Genetic Strand is a personal odyssey into DNA and family history. The story takes the reader into forensics labs where technicians screen remains, using genetics breakthroughs like DNA fingerprinting, and into rooms where fathers nervously await paternity test results. It also summons the writer¹s entertaining and idiosyncratic family, such as Ball¹s antebellum predecessor, Aunt Betsy, who published nutty books on good Southern society; Kate Fuller, the enigmatic ancestor who may have introduced African genes into the Ball family pool; and the author¹s first cousin Catherine, very much alive, who donates a cheek swab from a mouth more attuned to sweet iced tea than DNA sampling. Writing gracefully but pacing his story like an old-fashioned whodunit, Edward Ball tracks genes shared across generations, adding suspense and personal meaning to what the scientists and Nobel laureates tell us. A beguiling DNA tale, The Genetic Strand reaches toward a new form of writing<the genetic memoir.
From the National Book Award-winning author of Slaves in the Family, a riveting true life/true crime narrative of the partnership between the murderer who invented the movies and the robber baron who built the railroads. One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation. His patron was railroad tycoon (and former California governor) Leland Stanford, whose particular obsession was whether four hooves of a running horse ever left the ground at once. Stanford hired Muybridge and his camera to answer that question. And between them, the murderer and the railroad mogul launched the age of visual media. Set in California during its frontier decades, The Tycoon and the Inventor interweaves Muybridge's quest to unlock the secrets of motion through photography, an obsessive murder plot, and the peculiar partnership of an eccentric inventor and a driven entrepreneur. A tale from the great American West, this popular history unspools a story of passion, wealth, and sinister ingenuity.
Peninsula of Lies is nonfiction mystery, set in a haunting gothic locale and peopled by fascinating and eccentric characters. Its hero and heroine is Dawn Langley Simmons, a British writer who lived in Charleston, South Carolina, during the 1960s and became the center of one of the most unusual sexual scandals. Born in England, Dawn began life as a boy named Gordon Langley Hall, the son of servants at Sissinghurst Castle, the estate of Vita Sackville-West. In his twenties he made his way to New York, where he wrote about and befriended great society ladies. A small fortune inherited from Isabel Whitney allowed him to buy and decorate a mansion in Charleston. But Gordon's world changed in 1968 when at The Johns Hopkins Hospital he underwent one of the first sexual reassignment surgeries, scandalizing the Southern community that had welcomed him. Months later Gordon shocked Charleston again. Gordon -- now Dawn -- married a young black mechanic, soon appeared to be pregnant, and shortly thereafter became the mother of a young girl. National Book Award-winning author Edward Ball has written a detective story that unwraps Dawn's many mysteries. The result is an engrossing narrative of a person who tested every taboo, as well as the confidence of observers in their own eyes.
The Ball family hails from South Carolina―Charleston and thereabouts. Their plantations were among the oldest and longest-standing plantations in the South. Between 1698 and 1865, close to four thousand black people were born into slavery under the Balls or were bought by them. In Slaves in the Family, Edward Ball recounts his efforts to track down and meet the descendants of his family's slaves. Part historical narrative, part oral history, part personal story of investigation and catharsis, Slaves in the Family is, in the words of Pat Conroy, "a work of breathtaking generosity and courage, a magnificent study of the complexity and strangeness and beauty of the word ‘family.'"<P><P> Winner of the National Book Award
With the panoramic story of one "colored elite" family who rises from the ashes of the Civil War to create an American cultural dynasty Edward Ball offers the historical and, literary successor to his highly acclaimed Slaves in the Family, a New York Times bestseller and winner of the 1998 National Book Award.<P> The Sweet Hell Inside recounts the lives of the Harleston family of South Carolina, the progeny of a Southern gentleman and his slave who cast off their blemished roots and achieved affluence in part through a surprisingly successful funeral parlor business. Their wealth afforded the Harlestons the comfort of chauffeurs, tailored clothes, and servants whose skin was darker than theirs. It also launched the family into a generation of glory as painters, performers, and photographers in the "high yellow" society of America's colored upper class. The Harlestons' remarkable one-hundred-year journey spans the waning days of Reconstruction, the precious art world of the early 1900s, the back alleys of the Jazz Age, and the dawn of the civil rights movement.<P> Enhanced by the recollections of the family's archivist, eighty-four-year-old Edwina Harleston Whitlock -- whose bloodline the author sharesThe Sweet Hell Inside features a portrait artist whose subjects included industrialist Pierre Du Pont; a black classical composer in the Lost Generation of 1920s Paris; an orphanage founder who created a famous brass band from the ranks of his abandoned waifs, a number of whom went on to burgeoning careers in jazz; and a Harleston mistress who doubled as an abortionist.<P> With evocative and engrossing storytelling, Edward Ball introduces a cast of historical characters rarely seen before: cultured, vain, imperfect, rich, and black, a family made up of eccentrics who defied social convention yet whose advantages could not protect them from segregation's locked doors, a plague of early death, and the stigma of children born outside marriage.<P> The Sweet Hell Inside raises the curtain on a unique family drama in the pageant of American life and uncovers a fascinating lost world.
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