The Agony of Modern Music

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Synopsis
MUSIC The Argument Modern music is not modern and is rarely music. # It represents an attempt to perpetuate a European musical tradition whose technical resources are exhausted, and which no longer has any cultural validity. # That it continues to be composed, performed, and discussed represents self-deception by an element of society which refuses to believe that this is true. # The hopelessness of the situation is technically demonstrable, and contemporary composers are aware of it. # What makes their own situation hopeless is that they cannot break with the tradition without renouncing the special status they enjoy as serious composers. # That they have this status is the result of a popular superstition that serious music is by definition superior to popular music. # There is good music, indifferent music and bad music, and they all exist in all types of composition. # There is more real creative musical talent in the music of Armstrong and Ellington, in the songs of Gershwin, Rodgers, Kern and Berlin, than in all the serious music composed since 1920. # New music which cannot excite the enthusiastic participation of the lay listener has no claim to his sympathy and indulgence. Contrary to popular belief, all the music which survives in the standard repertoire has met this condition in its own time. # The evolution of Western music continues in American popular music, which has found the way back to the basic musical elements of melody and rhythm, exploited in an original manner congenial to the society of which it is the spontaneous musical expression. # And it has found the way back to the basic musical nature of the ordinary mortal, from whom music derives, by whom and for whom it is produced, and without whom it cannot and does not exist.
Copyright:
1955

Book Details

Book Quality:
Excellent
Book Size:
194 Pages
Publisher:
Simon & Schuster, Inc.
Date of Addition:
Copyrighted By:
Henry Pleasants
Adult content:
No
Language:
English
Has Image Descriptions:
No
Categories:
History, Nonfiction, Art and Architecture, Music
Submitted By:
Garyp
Proofread By:
Ritwik Kesavath
Usage Restrictions:
This is a copyrighted book.

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