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The Bob Ross Cookbook: Happy Little Recipes for Family and Friends
by Robb PearlmanCook craveable comfort food favorites and find joy in your kitchen's happy little accidents with this one-of-a-kind cookbook for Bob Ross fans and aspiring chefs of all ages.Featuring comfort-food favorites inspired by Bob Ross's iconic words and scenic landscapes, this collection of recipes is as delightful and distinctive as the artist himself.The Bob Ross Cookbook: Happy Little Recipes for Family and Friends includes recipes and entertaining ideas based on the art and wisdom of Bob Ross, evoking the painter's signature wisdom and tone. Learn how to apply his laid back, meditative approach to delicious meals such as:Happy Little Roasted ChickenCurly-Topped Veggie Mac and CheeseNothing-to-It Pot RoastVan Dyke Browned MeatballsGolden Sunset Shrimp ScampiUpstream Salmon CroquettesBrunch Palette QuicheCabin-Roasted VegetablesAnd much more!Peppered with Bob's own art and quotes and featuring full-color food illustrations from a certified Bob Ross painting instructor, this cookbook features easy-to-follow recipes that include "Bravery Test" sidebars for when you want to take it up a notch. You know The Joy of Painting; now learn the joy of cooking with Bob Ross.
Bob Ross' Happy Little Night Before Christmas
by Robb Pearlman2022 IPPY AWARDS SILVER MEDALIST - HOLIDAY &“[A] breathtaking family treasure to page through, highly recommended.&” —Midwest Book Review An instant holiday classic. A happy little Christmas miracle.Even after more than 20 years after his death, pop culture icon, painter, host, and teacher Bob Ross has never been more heralded than he is today. His memorable quotes, friendly face, and signature hairstyle grace merchandise and memes around the world. But what makes Bob as beloved as he is are ultimately his core values, and his peaceful, joyful demeanor that encouraged his students and viewers to not only appreciate their natural talents but to appreciate the natural world around them. Bob was, in many respects, the embodiment of the classic holiday sprint which encourages peace on Earth and good will toward men.Now, for the first time, inspired by the classic Clement C. Moore&’s story, this fully-authorized tale of a painter (and his little squirrel friend) on a cold winter night pairs Bob Ross's most beautiful wintertime landscapes with a meditation on embracing not only your inner creativity, but the beauty of nature, and the feelings of peace, friendship, and harmony that blankets the entire holiday season like a happy little snowfall. Perfect for families, fans, and painters of all ages, Bob Ross&’s Happy Little Night Before Christmas is the perfect addition to any holiday tradition.
Bob Ross: My First Book of Colors
by Robb PearlmanA titanium snowcapped mountain. A happy little tree made with Van Dyke Brown and Dark Sienna. A majestic, vibrant phthalo blue sky. Bob Ross: My First Book of Colors is an early concept board book featuring various Bob Ross paintings and some of Bob's little quips about each of the thirteen colors he used on his palette in front of TV audiences. Full of real paintings from the iconic artist, this is sure to be a hit for any Bob Ross fan.Colors include: Alizarin Crimson Bright Red Cadmium Yellow Hue Dark Sienna Indian Yellow Midnight Black Phthalo Blue Prussian Blue Sap Green Titanium White Van Dyke Brown Yellow Ochre
Bob Ross: My First Book of Nature (My First Bob Ross Books)
by Robb PearlmanThe second official board book featuring Bob Ross's stunning, iconic paintings with a special nod to the natural world.Happy little clouds. Tall, snow-capped mountains. River rocks. The beauty of nature is everywhere. Bob Ross: My First Book of Nature is an early concept board book featuring various Bob Ross paintings and some of Bob's little quips about all of the beautiful sights seen in nature and that he painted in front of TV audiences. Full of real paintings from the iconic artist, this follow up to Bob Ross: My First Book of Colors is sure to be a hit for any Bob Ross fan.
Bob Ross: My First Book of Numbers (My First Bob Ross Books)
by Robb PearlmanToddlers will learn their numbers and basic counting skills with Bob Ross and his 13 paints in this early concept board book. Count your way to thirteen in this serene and peaceful early concept board book in the Bob Ross My First Book series, which includes Bob Ross: My First Book of Colors and Bob Ross: My First Book of Nature! Count one bright moon, two friends, three (then four) trees, five rocks, and more with iconic painter Bob Ross as he quips and reminds you to take things slowly. Illustrated using real paintings created by Bob Ross, this is a perfect board book for fans young and old alike! Copyright © 2023 by Bob Ross Inc. ®Bob Ross name and images are registered trademarks of Bob Ross Inc. © Bob Ross Inc. Used with Permission. All rights reserved.
Bob Wills: Hubbin' It
by Ruth Sheldon Charles R. TownsendUnavailable for decades, this pioneering biography of the King of Western Swing returns to print in a handsome new edition with index and a new critical introduction. Few figures in country music's history have left as distinctive and lasting an impression as Bob Wills (1905-1975). An expert fiddler and a magnetic showman, Wills popularized a style of Southwestern dance music known as western swing, a rhythmic hybrid of Texas fiddle music, blues, and big band swing that set dance halls alight across the Southwest in the thirties and forties. Despite his passing, his legacy has been carried forward in the music of such modern stars as Merle Haggard and George Strait. In 1938, when Wills was thirty-three and nearing the height of his fame, journalist Ruth Sheldon chronicled the rags-to-riches rise of this talented musician, showing remarkable foresight in her choice of subject. Working with the complete cooperation of Wills, Sheldon produced a biography that fully captures the ebullient personality of Wills and reflects the bandleader's vision of himself. Noted country music historian Bill C. Malone has praised this book as a "pioneering biography," a landmark in the recording of country music history. Now restored to print for the first time since its initial 1938 publication, Hubbin' It provides a fascinating window into the daily life of a working musician during the Depression. It is a rich source of historical detail on the life of one of America's great musical innovators. Distributed for the Country Music Foundation Press.
Bobby Baker: Redeeming Features of Daily Life
by Michèle Barrett Bobby BakerBobby Baker is one of most widely acclaimed and popular performance artists working today. Over the course of a thirty-five-year career she has toured the globe with her wildly stimulating explorations of 'Daily Life' and has been extensively written about and studied. This fully-illustrated book brings together for the first time an account of Baker's career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, 'How to Live' and 'Diary Drawings' – with critical commentary by reviewers and academic practitioners. It includes: Bobby Baker's own 'Chronicle' of her work as artist and performer illuminating critical writing about Baker's shows transcripts of Baker's performances and other original materials reproduced here for the first time significant new essays by Michele Barrett and Griselda Pollock a new interview with Bobby Baker by Adrian Heathfield. Under the guiding editorial hand of distinguished cultural theorist Michèle Barrett, this volume is an essential text for students interested in performance, gender, and visual culture, and a hugely absorbing and accessible account of Baker's work.
Bobby Braddock: A Life on Nashville’s Music Row (Co-published with the Country Music Foundation Press)
by Bobby BraddockIf you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched.If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
Bobby Braddock: A Life on Nashville's Music Row (Co-published with the Country Music Foundation Press)
by Bobby BraddockIf you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched. If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
The Bobby Girls: The Bobby Girls, Book One (The Bobby Girls)
by Johanna Bell1914. While their men fight in France, at home in Britain women are finally seizing the opportunity to make a difference . . .Maggie and her new friends Annie, Irene and Sarah come from very different backgrounds, but they've got one thing in common: they've all signed up for the Women's Police Volunteers. They can't wait to show the men just what they're made of.But soon, Maggie realises she's in over her head. Hiding her involvement with the WPV from her tyrannous father is becoming ever more difficult, and when she bumps into an old acquaintance with a big chip on his shoulder, the dangers of her new life become all too clear . . .As she and the girls work to find their feet on the beat, will their friendship get her through the darkest of times? A gritty, uplifting new saga series about the first ever female police officers, set at the outbreak of the First World War - perfect for fans of Dilly Court, Daisy Styles and Call the Midwife.(P) 2019 Hodder & Stoughton Ltd
Bodies and Transformance in Taiwanese Contemporary Theater
by Peilin LiangIn Bodies and Transformance in Taiwanese Contemporary Theater, Peilin Liang develops a theory of bodily transformation. Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework. Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.
Bodies in Commotion: Disability and Performance
by Carrie Sandahl Philip Auslander"A testament to the synergy of two evolving fields. From the study of staged performances to examinations of the performing body in everyday life, this book demonstrates the enormous profitability of moving beyond disability as metaphor. . . . It's a lesson that many of our cultural institutions desperately need to learn. " -Martin F. Norden, University of Massachusetts-Amherst This groundbreaking collection imagines disabled bodies as "bodies in commotion"-bodies that dance across artistic and discursive boundaries, challenging our understanding of both disability and performance. In the book's essays, leading critics and artists explore topics that range from theater and dance to multi-media performance art, agit-prop, American Sign Language theater, and wheelchair sports. Bodies in Commotionis the first collection to consider the mutually interpretive qualities of these two emerging fields, producing a dynamic new resource for artists, activists, and scholars.
Bodies in Pain: Emotion and the Cinema of Darren Aronofsky
by Tarja LaineThe films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Bodies in Suspense: Time and Affect in Cinema
by Alanna ThainBodies in Suspense presents a powerful new way to think through postdigital cinema and the affective turn in critical theory. According to Alanna Thain, suspense films allow us to experience the relation between two bodies: that of the film and that of the viewer. Through the “time machine” of suspense, film form, gender, genre, and spectatorship are revealed in innovative and different ways. These films not only engage us directly in ethical concerns, but also provide a key for understanding corporeal power in the digital era. Offering a new framework for understanding cinematic suspense, Bodies in Suspense argues that the “body in time” enables us to experience the temporal dimension of the body directly. This is the first book to link two contemporary frames of analysis: questions of cinematic temporality and contemporary affect theory. Thain conducts close readings of influential suspense films by Alfred Hitchcock, David Lynch, Christian Marclay, Rian Johnson, and Lou Ye, and sets forth a compelling new theory of cinema, reading for the productivity of the “crime of time” that stages the duplicity of cinematic bodies. Through these films that foreground doubled characters and looping, Thain explores Gilles Deleuze’s claim that “the direct time-image is the phantom which has always haunted cinema.”A vital new addition to film theory, corporeality and affect theory, feminist theory, and the philosophy of time—and one of the first books to explore David Lynch’s Hollywood trilogy—Bodies in Suspense asks us to pay attention, above all, to the ways in which the condition of spectatorship creates a doubling sensation with important philosophical repercussions.
Bodies, Noise and Power in Industrial Music (Pop Music, Culture and Identity)
by Jason Whittaker Elizabeth PotterThis edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial music’s elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. The chapters have been carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African women’s collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the ‘industrial’ boundary and broadening the focus beyond white European industrial music.
The Bodies of Others: Drag Dances and Their Afterlives (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Selby Wynn SchwartzThe Bodies of Others explores the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances on American stages. Drag dances take us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. There are aging étoiles, midnight shows, mystical séances, and all of the dust and velvet of divas in their dressing-rooms. But these forty years of drag dances are also a cultural history, including Mark Morris dancing the death of Dido in the shadow of AIDS, and the swans of Les Ballets Trockadero de Monte Carlo sketching an antiracist vision for ballet. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics.
The Bodies That Were Not Ours: And Other Writings
by Coco FuscoInterdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.Engaging and provocative, these essays, interviews, performance scripts and fotonovelas take readers on a tour of our current multicultural landscape. Fusco explores such issues as sex tourism in Cuba as a barometer of the island's entry into the global economy, Frantz Fanon's theorization of metropolitan blackness, and artistic and net activist responses to the effects of free trade on the Mexican populace. She interviews such postcolonial personnae as Isaac Julien, Hilton Als and Tracey Moffatt. Approaching the dynamics of cultural fusion from many angles, Fusco's satires, commentaries, and sociological inquiries collapse boundaries, and form a sustained meditation on how the forces of globalization impact upon the making of art.
Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity (Routledge Research in Music)
by Deniz Peters Gerhard Eckel Andreas DorschelIn this book, scholars and artists explore the relation between electronic music and bodily expression from perspectives including aesthetics, philosophy of mind, phenomenology, dance and interactive performance arts, sociology, computer music and sonic arts, and music theory, transgressing disciplinary boundaries and established beliefs. The historic decoupling of action and sound generation might be seen to have distorted or even effaced the expressive body, with the retention of performance qualities via recoupling not equally retaining bodily expressivity. When, where, and what is the body expressed in electronic music then? The authors of this book reveal composers’, performers’, improvisers’ and listeners’ bodies, as well as the works’ and technologies’ figurative bodies as a rich source of expressive articulation. Bringing together humanities’ scholarship and musical arts contingent upon new media, the contributors offer inspiring thought and critical reflection for all those seriously engaged with the aesthetics of electronic music, interactive performance, and the body’s role in aesthetic experience and expression. Performativity is not only seen as being reclaimed in live electronic music, interactive arts, and installations; it is also exposed as embodied in the music and the listeners themselves.
Body and Earth: An Experiential Guide (Middlebury Bicentennial Series In Environmental Studies)
by Andrea Olsen"Body is our first environment," writes Andrea Olsen. "It is the medium through which we know the earth." In a remarkable integration of environmental science, biology, meditation, and creative expression, Olsen, a dancer who teaches in the environmental studies program at Middlebury College, offers a guide to a holistic understanding of person and place. Part workbook, part exploration, Body and Earth considers the question of how we can best, most responsibly inhabit both our bodies and our planet. Olsen displays an easy command of fields as diverse as geology, biochemistry, ecology, and anatomy as she explores the ways in which our bodies are derived from and connected to the natural world. But Body and Earth is not just a lesson, it is also an investigation. Arranged as a 31-day program, the book offers not only a wealth of scientific information, but also exercises for both exploring the body and connecting with place; illustrations and works of art that illuminate each chapter's themes; and Olsen's own meditations and reflections, connecting the topics to her personal history and experience. Olsen insists that neither body nor landscape are separate from our fundamental selves, but in a culture which views the body as a mechanism to be trained and the landscape as a resource to be exploited, we need to learn to see again their fundamental wholeness and interconnection. Through hard data, reflection, exercises, and inspiration, Body and Earth offers a guide to responsible stewardship of both our planet and our persons.
Body and Event in Howard Barker's Drama: From Catastrophe to Anastrophe in The Castle and Other Plays
by Alireza FakhrkonandehThis book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler’s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).
Body by God: The Owner's Manual for Maximized Living
by Ben LernerYour body is by God. God preprogrammed you to look great, have outrageous health, and experience incredible happiness. In the human body, God created a perfect design, equipped with all the organs, tissues, and cells necessary for health, production, and reproduction. The problem, asserts Dr. Ben Lerner, is when we as humans interfere with God's design for our bodies. Junk food, high-stress living, and neglecting exercise are just a few of the things we do to hinder our bodies' performance.In Body by God, Dr. Lerner offers a comprehensive plan for getting in touch with our bodies in four areas: nutrition, exercise, stress management, and time management. His "5-in-5" plan is designed to instill the good habits that will lead to optimum health benefits. Readers will learn how to get in shape with 10-minute workouts, reprogram the way they react to stress, and more. "Owner's Manual Tips" give specific ways to apply the material to real life. Our bodies are "fearfully and wonderfully made." With the help of Body by God, readers will learn how to achieve the highest level of performance from God's handiwork.
Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin (Palgrave Studies in (Re)Presenting Gender)
by Juli A. KrollInsurgent Skin: Body, Gender, and Sexuality in Latin American Cinema argues that twenty-first century Latin American cinema about lesbian, feminist, intersex, and transgender themes is revolutionary because it disrupts heteronormative and binary representation and explores new, queer signifying modes.Grounded in feminist and queer theory, Insurgent Skin conjugates film phenomenology and theories of affect and embodiment to analyze a spectrum of Latin American films.The first chapters explore queer signifying in Argentinean director Lucrecia Martel’s Salta trilogy and the lesbian utopia of Albertina Carri’s Las hijas del fuego (2018). Next, the book discusses the female body as uncanny absence in Tatiana Huezo’s documentary Tempestad (2016), a film about gendered violence in Mexico. Chapter Five focuses on intersex films and the establishing of queer solidarity and an intersex gaze. The last chapter examines transgender embodiment in the Chilean film Una mujer fantástica (2017) and Brazilian documentary Bixa Travesty (2018).
Body Genre: Anatomy of the Horror Film (Horror and Monstrosity Studies Series)
by David Scott DiffrientIn this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals.Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.
The Body in Crisis: New Pathways and Short Circuits in Representation (Studies in Dance: Theories and Practices)
by Christine GreinerThe Body in Crisis introduces the English-speaking world to the work of leading Latin American dance scholar and philosopher of the body, Christine Greiner. The book offers an innovative set of tools with which to examine the role of moving bodies and bodily actions in relation to worldwide concerns, including identity politics, alterity, migration, and belonging. The book places the concept of bodymedium in dialogue with the work of Giorgio Agamben to investigate notions of alterity, and shows how an understanding of the body-environment continuum can shed light on things left unnamed and at the margins. Greiner’s analyses draw from a broad range of theory concerned with the epistemology of the body, including cognitive science, political philosophy, evolutionary biology, and performance studies to illuminate radical experiences that question the limits of the body. Her analysis of the role that bodies play in negotiations of power relations offers an original and unprecedented contribution to the field of dance studies and expands its scope to recognize theoretical models of inquiry developed in the Global South.
A Body in Fukushima
by Eiko Otake William JohnstonOn March 11, 2011 one of the most powerful earthquakes in recorded history devastated Japan, triggering a massive tsunami and nuclear meltdowns at three reactors in the Fukushima Daiichi Nuclear Power Plant complex in a triple disaster known as 3.11. On five separate journeys, Japanese-born performer and dancer Eiko Otake and historian and photographer William Johnston visited multiple locations across Fukushima, creating 200 transformative color photographs that document the irradiated landscape, accentuated by Eiko's poses depicting both the sorrow and dignity of the land. The book also includes essays and commentary reflecting on art, disaster, and grief.From the PrefaceTHIS IS A BOOK OF FUKUSHIMA. THIS IS A BOOK OF WAILING AND UPSET, inhabiting time after March 11, 2011 and imagining time before then. This is a book of the irradiated landscape of Fukushima. This is a book of violence, and of disasters, fast and slow. This is a book of people, mountains, fields and the sea. This book is A Body in Fukushima: the body of a performer—an immigrant artist from Japan, and the body of a historian who is also a photographer, and the body of the land itself.We traveled together to Fukushima five times between 2014 and 2019. Eiko performed in the disrupted landscapes. Bill photographed the performances. Together we selected the photographs and writings for this book, and Bill wrote the captions. The year 2021 marks the tenth anniversary of the Fukushima nuclear disaster. The Timeline in the book extends to include a deeper history that is part of this tragedy and this place. And Places Visited shows the coastline where we performed and photographed. We hope that these images allow you to enter Fukushima, to feel and smell it. —EO & WJ