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Angling Sketches

Angling Sketches

Andrew Lang (1844-1912) was a prolific Scots man of letters, a poet, novelist, literary critic and contributor to anthropology. He now is best known as the collector of folk and fairy tales. As a journalist, poet, critic and historian, he soon made a reputation as one of the ablest and most versatile writers of the day. Lang was one of the founders of the study of "Psychical Research," and his other writings on anthropology include The Book of Dreams and Ghosts (1897), Magic and Religion (1901) and The Secret of the Totem (1905). He was a Homeric scholar of conservative views. Other works include Homer and the Epic (1893); a prose translation of The Homeric Hymns (1899), with literary and mythological essays in which he draws parallels between Greek myths and other mythologies; and Homer and his Age (1906). He also wrote Ballades in Blue China (1880) and Rhymes la Mode (1884).

Anglo Saxon Poetry: Anglo Saxon Poetry

Anglo Saxon poetry was circulated orally in a preliterate society, and gathered at last into books over some six centuries before the Norman Conquest ended English independence. Against the odds, some of these books survive today. <P><P>This anthology of prose translations covers most of the surviving poetry, revealing a tradition which is outstanding among early medieval literatures for its sophisticated exploration of the human condition in a mutable, finite, but wonderfully diverse and meaning-filled world.

Anglo Saxon Poetry: Anglo Saxon Poetry

Anglo-saxon poetry was circulated orally in a preliterate society, and gathered at last into books over some six centuries before the Norman Conquest ended English independence. Against the odds some of these books survive today. This anthology of prose translations covers most of the surviving poetry, revealing a tradition which is outstanding among early medieval literatures for its sophisticated exploration of the human condition in a mutable, finite, but wonderfully diverse and meaning-filled world.

Anglo-American Imperialism and the Pacific: Discourses of Encounter (Routledge Research in Postcolonial Literatures)

This interdisciplinary collection explores the confluence of American and British (neo)imperalism in the Pacific, as represented in various forms of Pacific discourse including literature, ethnography, film, painting, autobiography, journalism, and environmental discourse. It investigates the alliances and rivalries between these two colonial powers during the crucial transition period of the early-to-mid twentieth century, also exploring indigenous Pacific responses to Anglo-American imperialism during and beyond the decolonization period of the late twentieth century. While the relationship between Britain and the US has been analyzed through prominent forms of economic and cultural exchange between Europe, Africa, and the Americas, there is to date no sustained study of the relationship between British and US colonial expansion into the Pacific, which became central to ideas of developing ‘European’ modernity in the late eighteenth century and has played a pivotal in the history of Anglo-American colonialism, from the establishment of plantation economies and settler colonies in the nineteenth century to various forms of military imperialism during and beyond the twentieth century. The wide range of discursive and expressive modes explored in this collection makes for a rich and multifaceted analysis of representations of, and responses to, Anglo-American imperialism, and is in keeping with the current interdisciplinary turn in postcolonial studies.

Anglo-American Travelers and the Hotel Experience in Nineteenth-Century Literature: Nation, Hospitality, Travel Writing (Routledge Studies in Nineteenth Century Literature)

This volume examines the hotel experience of Anglo-American travelers in the nineteenth century from the viewpoint of literary and cultural studies as well as spatiality theory. Focusing on the social and imaginary space of the hotel in fiction, periodicals, diaries, and travel accounts, the essays shed new light on nineteenth-century notions of travel writing. Analyzing the liminal space of the hotel affords a new way of understanding the freedoms and restrictions felt by travelers from different social classes and nations. As an environment that forced travelers to reimagine themselves or their cultural backgrounds, the hotel could provide exhilarating moments of self-discovery or dangerous feelings of alienation. It could prove liberating to the tourist seeking an escape from prescribed gender roles or social class constructs. The book addresses changing notions of nationality, social class, and gender in a variety of expansive or oppressive hotel milieu: in the private space of the hotel room and in the public spaces (foyers, parlors, dining areas). Sections address topics including nationalism and imperialism; the mundane vs. the supernatural; comfort and capitalist excess; assignations, trysts, and memorable encounters in hotels; and women’s travels. The book also offers a brief history of inns and hotels of the time period, emphasizing how hotels play a large role in literary texts, where they frequently reflect order and disorder in a personal and/or national context. This collection will appeal to scholars in literature, travel writing, history, cultural studies, and transnational studies, and to those with interest in travel and tourism, hospitality, and domesticity.

Anglo-American Women Writers and Representations of Indianness, 1629-1824

Examining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.

Anglo-Catholic in Religion: T. S. Eliot and Christianity

Barry Spurr's eagerly-awaited, definitive study of T. S. Eliot's Anglo-Catholic belief and practice shows how the poet's religion shaped his life and work for almost forty years, until his death in 1965. The author examines Eliot's formal adoption of Anglo-Catholicism, in 1927, as the culmination of his intellectual, cultural, artistic, spiritual and personal development to that point. This book presents the first detailed analysis of the unique influence that Anglo-Catholicism's doctrinal and devotional principles, and its social teaching, had on Eliot's poetry, plays, prose and personal life. An informed presentation and discussion of Anglo-Catholicism at the time of Eliot's conversion and through the subsequent decades of his Christian faith and practice. Significant new material from correspondence and diaries which sheds light on Eliot's thought, poetry and prose. This book is essential reading for all scholars and readers of T. S. Eliot and his circle; for students and devotees of Anglo-Catholicism, and scholars of the interaction between literature and theology, especially in the twentieth century. It will also be of use to senior and Honours-level undergraduates and postgraduate research students working in the fields of Modernism and its principles and belief systems, and for students of religion, especially Western Christianity and Anglicanism.

Anglo-German Interactions in the Literature of the 1890s

"This is a study of what the main ""aesthetic"" writers of late 19th-century Britain made of German literature, and of how Germany in turn reacted to them. The impact of Anglo-Scottish art nouveau in fin-de-siecle Austria and Germany made it predictable that Keats, Pater and Rossetti, among others, would be well received, but no one could have known in advance that by the time of their deaths, Swinburne and Wilde would be more highly regarded in Germany than in Britain. Bridgwater's documented study casts light on the central cultural issues of the day, including ideas of morality, truth and subjectivism in art, comparing Pater and Wilde with Nietzsche, and George Moore, that chameleon of the decadent 90s, with Schopenhauer."

Anglo-Saxon Attitudes

Gerald Middleton is a sixty-year-old self-proclaimed failure. Worse than that, he's "a failure with a conscience." As a young man, he was involved in an archaeological dig that turned up an obscene idol in the coffin of a seventh-century bishop and scandalized a generation. The discovery was in fact the most outrageous archaeological hoax of the century, and Gerald has long known who was responsible and why. But to reveal the truth is to risk destroying the world of cozy compromises that, personally as well as professionally, he has long made his own.One of England's first openly gay novelists, Angus Wilson was a dirty realist who relished the sleaze and scuffle of daily life. Slashingly satirical, virtuosically plotted, and displaying Dickensian humor and nerve, Anglo-Saxon Attitudes features a vivid cast of characters that includes scheming academics and fading actresses, big businessmen toggling between mistresses and wives, media celebrities, hustlers, transvestites, blackmailers, toadies, and even one holy fool. Everyone, it seems, is either in cahoots or in the dark, even as comically intrepid Gerald Middleton struggles to maintain some dignity while digging up a history of lies.

Anglo-Saxon Emotions: Reading the Heart in Old English Language, Literature and Culture (Studies in Early Medieval Britain and Ireland)

Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.

Anglo-Saxon History: Basic Readings

First published in 2000, Basic Readings in Anglo-Saxon England (BRASE) is a series of volumes that collect classic, exemplary, or ground-breaking essays in the fields of Anglo-Saxon studies generally written in the 1960s or later, or commissioned by a volume editor to fulfill the purpose of the given volume. This, the sixth volume in the series, is the first devoted to history and the first edited by a scholar outside the field of literary study. David Pelteret has collected fifteen previously published essays: the first nine of his essays present a conspectus of Anglo-Saxon history; the other seven are spread among seven "Special Approaches": Anthropology, Archaeology, Art History, Economic and Comparative History, Geography and Geology, Place-Names, and Topography and Archaeology.

Anglo-Saxon Keywords (Keywords in Literature and Culture (KILC). #2)

Anglo-Saxon Keywords presents a series of entries that reveal the links between modern ideas and scholarship and the central concepts of Anglo-Saxon literature, language, and material culture. Reveals important links between central concepts of the Anglo-Saxon period and issues we think about today Reveals how material culture—the history of labor, medicine, technology, identity, masculinity, sex, food, land use—is as important as the history of ideas Offers a richly theorized approach that intersects with many disciplines inside and outside of medieval studies

Anglo-Saxon Manuscripts: Basic Readings (Basic Readings in Chaucer and His Time)

The study of manuscripts is fundamental to the appreciation of Anglo-Saxon texts and culture. Anglo-Saxon Manuscripts: Basic Readings provides an introductory collection of materials covering basic terms, techniques, resources, issues, and applications. Focusing on manuscripts copied before 1100 in England, the selections gathered here consider their history, production, analysis, and significance. Drawn from a variety of published sources and new writings commissioned for this collection, these essays offer a thorough background in principles and practices, along with up-to-date coverage of new developments in paleography. This interdisciplinary collection introduces key subjects of research for Anglo-Saxon studies while suggesting potential developments and new directions within the field.

Anglo-Saxon Psychologies in the Vernacular and Latin Traditions

Old English verse and prose depict the human mind as a corporeal entity located in the chest cavity, susceptible to spatial and thermal changes corresponding to the psychological states: it was thought that emotions such as rage, grief, and yearning could cause the contents of the chest to grow warm, boil, or be constricted by pressure. While readers usually assume the metaphorical nature of such literary images, Leslie Lockett, in Anglo-Saxon Psychologies in the Vernacular and Latin Traditions, argues that these depictions are literal representations of Anglo-Saxon folk psychology.Lockett analyses both well-studied and little-known texts, including Insular Latin grammars, The Ruin, the Old English Soliloquies, The Rhyming Poem, and the writings of Patrick, Bishop of Dublin. She demonstrates that the Platonist-Christian theory of the incorporeal mind was known to very few Anglo-Saxons throughout most of the period, while the concept of mind-in-the-heart remained widespread. Anglo-Saxon Psychologies in the Vernacular and Latin Traditions examines the interactions of rival - and incompatible - concepts of the mind in a highly original way.

Anglophone Indian Women Writers, 1870–1920

The result of extensive archival recovery work, Ellen Brinks's study fills a significant gap in our understanding of women's literary history of the South Asian subcontinent under colonialism and of Indian women's contributions and responses to developing cultural and political nationalism. As Brinks shows, the invisibility of Anglophone Indian women writers cannot be explained simply as a matter of colonial marginalization or as a function of dominant theoretical approaches that reduce Indian women to the status of figures or tropes. The received narrative that British imperialism in India was perpetuated with little cultural contact between the colonizers and the colonized population is complicated by writers such as Toru Dutt, Krupabai Satthianadhan, Pandita Ramabai, Cornelia Sorabji, and Sarojini Naidu. All five women found large audiences for their literary works in India and in Great Britain, and all five were also deeply rooted in and connected to both South Asian and Western cultures. Their works created new zones of cultural contact and exchange that challenge postcolonial theory's tendencies towards abstract notions of the colonized women as passive and of English as a de-facto instrument of cultural domination. Brinks's close readings of these texts suggest new ways of reading a range of issues central to postcolonial studies: the relationship of colonized women to the metropolitan (literary) culture; Indian and English women's separate and joint engagements in reformist and nationalist struggles; the 'translatability' of culture; the articulation strategies and complex negotiations of self-identification of Anglophone Indian women writers; and the significance and place of cultural difference.

Anglophone Jewish Literature (Routledge Studies in Twentieth-Century Literature)

Anglophone Jewish literature is not traditionally numbered among the new literatures in English. Rather, Jewish literary production in English has conventionally been classified as ‘hyphenated’ and has therefore not yet been subjected as such to the scrutiny of scholars of literary or cultural history. The collection of essays addresses this lack and initiates the scholarly exploration of transnational and transcultural Anglophone Jewish literature as one of the New English Literatures. Without attempting to impose what would seem to be a misguided conceptual unity on the many-facetted field of Anglophone Jewish literature, the book is based on a plurality of theoretical frameworks. Alert to the productive friction between these discourses, which it aims to elicit, it confronts Jewish literary studies with postcolonial studies, cultural studies, and other contemporary theoretical frameworks. Featuring contributions from among the best-known scholars in the fields of British and American Jewish literature, including Bryan Cheyette and Emily Miller Budick, this collection transcends borders of both nations and academic disciplines and takes into account cultural and historical affinities and differences of the Anglophone diaspora which have contributed to the formation and development of the English-language segment of Jewish literature.

Anglophone Literature of Caribbean Indenture: The Seductive Hierarchies of Empire (New Caribbean Studies)

This book is the first comprehensive study of Anglophone literature depicting the British Imperial system of indentured labor in the Caribbean. Through an examination of intimate relationships within indenture narratives, this text traces the seductive hierarchies of empire – the oppressive ideologies of gender, ethnicity, and class that developed under imperialism and indenture and that continue to impact the Caribbean today. It demonstrates that British colonizers, Indian and Chinese laborers, and formerly enslaved Africans negotiated struggles for political and economic power through the performance of masculinity and the control of migrant women, and that even those authors who critique empire often reinforce patriarchy as they do so. Further, it identifies a common thread within the work of those authors who resist the hierarchies of empire: a poetics of kinship, or, a focus on the importance of building familial ties across generations and across classifications of people.

Angola to Zydeco: Louisiana Lives

Angola to Zydeco: Louisiana Lives is a collection of creative nonfiction pieces about the lively personalities who call south Louisiana home. Originally published in newspapers based in Lafayette—Times of Acadiana and Independent Weekly—the twenty-five profiles and features provide intriguing glimpses into the lives of well-known Louisianans such as James Lee Burke, Ernest J. Gaines, Elemore Morgan Jr., Buckwheat Zydeco, Marc Savoy, Boozoo Chavis, Calvin Borel, Santy Runyon, and Eddie Shuler. Author R. Reese Fuller also details the sometimes zany and sometimes tragic subjects that populate the cultural landscape of south Louisiana, from Tabasco peppers to Angola prison to cockfighting. Fuller brings years of experience in the newspaper industry to bear on this collection, offering behind-the-scenes access not available elsewhere. Of particular note are his interviews with musicians and local celebrities, who reveal how their love of the region has influenced their work. Fuller’s natural approach to storytelling creates a book that is a joy to read and truly represents the people of south Louisiana.

Angor Reborn (Trollhunters #6)

Jim faces off against Angor Rot in this all-new epic story based on the hit Netflix series Trollhunters—from the limitless imagination of acclaimed filmmaker Guillermo del Toro and DreamWorks Animation.When presented with one more task from Merlin, Jim Lake, Jr., isn’t too worried. How bad could bathing in a magical elixir be? It almost sounds soothing. Hopefully he’ll be able to relax and get away from it all. Oddly enough, it does transport him, just not in the way he imagined. Suddenly Jim finds himself in the cold, dark woods and he’s not alone. The recently resurrected Angor Rot is there with a score to settle. To make matters more complicated, Jim has suddenly grown taller, stronger, and is sporting some very Troll-like hair, eyes, and teeth. All of this leaves him questioning Merlin’s magic, trying to get a handle on his new body, and wondering how he’ll get away from Angor Rot. Talk about an awkward stage! This book includes full-color glossy inserts with images from the show! DreamWorks Trollhunters © 2018 DreamWorks Animation LLC. All Rights Reserved.

Angora Alibi

The sun is shining in Sea Harbor and a group of friends, the Seaside Knitters, are spending Thursday evenings knitting the sweetest of gifts--a baby blanket. But as the due date draws near, they find they must take time away from their needles and yarn to confront a murder and untangle a mystery before a certain baby is brought into the world. . . . It's an exciting time for yarn shop owner Izzy Chambers Perry. She and her new husband are expecting a baby, and all of Sea Harbor seems to be rejoicing with them. As a mother-to-be, Izzy is having a heady summer--full of bike rides, runs along the shore, and time spent with her aunt Nell and the other Seaside Knitters--until the day she spots an abandoned baby car seat and hand-knit blanket on the beach. Izzy immediately recognizes the blanket's material--a soft yellow angora yarn she displayed in her shop window last fall. Maybe it's the hormones, but Izzy has a terrible premonition, and when she realizes no one is claiming the car seat, she shoves it in her trunk. Soon it starts taking over her thoughts and her dreams. What happened to the baby who once sat inside it? Unfortunately, Izzy's fear of something bad happening comes true when a young man who did odd jobs at her doctor's clinic is killed during a scuba dive. When Izzy discovers the man was actually murdered and is connected to the abandoned car seat, the crime becomes too close for comfort and Izzy asks her aunt Nell and knitting pals to investigate. It'll take the Seaside Knitters' careful attention to patterns--and their fierce commitment to bringing Izzy and Sam's baby into a peaceful town--to knit this mystery together. . . .

Angora Alibi: A Seaside Knitters Mystery

Readers can't help but get entangled in this USA Today bestselling series.The Seaside Knitters of sunny Sea Harbor are busy crafting a baby blanket for a member of their circle. But as the due date draws near, so does a puzzling plot.... Yarn shop owner Izzy Chambers Perry is having a heady summer. She and her new husband, Sam, are expecting a baby. She's trying to stay active with bike rides, runs along the shore, and spending time with the Seaside Knitters--until the day she spots an abandoned baby car seat and a familiar blanket on the beach. Izzy immediately recognizes the blanket's material--a soft yellow angora yarn she displayed in her shop window last fall. Maybe it's the hormones, but Izzy has a terrible feeling.... After a local man dies during a scuba dive, Izzy discovers he was actually murdered and is connected to the abandoned car seat. Now it's up to the Seaside Knitters to investigate. With their careful attention to patterns--and their fierce commitment to bringing Izzy and Sam's baby into a peaceful town--they're determined to knit this mystery together. KNITTING PATTERN INCLUDEDFrom the Hardcover edition.

Angry Black White Boy or the Miscegenation of Macon Detornay

From the acclaimed author of Shackling Water comes the first great race novel of the twenty-first century, an incendiary and ruthlessly funny satire about violence, pop culture, and American identity. Macon Detornay is a suburban white boy possessed and politicized by black culture, and filled with rage toward white America. After moving to New York City for college, Macon begins robbing white passengers in his taxicab, setting off a manhunt for the black man presumed to be committing the crimes. When his true identity is revealed, Macon finds himself to be a celebrity and makes use of the spotlight to hold forth on the evils and invisibility of whiteness. Soon he launches the Race Traitor Project, a stress-addled collective that attracts guilty liberals, wannabe gangstas, and bandwagon riders from all over the country to participate in a Day of Apology--a day set aside for white people to make amends for four hundred years of oppression. The Day of Apology pushes New York City over the edge into an epic riot, forcing Macon to confront the depth of his own commitment to the struggle. Peopled with all manner of race pimps and players, Angry Black White Boy is a stunning breakout book from a critically acclaimed young writer and should be required reading for anyone who wants to get under the skin of the complexities of identity in America.

Angry Candy

A collection of short stories.

Angry Candy

The Seattle Times said of Angry Candy: "Ellison's stories rattle the bars of complacency that people put around their souls . . . Razor sharp . . . piercingly profound." Once again, Ellison's writing defies all labels. These seventeen stories by a modern master are an "assembled artifact" of anger and faith - as bittersweet as a"jalapeno-laced cinnamon bear." The sixteen stories collected here are spread over the farthest stretches of time and space, but even the bleakest of them is warmed by a passionate faith in the endurance of life and its ultimate possibilities.